Dorothea Lange, Ditched, Stalled and Stranded, San Joaquin Valley, CA 1935

Photographer: Dorothea Lange (1896-1965) was an American documentary photographer and photojournalist, best known for her Depression-era work for the Farm Security Administration. Subject/Title: Ditch

Artist: Dorothea Lange Title: Grayson, San Joaquin Valley, California, 1938 Medium: Photo Litho, 1982, USA Dimensions: 8x6.55" Description: Heat Wax Mounted on 8.5x11" Conservation Board Artist Bio: D

Title: Grayson, San Joaquin Valley, California, 1938 Medium: Duotone Photo Litho, 1982, Hong Kong Dimensions: 7.95x6.45" Description: Heat Wax Mounted on 8.5x11" Conservation Board Artist Bio: Dorothe

Albertus Del Orient Browere NY/CA 1814-1887. A California landscape painting, possibly the San Joaquin valley area. The painting is inscribed. It does not appear to be signed. It is oil/academy board

Manuel Valencia (1856-1935) American, CA Landscape with cattle grazing in Marin County - San Francisco Bay in the distance. Provenance: Dr. Arnold Werschky, Mill Valley, CA. Valencia studied with arti

1982; offset lithograph in colors, unframed; from the edition of 750, published by Knapp Communications Corporation; signed in pencil lower right; Provenance: Property from a San Fernando Valley, CA E

Arthur Rothstein (American, 1915-1985). A portfolio of 10 FSA (Farm Security Administration) photographs with images by Walker Evans, Dorothea Lange, Ben Shahn, and Arthur Rothstein (1935-1939) printe

Paintings Oil Painting on Canvas "Yosemite Valley" El Capitan Attributed to William Harring (1811-1894) San Francisco Artist Contemporary of Albert Bierstadt and Thomas Hill c. 1870s Yosemite Valley w

Six horn players, signed lower right: G. Rodo Boulanger, oil on canvas, 28.75'' H x 23.5'' W, est: $1000/2000 Provenance: Private Collection, San Marcos, CA

Three women on bicycles, signed lower right: G. Rodo Boulanger, watercolor on paper under glass, paper size: 27.25'' H x 25.5'' W, est: $600/800 Provenance: Private Collection, San Marcos, CA

Group of four cello players, signed lower right: G. Rodo Boulanger, oil on canvas, 28.75'' H x 23.5'' W, est: $1000/2000 Provenance: Private Collection, San Marcos, CA

Five people riding bicycles, signed lower right G. Rodo Boulanger, watercolor on paper under glass, paper size: 27'' H x 25.5'' W, est: $500/700 Provenance: Private Collection, San Marcos, CA

Six flute players, signed lower right: G. Rodo Boulanger, watercolor on paper under glass, paper size: 21'' H x 18'' W, est: $500/700 Provenance: Private Collection, San Marcos, CA

Seven-person orchestra, signed lower right: G. Rodo Boulanger, watercolor on paper under glass, paper size: 18'' H x 21'' W, est: $500/700 Provenance: Private Collection, San Marcos, CA

Geer Morton, O/C, 36 x 48", China Beach, San Francisco, June 1980.Born in Damariscotta, Maine in 1935, Geer Morton began painting as a young man. He was drawn to California where he immersed himself i

''Carmel Valley'', trees in a rolling hills landscape Watercolor on board under glass Signed lower left: Percy Gray, titled by repute Sight size: 5'' H x 6'' W Provenance: Private Collection, Prescott

Pre-Columbian, North Coast Peru, Chavin, ca. 600 BCE. A stupendous example of the early monochrome stirrup vessels found in the mountains and river valleys of northern Peru. Characteristic of the Chav

Peter Hurd Ink Painting, Winter Weather CA 1935, Ink. 25 1/4 in x 18 1/2 -Window:19 1/2 in x 12 3/4 in .Peter Hurd (February 22, 1904 - July 9, 1984) was an American painter Who lived and worked in Sa

Louise Nevelson (Ukrainian/American, 1899-1988). Black plaster abstract sculpture depicting a figure on a marble base, ca. 1935.Exhibitions: Washburn Gallery, New York, "Louise Nevelson: Sculptur

MILWAUKEE WPA HANDICRAFT PROJECT Three folios of textile samples, Milwaukee, WI, ca. 1935-42: Volume I: Surface Patterns, Volume V: Motifs, and Volume VI: Supplement; Block-printed linen, heavy card s

Twenty Five Cent Working Model/ The Drunkard’s Dream Arcade Machine. London, ca. 1935. Wooden claw- footed floor model (71 x 23 1?2 x 21”) painted in teal, black, and silver. Originally built as a

Pedro Antonio Fresquis(Truchas, 1749 - 1831)San Jose, ca. 1790carved wood, gesso, pigment24 x 11 x 7 1/2 in. (60.96 x 27.94 x 19.05 cm.) The Paul Rhetts Collection, New MexicoExhibited:&qu

Coastal landscape Oil on canvas laid to board Signed lower left: A.M. Bremer 12.25" H x 15.25" W

"Along the Waterfront," San Diego Bay, 1925 Oil on canvas Signed lower right: Maurice Braun; titled in pencil on the stretcher 20" H x 24" W Notes: An old, typed label affixed to the stretcher re