Ensel Salvi (Italian, 20th Century) View Of Naples.

Ensel Salvi (Italian, 20th Century) View Of Naples. Oil on canvas. Signed LL Canvas: 23" x 47" Frame: 25" x 49"

Ensel Salvi (Italian, active 20th century). Large oil painting on canvas of the surf with boats in the background and a full moon. Dimensions are: Frame: 32 inches tall X 55 3/4 inches wide; 81.28 cm

PIERO RUFFINI (ITALIAN 20TH CENTURY), OIL ON CARD STOCK, UNTITLED VIEW IN NAPLES, SIGNED 1952. SIGHT 5 X 3"; FRAMED AND GLAZED-13 1/2 X 11 1/2"

MISSERI VITTORIO (ITALIAN 20TH CENTURY), LOT (2) OIL ON BOARD, VIEWS IN NAPLES, LABEL AND TITLED VERSO. 4 3/8 X 6" AND 5 X 7"

Italian School (First Quarter 20th Century) "View of the Bay of Naples with Mount Vesuvius in the Distance" "Travelers Resting Near the Bay Outside the Town" former gouache on cardboard, latter color

Ensel Salvi (Italian 19th/20th C) Sailboats of coast. Oil on canvas. Salvi was known for marine paintings- many works from Naples coast Overall size: 17 1/2 x 22 1/2 in. Sight size: 14 1/2 x 19 1/2 in

Pair of Italian early 20th century Cameo carved sea shell lamps with scenic landscape views of Naples and Mt. Vesuvius erupting. Overall height- 6-1/4".

Gouache painting (tempera on paper), 20th-century Italian School depicting View of Mount Vesuvius and the Lighthouse in Naples in 1906. Dimensions including frame: 67.5x52 cm (defects and deficiencies

Italian, 20th C. "View of the Trevi Fountain" Plaque sight: 4-1/4"h x 5-1/2"w Overall: 11"h x 12"w Provenance: Studio Del Mosaico, Italy Provenance: Property from a Private Park Avenue, New York City

Italian, 20th century. "View of Florence Cathedral", marble mosaic. Apparently unsigned, framed. Approx. 13.75" x 8.5" (frame). 10.75" x 5.75" (support)

Italian School(20th century)View of a Venice canal toward San Marco squareoil on canvas28 x 36 1/2in (71 x 93cm) Provenance: Property from a historic Beverly Hills residence.

Italian School, 20th century, "View of the City of Venice with Gondola", micro mosaic. Mounted in black frame. Approx. 10" x 11.25" (frame), 3.25" x 4.5" (mosaic).

R. Gigli (Italian, 19th/20th Century). View of The Roman Arch of Constantine with the Colosseum in the distance. Signed and inscribed, R. Gigli, Roma (lower right). Watercolor and gouache on paper. Un

Venetian watercolor, San Marco Plaza, Marchetto Marchetto (Italian 19/20th century) View of San Marco Plaza, Venice Signed: lower right Marchetto Medium: Watercolor Dimension: 10" hgt. x 7.7" unframed

Italian school, 20th century. "View of Venice". Signed illegibly. Unframed. [24" H x 48" W].

Italian School (20th century), View of the Ponte Vecchio, oil on panel, signed indistinctly "Giulteo" lower right, overall (with frame): 14"h x 18.5"w

E. Zeno (Italian, early 20th Century) A view of Venice; and Figures in a harbor town one signed 'E Zeno' (lower left); the other signed 'E Zeno' (lower right) both oil on canvas board 10 x 12in (25.4

Ensel Salvi (b. 1910, act. mid XX). Naples/View of Castel d'Uovo, Vesuvius Beyond. Oil on Canvas. Signed lower left. Salvi was very atypical for a Neapolitan artist of the period (by and large traditi

Gravetti, Painting, "Shipping Along The Thames" A.Gravetti (Italian, early 20th century) Impressionist view of boats on the Thames River near Westminster, London Medium: oil on canvas Signed lower rig

ITALIAN SCHOOL (Mid-Century). View of Naples, Individually framed watercolors. Signed lower right hand. Framed. Not examined out of frame. - 7.5" x 4"; Frame: 12" x 9".

ITALIAN SCHOOL (20TH CENTURY), OIL ON PANEL, VIEW IN SIENA, SIGNED F. INNOCENTI. 14 X 10"

Ensel Salvi (b.1910, act. mid XX). View on the Bay of Naples. Oil on Canvas.Signed lower left. Salvi was very atypical for a Neapolitan artist of the period (by and large traditional realists) in his

ITALIAN SCHOOL (Late 19th century/ 20th century). View of Venice, Oil on canvas. Indecipherable signature lower left hand corner ("CH Crevenot" or "CH C Revenot"). Framed. - 21 x 27 inches; frame: 27

Ensel Salvi (b.1910, act. mid XX). View on the Bay of Naples. Oil on Canvas.Signed lower left. Salvi was very atypical for a Neapolitan artist of the period (by and large traditional realists) in his