Female Provenance, Female Printer. Dekker, Thomas (c. 1572-1632) Lusts Dominion; or, The Lascivious

YORUBA, NIGERIA, AFRICAN, WOOD AND PIGMENT, IBEJI (MALE AND FEMALE), C 1900 PAIR, H 12" W 2.5" Depicts a fertile couple, comprising of wood, earthenware and iron. D 2.5". Provenance: Estate of Jack Fa

JOSIAH NUILAALIK (1928-2005) Qamani’tuaq (BAKER LAKE) Female Shaman, c. 1998 stone and antler, 12 x 5.25 x 4.5 in (30.5 x 13.3 x 11.4 cm) signed, "ᓄᐃᓚᓕ". Provenance Mar

Lot 121 CHARLIE UGYUK (1931-1998) TALOYOAK (SPENCE BAY) Kneeling Female Demon, c. late 1980s stone, 10.5 x 7 x 6.25 in (26.7 x 17.8 x 15.9 cm) signed, "ᓴᓕ ᐅᔪ". Provenance Waddi

Carved onyx sculpture, Female Torso, on granite base, signed C. Umlauf (Charles Umlauf, Michigan, Texas, 1911-1994), overall: approx 14"h, 7"w, 8.5"d, 21lbs **Provenance: A prominent Austin estate** S

Victoire, standing female figure with falcon Multi-toned bronze Signed, dated, and numbered to base: 212/500 / RKP Int. Corp / (c) 1980 18.625" H x 9.625" W x 5.75" D Provenance: Private Collection, G

A 19th C. carved wood cigar store Indian princess with bronzed polychrome finish on tapering base, with number 29 on base. 70 in tall x 20 in wide x 22 in deep. Provenance: C. Thomas and Alexandra Ful

A Japanese hand-painted six panel wall screen depicting gathering chipmunks. Calligraphy signed lower right with red seal. 51 in tall x 123 in wide. Provenance: C. Thomas and Alexandra Fuller Estate C

A 19th Century oil on canvas equestrian landscape with small black dog. Signed lower right W. Sord. Altwood N.Y. 1860. 24 in x 34 in. Provenance: C. Thomas and Alexandra Fuller Estate Collection of Wi

John Clymer (1907 - 1989), Indigenous Women, oil on canvas, 20 x 24 signed lower right: J Clymer Provenance: The Estate of Thomas C. M. Logan, Canada

John Clymer (1907 - 1989), Monkies and Flowers, oil on canvas, 45 x 45 signed lower right: J Clymer verso: titled Provenance: The Estate of Thomas C. M. Logan, Canada

John Clymer (1907 - 1989), Caribou, oil on canvas, 25 x 30 signed lower right: J Clymer . Provenance: The Estate of Thomas C. M. Logan

Thomas deDecker (1951-) Returning Home oil on board 24 x 36 inches 34 x 45 1/2 x 1 3/4 inches (frame) signed lower left: © THOMAS A. DEDECKER Provenance: From a Private Collection

John Minton British, 1917-1957 Portrait of Robert Hunt at Age 19, 1948 Graphite on paper 14 3/4 x 10 3/4 inches (37.5 x 27.3 cm) Provenance: Thomas Agnew, London Spink & Son, London C Property from th

**First Time At Auction** East Asia, Japan, early Edo Period, ca. 1615 to 1624 CE, signed by Hashimoto Shinzaemon Tadayoshi (1572-1632 CE). An incredible wakizashi with a single-edged blade, a scabbar

Jan Matulka (American/Czech, 1890-1972) View Of The Bronx, c. 1921 watercolor and graphite on paper signed Matulka (lower right) 15 x 22 inches. Provenance: Thomas McCormick Gallery, Chicago Acquired

18k white gold; Stamped: Cartier / 750 / 17 / (C) / VA7312 / Assay marks Oval detachable bangle bracelet in a size 17 0.25" W x 6.25" Cir 33.4 grams 2 pieces Provenance: Thomas V. Girardi Pri

Gene Moore for Tiffany & Co. Group of silver and enamel circus figures: Animal trainers Comprising three horses, two with acrobats, three dogs on stands, and two male and two female trainers; c. 1988

English Act of Parliament japanned clock case, 18th/19th c., signed "Thomas Hackney", 63"h x 31"w x 9"d Provenance: Property from a Major Corporate Art Collection

Full title: Two Chinese 'Bleu de Hue' plates for the Vietnamese market, 19/20th C. Description: Dia.: 15,5 cm (the largest) Provenance:- The collection of Thomas Ulbrich, Studio Tho, Hanoi-Berlin. The

Full title: A Chinese 'Bleu de Hue' bowl for the Vietnamese market, Nguyen mark, 19th C. Description: Dia.: 14,5 cm - H.: 7,5 cm Provenance:- The collection of Thomas Ulbrich, Studio Tho, Hanoi-Berlin

Full title: A Chinese blue and white 'Bleu de Hue' bowl for the Vietnamese market, 'dragon' mark, 19th C. Description: Dia.: 18 cm - H.: 8,5 cm Provenance: The collection of Thomas Ulbrich, Studio Tho

H.: 32 cm Provenance: - The collection of Thomas Ulbrich, Studio Tho, Hanoi-Berlin.

Circle of Thomas Eakins Group Study c. 1883albumen print image: 3.625 h × 4.5 w in (9 × 11 cm) mount: 4.5 h × 6.5 w in (11 × 17 cm) Provenance: Olympia Galleries Ltd.,

Bela Kadar Hungarian, 1877-1955 Spring Idyll Signed KADAR BELA (lr) Gouache on paper 27 x 52 inches (68.5 x 132 cm) Provenance: Gallery 68, Toronto, Lot 94 C The Collection of Dr. Thomas Chua