Counterparts: Form and Emotion in Photography: Pub by

Counterparts: Form and Emotion in Photographs Naef, Weston J.;Morgan, Joan;Metropolitan Museum of Art (New York, N.Y.) Published by Metropolitan Museum of Art, Middle Village, New York, U.S.A., 1982 B

Jan Saudek is a renowned Czech photographer known for his provocative and highly artistic work, often exploring themes of sensuality, the human form, and emotion. "The Abundance" is likely a reference

This captivating abstract oil painting by David Hales, a prominent figure in the 20th-century New York art scene, is a mesmerizing exploration of color, form, and emotion. Hales, who hailed from Brook

Immerse yourself in the intense interplay of emotion and form with this vintage avant-garde oil on canvas painting. The artist, Derwis, HHD, captures the essence of a dynamic and rhythmic composition

"Form" by Horst P. Horst, 1st Edition published by Twin Palms, 1992. Book in excellent condition with dust jacket showing minor signs of handlng. Printed in Japan, 144 pages with 75 full-page photogra

BLOSSFELDT, Karl. ART FORMS IN NATURE. London: A. Zwemmer, 1929. First edition in English. xv., [120 pp].Illustrated with gravure plates. 4to, green cloth with gilt lettering, generally a very good co

A lot of nine Italian collectible hand painted cartes de visite perhaps the most ubiquitous form of nineteenth century photography. The 9 cabinet portrait photo cards are depicting male and female fig

A set of seven vintage cartes de visite perhaps the most ubiquitous form of nineteenth century photography. The 7 cabinet photo cards are depicting male and female Russians. From the late 1850s throug

A lot of three Giorgio Conrad Napoli hand painted cartes de visite perhaps the most ubiquitous form of nineteenth-century photography. The 3 cabinet portrait photo cards are depicting male and female

The collection of shot glasses including eight "West Coast Los Angeles"; one "Exile Cycles" skull and wrench-form crossbones; two "Drinkers Pub"; five 'Made in Poland'; and another group of five, two

A set of four handpainted Carte de Visit photographs perhaps the most ubiquitous form of nineteenth century photography. The 4 pieces are depicting male and female figures of local Norwegian people. F

A lot of four collectible Sweden WA Eurenius & PL Quist hand painted cartes de visite perhaps the most ubiquitous form of nineteenth century photography. The 4 cabinet photo cards depicting male and f

A lot of four collectible Sweden WA Eurenius & PL Quist and Rosalie Sjoman Stockholm hand painted cartes de visite perhaps the most ubiquitous form of nineteenth century photography. The 4 cabinet pho

Man Ray was an American modernist artist who made significant contributions to various forms of art, including photography, painting, and sculpture. He was born Emmanuel Radnitzky on August 27, 1890,

USA, c. 1940s gelatin silver print 5” x 4” Intersecting concentric oval forms; artist unknown. Tags: photograph, photography, experimental, nature, man ray, modernist, bauhaus, nagy

19th century English quart capacity pub tankard of ‘concave’ form. Circa 1850. H: 6 ½â€.

DAVID W. MARTIN Signed Sedona Photograph, signature to lower right illegible, verso reads ‘David W. Martin Fine Nature Photography’, subject a Sedona’s red rock forms, measures 15 1/8 x 13 1/8,

AARON SISKIND (attributed), Trees in Snow, c. 1950, 9.25x6.75" Gelatin silver print, Printed c. 1950. Siskind was interested in form in abstraction, experimenting here with bare trees in the snow. Aar

DETROIT PHOTOGRAPHIC PUBLISHING COMPANY. 01961. Temple Gate Islands Lake Superior Wisconsin, 1898 Hand Colored Gelatin Silver Print 19.75x16.7"ASG# DPC/2654 title and copyright 1898 Detroit Pub. in ne

PATRICK NAGATANI Airplane Window #1 1984 24.5x21.5" Signed Polaroid print on 29x22" paper edition # 7/15 ASG# PNC/094 signed titled front Disaster can come in many forms but living in LA Patrick viewe

Group of Three English Oak Pub Stools, 18th century, comprising a pair of stools of traditional form, each with a rectangular seat above a carved frieze, raised on turned legs joined by a box stretche

Pair wrought iron lantern form wall sconces. From Olde Blind Dog Irish Pub, Atlanta, GA 31"h x 12 1/2"w x 20"d approx

Pair of English Pub Style Swivel Armchairslate 20th century, solid carved oak, barrel back form with scalloped back panel, scrolled arms, rush seat, straight legs. 37.5 x 22 x 19.5 in., seat height 19

Adam Tihany for Pace Collection Leather Pub Chair and Ottomanlate 20th century, the chair of barrel-back form, fitted with a loose cushion and with turned and tapered black leather arm fronts, h. 29-1