etching, after Whistler, Fulham

This is an original estate found etching print by American artist James Abbott McNeil Whistler (1834-1903). This print known as "Fulham AKA Chelsea" features a depiction of a bridge over water and is

Whistler etching of Fulham (Chelsea) (The Met) Etching: 8" x 5" Frame: 18.5" 15.5"

"Fulham", matted and framed, some toning, visual 6 1/4" x 9", F-G

James Abbott McNeill Whistler (1834-1903) Massachusetts. Medium: Etching.Signed with butterfly monogram. "Fulham" 1879 etching and drypoint with notation "Whistler exhibition catalogue: 148". Overall

James Abbott McNeill Whistler (1834-1903) LIVERDUN; HURLINGHAM; CHELSEA (FULHAM) (KENNEDY 16, 181, 182; GLASGOW 13, 184, 181) Three etchings, 1858 and 1879 (2), respectively, the first Glasgow's third

“Fulham (Chelsea)”. Signed in plate with butterfly monogram l/r. Etching on Heavy Machine Made Paper in Brown Ink. Measuring 5" by 8". Printed by G. Vertue Ltd, London. Framed under glass. (Cond:

Churchill Ettinger (1903-1984) Two pencil signed etchings "Whistlers in a Gale" and "Lining Up". 18.5" x 14.5" w/ frames.

James Whistler, American (1834-1903). Black and white etching of his mother sleeping titled 'Whistler's Mother' mounted in chrome frame and signed 'W 56' lower right corner. Measures 15 3/8"H x 17.75"

James A.M. Whistler, etching, 1879, James Abbott McNeill Whistler (American, 1834-1903), "Upright Venice" from the Twenty-six Etchings of the Second Venice Set (Kennedy 16), on laid paper, likely four

Fine early impression with artist butterfly mark upper left, titled "The Balcony Venice", image size 11.75" x 7.75", matted and framed under glass, remnants of original label on reverse. Condition app

James Abbott McNeill Whistler (American, 1884-1903) "Long Lagoon". Etching and drypoint, printed in brown ink on paper. From the "Second Venice Set" published in 1886. With Whistler's emblematic butte

"ANNIE" ORIGINAL WHISTLER ETCHING FROM THE VINCENT PRICE COLLECTION 5.5"X4.25" SIGHT 23X"X17.5 FRAMED

Etching and drypoint, 1859, Glasgow 37 (iii/III); Kennedy 32 (ii/II), Glasgow lists forty known impressions. Later state restrike. Signed in the plate, lower right. The sitter is Deborah Haden (1825-1

(American, 1834-1903) etching and drypoint, 1858, unsigned. Overall: 13-3/4"h x 17-1/4"d Sight: 6-1/4"h x 9-1/4"w

James Abbott McNeil Whistler (Massachusetts/England/France, 1834-1903) etching on laid paper titled "Adam & Eve Tavern/Old Chelsea London" depicting the Old Feary Wharf. Frederick Keppel & Co., New Yo

James A.M. Whistler, etching, 1858, James Abbott McNeill Whistler (American, 1834-1903), "The Unsafe Tenement" (Kennedy 17), on brown wove paper, fourth state with faint sky lines, signed in plate low

James Abbott McNeill Whistler (American 1834-1903). Fifth state etching, titled "Little Rag Gatherers". Signed and dated 1858 within the plate. Framed under glass. Matte opening: 6-1/4 x 3-3/4 in.

James Abbott McNeill Whistler (American, 1834-1903) "La Vielle Aux Loques", from "Twelve Etchings From Nature". Signed in the plate lower right, noted within the plate "Imp. Delatre Rue St. Jacques 71

James Abbott McNeil Whistler (Massachusetts/England/France, 1834-1903) etching and drypoint titled "The Music Room". Kennedy 33, II/IIe. Pencil signature lower left, pencil titled lower center and pen

James A.M. Whistler, etching, 1858, James Abbott McNeill Whistler (American, 1834-1903), "Liverdun" from Twelve Etchings from Nature (Kennedy 16), on laid paper, second of two states, with "Whistler"

James McNeil Whistler, etching and drypoint, James Abbott McNeil Whistler (American, 1834-1903), "Annie Seated", c. 1858-59, signed in the plate lower left, likely the 3rd state (of 3), 5.125"h x 3.75

JAMES WHISTLER (1834-1903) Annie Seated, 1858 Etching on paper Signed, inscribed within print 5 1/2" x 4" Label to verso from Vincent Price Collection

The Lime House, from A Series of Sixteen Etchings of Scenes on the Thames, depicting a harbor scene with boat workers and onlookers. Signed, original proof etching, date inscribed. Plate 4.75”H

Early etching by Whistler 1859, early proof before sky was added - Approx 13h x 16w