Dominus 1994, Napau: into neck, L. Perroti Brown f

Platinum Suspending a flower detachable flower pendant set with six pear and one round diamond, totaling 2.22cts and graded F-G color and VS clarity, with neck chain 16" L x .5" H 7.6 grams 2 piec

(Cleveland, Ohio, 1907-1994) matte cream slip and impressed circular decoration over entire rounded body, angled line decoration at thick straight neck, cream and brown glazed interior containing

Polychromed wood and metal, 35.5 x 18 x 5.25 in. Signed. "E. Brown" incised into neck.

Black silk velvet, F & B V-neck, crystal beaded & rhinestone trompe l'oeil sash, label "Lucien Lelong 16 Rue Matignon Paris", B 33", H 35", L 41", (label, original? resewn, 2" seam opening at back W,

DESCRIPTION: Steuben Cluthra green to rose to brown glass "Boothbay" pattern vase Cased acid-etched lead glass. Marked: f-d-l on side next to base. Reference: #7007, p.316 Paul V. Gardner. Shown in 19

The exterior and interior neck applied in bubbled reddish brown glaze, the bottom with a six-character mark. 7inch H, 7.7inch L, 4.5inch W.

form of a vulture attacking a snake, the vulture with pink neck, brown feathers with black wing tips on rock mound base, the rarest of Minton's figural majolica teapots, from the Marilyn Karmason Coll

Forum Boarium and the Temple of Uesta (Rome) sgn. and dated, l.l, F. Knebel / 1866, paper card on back,

From a Great Neck, L.I. estate. - Dimensions: 64" x 17" & Framed: 74" x 27"

ALIGHIERO BOETTI (1940-1994) Tra l'incudine e il martello 1987 signed on the turnover edge embroidery on canvas 21.2 by 22.6 cm. 8 3/8 by 8 7/8 in. This work was executed in 1987. Footnotes:<

The Stable Yard. John Frederick Herring, Jr. (1820-1907). Oil on Canvas. Signed l.l. "J F Herring". 20 x 32 inches, 25 x 37 inches framed. The onset of the Industrial Revolution brought great prosperi

William Frederick Witherington RA (1785-1865) William Frederick Witherington RA (1785-1865) 'The Harvest Field' signed 'W F Witherington' l.l., oil on canvas 45 x 60cm Provenance: With The Royal Excha

H:21.2cm L:19cmCondition：flawed neck

Grande tavolo basso Legno scolpito, cristallo molato. Torino, fine anni '60 cm 70x155x150 Literature: Per notizie sull'opera di Gian Paolo Zaltron cfr.: E. Biffi Gentili, F. Comisso, L. Perlo, Eccentr

14K yellow gold With a detachable pendant set with one old European-cut diamond weighing approximately 2.00 cts. and graded K-L color and VS clarity, with a gold neck chain 14" L 5.9 grams 2 pieces Pr

Signed large hand-built clay vase sculpted into an abstracted horse with cone shaped face, square body, and pointed feet. Glaze gradates from white to red and brown tones. L'atelier Dieulefit and arti

19th century large high quality bronze sculpture by F Duret, brown patina, Neapolitan dancer, good condition, H: 38 inches, W: 14.5 inches

depicting Prince Albert (1819-1861), Tommaso Saulini's cameos depicted classical subjects of which many were made for royal families, signed behind neck 'T. Saulini F.' (Fecit), cameo 2.3x2in., height

For Royal Copenhagen, Denmark, dated 1919. Ovoid body with baluster neck, and mottled brown glaze. 7.25" high.

France, early 20th century. Includes a tapered form with small cylindrical neck, iridescent green-brown glaze, 6.5"h.; together with a molded vase with chameleon by Pierre Claudine, 5.5" high.

RARE, GRAND-SIZE FRENCH BISQUE BRU BEBE AS MANNEQUIN. 40”. Marks: Bru Jne 15/ 5 A. Bisque head with flat-cut neck socket, large dark brown paperweight inset eyes, dark eyeliner, painted lashes, rose

Franz Seraph von Lenbach (German, 1836-1904) Franz Seraph von Lenbach (German, 1836-1904) Portrait of a seated child in Van Dyck dress signed and dated 'F Lenbach 1901' l.r., oil on board 97 x 71.5cm,

wood, post-like neck with remains of red pigment, accurately carved neck with rich dark brown, slightly shiny patina, min. dam., small missing parts, slight traces of abrasion, base; such head stakes

Sam Francis (1923-1994) Blue-Green (Lembark L.56; SF-318), 1963 Lithograph in colors, on Rives BFK paper, signed in pencil and annotated 'E.A.' (one of 9 artist's proofs, aside from the edition of 40)