Diritto - Espen, Zeger Bernard van. Commentarius

1753 LUS ECCLESIASTICUM UNIVERSUM LARGE LEATHER BOUND FOLIO By Van Espen, Zeger Bernard, Lovannii (Folio) 39x24 cm (15½x9½") period mottled calf, gilt spines, spine labels lettered in gilt., marbled

Follower of Bernard van Orley (Flemish, ca. 1488-1541). Madonna and Child Old Master painting on panel. Mary, richly dressed in flowing garments, cradles the infant Jesus, who plays with her headwrap.

Large Flemish style hand-woven tapestry, Battle of Pavia, Escape of the French army and retreat of the Duke of Alencon beyond the Ticino, early 20th c., after the cartoons by Bernard van Orley (Flemis

Louis XV/XVI Style Gilt-Bronze-Mounted Ebony, Black Lacquer and Parcel-Gilt Commode, After The Model By Bernard I Van Risenburgh ,/p> Fitted with a molded marble top of breakfront outline and Japanese

FRENCH LOUIS XV STYLE DOUBLE DROP FRONT PARTNERS DESK, 20TH C. H 48", L 38", D 36" After the original by Bernard II Van Risen Burgh currently in the Paul-Getty Museum, Malibu. Having intricate marquet

A PAIR OF FRENCH KINGWOOD AND FLORAL MARQUETRY BEDSIDE TABLES 20th century, in the manner of Bernard II van Risenburgh Shaped rectangular marquetry inlaid gallery tops above three inlaid drawers, on c

Oil on Canvas signed Bern A.(Bernard Antoine) Van Beek, 14" x 20", "Canal Scene with Spire".

BONACINAE, Martini: Mediolanensis: Two Volumes Rome: 1642; together with BERNARDI, Zegeri, Van-Espen and LESSIO, Leonardo, De Ivstitia. All with marble paper boards and vellum spines.

Van Day Truex, American, 1904-1979, "Large Vase of Roses", 1965, watercolor in grisaille, signed on recto at lower right Provenance: Maynard Walker Gallery, New York Note: Bernard Walsh frame {AM} (L

The passion of Christ. Henri Creuzevault, 1954. Illustrated with twenty-one dry points by Bernard Buffet Paris. Copy n 29 of 140 in Hollande Van Gelder paper. The 21 dry-points, in text and hors-text,

Louis Bernard Coclers (Flemish, 1741 - 1817) Portrait of Jacob Hendrik van Suchtelen (1722-1787), half-length, in military costume. Christie's label verso. Oil on canvas. Size: 39.5 x 32 in.

Rembrandt van Rijn (1606-1669), "The Crucifixion: Small Plate", etching on laid paper, plate from c.1635, print by Michel Bernard after 1846 from his "Recueil de Quatre-Vingt-Cinq Estampes Originales"

Collection of nine books, include: (1) The Apple Cart: a Political Extravaganza by Bernard Shaw 1931; (1) The Intelligent Woman's Guide to Socialism and Capitalism by Bernard Shaw 1928; (1) The Advent

(American, b. 1926) signed in pencil and numbered 1/25. Together with a Bernard Brussel-Smith Self Portrait etching, numbered 28/100 and signed in pencil l.r. Overall: 17-3/4"h x 13-3/4"w and 18"h x 1

[Whaling] Hand-colored engraving, 1681, Bernard Picart (after Jacob Matham's 1598 engraving), "Stranding van een Walrisch van 70 voeten lang", auction label verso, matted and framed under glass, 11"h

One by Jos van der Hamsvoord, the other titled "Oregon Trees," by Bernard Freemesser. RDA#72062 and 21292. Bin#45. Sight size: 8-3/4"h x 10-1/2"w and 15"sq

(Disneyland, .1969-70s) An original hand-painted stretching portrait on canvas used within Disneyland's Haunted Mansion attraction. As the elevator descends, the portraits would "stretch" to reveal th

(Disneyland, 1969) An original hand-painted on canvas "stretching portrait" used within Disneyland's "Haunted Mansion" attraction. As the elevator descends, the portraits would "stretch" to reveal the

Richter, GerhardElisabeth I. 1966. Offset in Blaugrau (versetzt gedruckt) auf weißem Halbkarton. 70 x 59,5 cm (70 x 59,5 cm). Signiert und datiert. Verso zusätzlich signiert und nummeriert.

(Disneyland, 1971) Perhaps the most famous attraction throughout the world, "It’s A Small World” is featured at all of the Walt Disney Company's parks, with the exception of Shanghai Disneyland. T

(Disney, 1950) A stunning original concept painting by Color Stylist Mary Blair. The painting features Blair's vision for the iconic Mad Tea Party scene with Alice, the Mad Hatter, the March Hare, and

(Disneyland, 1969-1970's) A ride-used pop-up ghoul head from the original Haunted Mansion at Disneyland. As Doom Buggies pass through the graveyard gates and pass eerie singing busts, this ghoul and h

(Disney, 1953) An original concept painting by Color Stylist Mary Blair for Walt Disney's "Peter Pan." Depicted here is Blair's colorful and vibrant vision of Peter Pan, Tinkerbell, and the Darling ch

(Disney, 1950) An original concept painting by Color Stylist Mary Blair for Cinderella. Although she had worked for the Studio since the 1940s, it was the 1950s that brough Mary Blair to the forefront