Eugene Laurent Vail (American, 1857-1934) Blue Sleigh

Eugene Lawrence Vail (American-French, 1857-1934), Continental Square with Bell Toweroil on board, inscribed "Eug. Vail" to verso, presented within a Florentine style frame. Panel 8 1/4 x 10 1/2 in.;

Theodor Seuss Geisel, (American, 1904-1991) 1934, 'Blue-Green Abelard' cast resin sculpture, first release in Geisel's 'Collection of Unorthodox Taxidermy', numbered 343/375, together with a Certifica

David H. Turner (American, b.1934). Pair of "Alert Great Blue Herons," 2003. #31 of an edition of 90, patinated bronze figures, dark brown patina, each signed and dated "D.H. Turner/ 2003," "31/90" an

Hubley. Lancaster, PA. Circa 1920. Unusual variant with tandem team pulling blue sleigh with gold highlights and African American female figure. 13 1/2 inches long. Cast Iron. Excellent Condition.

Sam Richardson (American, 1934-2013) Biomorphic Sculpture 5 x 4 3/4 x 4 3/4 in. The estate of Dr. Eugene Gaier, Buffalo, New York.

Oil on canvas. "Study in Red, White, and Blue". Signed lower right. Harmon-Meek Gallery label affixed verso. From a Long Island, NY collection. - Dimensions: 40" high x 50" wide

Harold Newton (AMERICAN / FLORIDA, 1934 - 1994) Highwaymen oil painting on masonite artist depicting a blue sky scene with trees. Signed to lower right. Mounted in a white painted wooden frame. Board

Eugene Benson (American: 1839 - 1908) antique oil painting on canvas depicting a Victorian woman in a landscape setting wearing a red feather bonnet and blue dress staring off in the distance lost in

Nasser Ovissi (1934-) Iran / American. Original gouache mixed media painting on paper. Artwork depicts a bride riding a horse rendered in blue. Signed center left. Unframed. Work measures 38 3/4" x 27

James F. Gill (American, 1934- ) Painting. Untitled. Pop-art, mixed media, wax encaustic on masonite 1969 painting. Signed lower right Gill ‘69. Painting measures 9 inches high, 15.5 inches wide

Signed along the bottom edge, titled "Muscatine Summer" in pencil verso. Helen Bershad's work is devoted to exploring color, form, space, and line as they exist on the surface of the canvas. Considere

HERBERT GANDY (BRITISH 1857-1934) The Sword of Damocles, oil on canvas 167 x 167 cm (65 3/4 x 65 3/4 in.) signed lower right PROVENANCEKurt E. Schon, New Orleans, LA LOT NOTESHerbert Gand

Harold Newton (American, 1934-1994) Florida Coastal Scene, Oil on board, Signed lower right. Framed dimensions: H: 28 1/2 x W: 40 1/2 in. H: 24 W: 36 in.

EDWARD HENRY POTTHAST (AMERICAN 1857-1927) At the Beach, oil on canvas board 20 x 24 cm (7 7/8 x 9 1/2 in.) framed dimensions: 32 x 37.5 cm (12 5/8 x 14 3/4 in. ) signed lower right

Walter Darby Bannard (American, 1934-2016) Lemon Cards #1, 1963 oil on canvas 63 x 67 inches. Property from the Collections of Webster University, Sold to Benefit the Student Experience

Charles Warren Eaton,American, 1857-1937, Fall Sunset, o/c, signed and dated lower right "Chas.Warren Eaton.- 1887-"(DMAS7129)(MM) Measurements:16 1/2" x 22 1/4", framed 20 x 26 Property Title:From a

Harold Newton (American, 1934-1994) Florida Coastal Scene, Oil on board, Signed lower right. Harold Newton was the founding member of The Florida Highwayman group of artists. Framed dimensions: H: 28

Edward Henry Potthast (American, 1857-1927), Coastal Waves, oil on canvas (laid down on panel), signed lower left, panel: 25"h x 30"w, overall (with frame): 33"h x 37"w

FORREST MOSES (American 1934-2021) A PAINTING, "Rio Charna at Abiqui N.M. #2," 1976, oil on canvas, verso signed and titled; 40'' x 60'', framed 42'' x 61 3/4''. Note: Forrest Moses' paintings are in

An antique oil on canvas painting by Charles Warren Eaton (American, 1857-1937) titled 'Woodland' depicting a landscape of pine tree silhouettes back-lit by hazy sunset. It is signed to the lower righ

Walter Darby Bannard (American, 1934-2016), "Powder II", Oil on Canvas, 1964, Sotheby's, Kasmin Limited, Collection of Carter Burden, and Barbara Ross Interiors labels to verso, wood frame. Image: 66.

Harold Newton, American (1934-1994). This may be one of the most important paintings by Harold Newton, one of the very first Florida Highwaymen, and is considered to be one of the most gifted. This pa

(American, 1857-1932) signed l.l., pencil inscribed on stretcher "Painted from an Omnibus, Piccadilly Spring Morning, unfinished, painted 1899." Sight size: 15-1/2"h x 19-1/2"w

Edward Potthast (American, 1857-1927) oil on canvas painting of a cattle with yoke pulling a plow with a man in landscape; signed lower right, labels on back. See photos for Christie's appraisal. [Art