Devotional plaque. Naples, ca. 1720. "Virgin and Child Jesus". Plate in silver. Frame of ebony, with

DESCRIPTION: A Large 19th Cent. silver plated plaque attributed to maker Elkington, features a battle scene of Diana The Huntress. Completed in a wooden frame.CIRCA: 19th Cent.ORIGIN: European DIMENSI

Fine Italian micromosaic plaque, Europa, c. 1820, Rome, The Rape of Europa, multicolor stone inlay, very detailed and finely rendered, the plaque mounted in silver inner frame within velvet-lined parc

Judaica – A heavy Elizabeth II sterling silver Passover (seder) plate / wall plaque, London 1980 by George Weil Of shaped broadly circular outline, sculpturally modelled as the head and arms of

Rare 17th - 18th Century Sino-Portuguese Ivory Group of the Madonna and Child of typical iconography. Portraying the Virgin Mary with long hair and flowing robes, holding the child Jesus with both han

Four framed porcelain plaques depicting elders and children, in rosewood and burl frames, signed Zhu Shan Ba Yu, and titled. Plaque 32” x 8.5”, Overall in frames 42” x 18”.

Valencian School; around 1600."Virgin with Child"Oil on canvas.Has a tear in the canvas.It has a frame following old models.Measures: 151 x 105 cm; 175 x 117 cm (frame)A look of tenderness between the

14th century A.D. A large carved limestone statue of standing Virgin Mary carrying infant Jesus on her raised left arm; wearing a high crown with flowers and a veil, beautifully carved oval-face with

Title:Renaissance Old Master Altarpiece Adoration of the Magi Oil Painting Christ Child Virgin Mary Nobleman Wise Men Ermine Collar Attendants Tabernacle Frame Gothic Medieval Subject Description: Abs

An ivory Holy Virgin and Child, on a wooden Gothic Revival base, early 20thC, H 74,5 cm - Weight: ca. 10,4 kg (with base)

Albrecht Durer Virgin and Child Crowed by On Engraving,W 6 in.H 7 in., frame: W 27 in.H 28.5 in.

Fourteen cirular silver plates, thirteen marked Odiot à Paris. Second-half of the 19th Century (d cm 6) (tot. g 7060 ca.) (minor defects) IT Quattordici piatti in argento di forma circolare sagomat

精美西洋畫框鑲孩童嬉戲瓷板西洋畫 In a magnificent giltwood frame. Beautifully painted with cherubim with fruits. Stamped mark on

Tabernacle of the Virgin and Child with Two Cherubs, Christ of Sorrow above in the lunette top, relief in painted stucco housed in a contemporary frame of gilt and painted wood, having gilt haloes, or

Flemish school, ca. 1520. Attributed to the MASTER OF HALF FIGURES (active in the second quarter of the 16th century). "Virgin and Child. Oil on panel. Measurements: 56 x 39 cm; 82,5 x 65,5 cm (frame)

Giuseppe Bertini Massive Original Oil Painting on Canvas of The Virgin and Child with Saints dated 1878 - measuring nearly 6 ft by 7 ft 64 1/4 x 71 1/4 with Frame 76 x 83

An antique 19th-century Russian Orthodox icon of Mother of God with Jesus Child. Mixed media painting: egg tempera, gesso, and levkas on a wood board. Gilt background. The icon depicts Virgin Mary bre

Impressive Russian Enamel and Diamond Cross ca. 1880, silver and 14k yellow gold, translucent gold guilloche arms within openwork scrolling frames, all accented with old European- and rose-cut diamond

Chinese inlaid rosewood and white jade Ruyi scepter; the rosewood frame inlaid with silver wire floral decoration, and inset with three white jade plaques of graduated size, each profusely carved with

Follower of Bernard van Orley (Flemish, ca. 1488-1541). Madonna and Child Old Master painting on panel. Mary, richly dressed in flowing garments, cradles the infant Jesus, who plays with her headwrap.

Old Master Jesus Painting from Spain, ca. 17th Century. Old gold gilded frame. 34 1/2" Private Palm Beach Collection.

Italian School After Sasso Ferrato G. Battista (Italian, 1591-1666) Oil on Copper, Ca. 18th.c., "Madonna And Child", H 7.2" W 5.7" | Oil on copper mounted on wood panel. Black frame with blue malachit

Ca. AD 100-300.A silver phalera formed as a lion's mask within a circular frame. The animal's head with prominent brow and eyes, an open mouth, and a detailed mane framing the face. The phalera is the

Anonymous quarter-plate tintype displayed in a thermoplastic wall frame, ca. 1870s. An exceptionally clear portrait of an Osage couple, both in typical Osage garb -- he with front-seam beaded leggings

Italian Pietra Dura & Mother-of-Pearl Plaque 20th century depicting a woman, two children, a man and a sheep with mountains in the distance 11 x 9 inches (frame)