Etching on cream China paper

This antique second state drypoint etching on paper is after French Post-Impressionist artist Paul Cezanne's original Guillaumin au Pendu (Portrait of the Artist Guillaumin with the Hanging Man.) Hous

(Charleston, South Carolina, 1883-1979) In the By-ways, Charleston, No. 40, signed lower right "Elizabeth O‘Neill Verner" and titled lower left, etching on cream paper, 9-1/2 x 5-15/16 in. (plate) 1

The Old Smyth Gate, Charleston 1927 edition of 150, signed lower right Alfred Hutty with snail cypher and inscribed in bottom

Fabri, Ralph (Hungarian/American, 1894-1975), Americana, c.1948, etching on cream paper, signed and titled in pencil at the lower margin, from the unnumbered edition of around 100, impression 7.75 x 9

James McNeill Whistler (American, British 1834���1903). Framed etching on cream paper. The work titled "Soupe A Trois Sous" ("Soup for Three Pennies"), produced 1859. Signed to center W

Original black and white etching on cream paper entitled In Chapman Woods by master printer Mildred Bryant Brooks who created America's best etchings of trees. A splendid group of trees made with minu

"A-26 VENDEDOR DE FLORES EN BICICLETA,"/ " A-26 SELLER OF FLOWERS IN BICYCLE " 1967 Color etching on cream paper, titled lower left and signed and dated. Dimensions: framed H 26" x W 17.5", sight H 20

Jan Frans van Bloeman. The Monk. Antique hand pulled copper plate Etching on china paper. 1701/1816. Signed in the plate, lower left. Image Size 6 3/4 x 9 1/2 inches. Framed dimensions: Approximately

Jan Frans van Bloeman. (Flemish, baptized 1662-1749). The Two Statues. Antique hand pulled copper plate etching on china paper. 1701/1816. Signed in the plate, lower left. Very good. This piece has a

This original black and white etching on cream paper depicts an outstanding close-up of pine tree trunks and branches that Morton etched with velvety lines that delineate the bark and the snow covered

Kruseman Van Elten (Dutch 1829-1904) Landscape along the river Hendrik Dirk Kruseman Van Elten (1829-1904). Medium: etching on cream paper signed & dated in the plate: 1883 K Van Elten. Dimension: goo

(New York/New Jersey, born 1933) Reflections-Underpass, 1968, edition 45/50, signed lower right "R-Birmelin", etching on cream paper, plate 13-7/8 x 20-1/8 in.; black frame, 25-1/8 x 31-1/8 x 1-1/4 in

Anders Zorn (Swedish, 1860-1920) Etching on Cream Laid Paper, 1919, Dal River, H 7.1" W 4.5" | Signed "Zorn" in pencil lower right, signed and dated within the plate, with margins, matted. Catalogue R

ANDERS LEONARD ZORNSweden, 1860-1920"The New Ballad", 1903. Signed in pencil lower right. Delteil 169; Asplund 171; Hjert/Hjert 199.Etching on cream laid paper, 9" x 6". Unframed.

Reynold Henry Weidenaar(1915-1985)"Taxco Bluffs"Etching on laid cream paperFrom the edition of 75Signed and titled in pencil in the lower margin: Reynold H. Weidenaar; titled again on a labe

CHARLES WHITE (American, 1918ñ1979), "Cat's Cradle," 1972, etching on cream wove paper, plate: 23.375 x 26.5 inches; sight: 24.875 x 28 inches; overall with frame: 35.5 x 38.5 inches, pencil sign

Pablo Picasso (Spanish, 1881-1973). Framed etching drypoint on cream paper. The work titled "Femme Assise et Trois Tetes Barbues" ("Seated Woman and Three Bearded Heads") from La Suite Vollard, produc

Pierre-Auguste Renoir (1841-1919) Baigneuse Assise (Delteil 11), c.1897 Soft ground etching on cream wove paper, with the artist's signature en cuivre, from the edition of 1000, published in La Vie et

PAUL CADMUS (1904-1999) Youth with Kite. Etching on cream laid paper. 262x138 mm; 10¼x5 inches, full margins. Edition of 75. Signed in pencil, lower right. 1941.A very good impression. Davenport

LOUISE NEVELSON Flower Queen. Etching on cream wove paper, 1965-66. 503x393 mm; 19¾x15½ inches, full margins. Signed, titled and numbered 19/20 in pencil, lower margin. Printed by Emiliano S

Edward Borein(American, 1872-1945)The Raiding Party (The Cheyenne Raid) 1915etching on cream wove papersecond and last state; titled The Raiding Party , signed, and dated in pencil to lower margins; b

LOUISE NEVELSON Night Garden. Aquatint and etching on cream wove paper, circa 1955. 373x452 mm; 14x17¾ inches, full margins. Artist's proof, aside from the edition of approximately only 20. Signe

(Iowa/New York/Argentina, 1914-2012) Young Nahua Dancer, edition 68/70, signed lower right "M. Lasansky", color engraving and etching on cream wove paper, 49-1/2 x 29-1/2 in. (sight); black wood frame

(Charleston, South Carolina/New York, 1877-1954) Little Italy, Charleston, S.C. (H.40), 1925, edition of 5/75, signed lower right "Alfred Hutty" and titled lower left, etching on cream laid paper with