Daniel Turner (act.1782-1820) British. Thames Scene

David Gould Green (1854-1917) British. A Thames Scene, with Barges, Watercolour, Signed, 13.5” x 19.5”.

George Turner (British, 1782-1820) Landscape with Haystacks, 1886 oil on canvas signed Geo. Turner and dated (lower right) 29 3/4 x 49 1/2 inches.

William Eddowes Turner (British, ca. 1820-1885) "Standoff in the Stable", 1871 oil on canvas signed and dated lower left. Framed. 13-1/2" x 10-1/2", framed 16-1/4" x 13-1/4"

After Joseph Mallord William Turner (1775-1851) British. A Venetian Scene, Watercolour, 9” x 12.5”. Provenance; Robert. A. Christoforides.

Daniel John Pound (British, 1820-1894). Admiral Hamelin. Original engraving on wove paper. Year: c. 1855. Signed in the plate. Image Size 5 3/4 x 8 3/8 inches. Framed dimensions approximately 15 x 17

Daniel John Pound (British, 1820-1894). Portrait of Prince Mikhail Dmitrievich Gorchakov. Antique engraving on wove paper. Year: c. 1855. Signed in the plate. Condition: Excellent. Dimensions: Image S

Watercolor painting after J.M.W. Turner (British, 1775-1851) of a beach scene titled "Off Brighton", depicting figures and boats, not signed. Papers mounted on back. [Art: 8" H x 10" W; Frame: 17" H x

After J.M.W. Turner (British 1775-1851) The Golden Bough, oil on canvas, framed   Late 19thc. copy of the famous painting by J.M.W.  Turner based on a scene in Virgil's Aeneid where Aeneas must br

J.M.W. TURNER (ENGLISH, 1775-51), MEZZOTINT ENGRAVINGS, 3 PCS, H 8", W 12", BRITISH SCENES A collection of mezzotint engravings by J.M.W. Turner. Artist's attribution and titles to the lower margins i

(lot of 3) Framed engravings on paper, after Joseph Mallord William Turner (British, 1775-1851), comprising: River and Cathedral Landscape, Harbor Scene, Rabbit Hunting Landscape, some foxing and warp

Frank William Scarborough (British, 1860-1939) Watercolor on Paper "The Pool of London", H 14.5" W 21" | Signed lower right and titled lower left. Thames River scene of vessels being towed by tugboats

Francis Calcraft Turner (1782-1846 British) ''In Full Cry'' 1845 Oil on Canvas 20''x30'' Image. Depicts a hunting scene with various equestrian figures and dogs. Signed and dated l.r. corner. Professi

Wilkinson, Gerald. Turner Sketches, 1729-1820, London, Barrie and Jenkins, 1977. Gaunt, William. Turner, Phaidon Press, Oxford, 1981. Butlin, Martin;Luther, Mollie; and Warrell, Ian. Turner at Petwort

Maria Spilsbury Taylor (British, 1776-1820) 1805 Etching "The Lost Child Found, and the felicity of the nursery restored" - Interior scene parents, enjoying the company of all their children in the nu

Frank Short (British 1857-1945)- ''Scene in the Campagna'' (Hardie 4); ''The Source of The Arveron'' (H. 11)- 2 etchings, both preliminary state for the mezzotint after J. M. W. Turner. 7 1/4 x 10 1/4

GEORGE HUNT (BRITISH, ACTIVE 1820-1845) VALE OF ALESBURY STEEPLE CHASE PRINTS, LOT OF THREE, aquatint in colors on laid paper (each), after Francis Calcraft Turner (British, 1782-1846), published by J

Watercolor on paper. Featuring an impressionist landscape scene of River Thames. Signed WSC on the lower right corner. Stamped WINSTON CHURCHILL and Galerie Beyeler PARIS on verso. 22.3 x 34.7 cm (8.7

ARTIST: Henry Barnard Gray (British, c. 1824 - 1903) NAME: Lock A River Scene on the Thames MEDIUM: oil on canvas CONDITION: Relined. Minor craquelure. Some scattered inpainting in the sky area. Wear

James McNeill Whistler (American, British 1834���1903). Framed drypoint on cream paper. The work titled "The Forge," from "A Series of Sixteen Etchings of Scenes on the Thames and Other

(5) Sidney Litten (British, 1887-1949), etching, Venice Scenes, each pencil signed, 11-1/2" x 14" plate, 13-3/4" x 18-3/4" sheet (largest) , Property from the Estate of Daniel Dietrich, II

(4) Sidney Litten (British, 1887-1949), etching, Venice Scenes, each pencil signed, 13" x 11-5/8" plate, 15-3/4" x 20-1/2" sheet (largest) , Property from the Estate of Daniel Dietrich, II

Richard Barrett Davis Painting (British, 1782-1854), Oil on Canvas, Fox Hunt Scene with Hunter on Horseback and Group of Dogs Emerging From the Woods, C. 1820. Canvas Size: 18" High, 24" Wide

Circa 1820. Having a broken arch pediment with nicely carved top above glazed door opening to handsomely painted dial with town scene at upper segment and signed Geo Broadbelt Newcastle. The piece is

soft ground etchings, circa 1815-1820, to include "Millbank on the Thames" and "On the Yare, Norfolk," each retains gallery label and information to backing, matted and presented in matching gilt fram