FINELY PAINTED RUSSIAN ICON WITH SILVER BASMA SHOWING THE DESCENT OF CHRIST INTO HADES AND THE

FINELY PAINTED RUSSIAN ICON WITH SILVER BASMA SHOWING THE DESCENT OF CHRIST INTO HADES AND THE RESURRECTION Basma: St. Petersburg 1794 Master's mark: H.M, probably Hans Joachim Muller 40,5 x 33 cm

TWO ICONS WITH OKLAD Russian, 19th century Tempera on wood panels. Comprising an icon showing Christ with a finely chased and embossed silver basma, marked with city hallmark (Moscow), 1846 dated assa

FINELY PAINTED RUSSIAN ICON SHOWING THE TRANSFIGURATION OF CHRIST 18th c., 32 x 27,5 cm

RUSSIAN EASTER ICON SHOWING THE DESCENT OF CHRIST INTO HADES (ANASTASIS) 1st half of 19th c., 31,5 x 25,5 cm, on the reverse a seal of a Russian auction.

A finely painted icon of the Mother of God and Infant Christ with a silver basma, Ottoman Empire, Constantinople or Asia Minor (Turkey), 17 th /18 th Century 6 ½ in. x 5 ½ in.

A FINELY PAINTED ICON OF THE RESURRECTION WITH FEASTS AND GILDED SILVER BASMA DES ORTHODOXEN KIRCHENJAHRES MIT VERMEIL-BASMA Central Russian, late 19th century (icon), Russian, Moscow, late 19th centu

A SMALL ICON SHOWING CHRIST'S DESCENT INTO HELL Russian, 19th century Tempera on wood panel with kovcheg. Inset into a later panel. Finely executed in bright colours against a golden background. Gildi

AN ICON SHOWING CHRIST PANTOKRATOR WITH SILVER-GILT OKLAD Russian, 19th century (icon), Russian, Moscow, Pavel Nikitin, 1841 (oklad) Oil on wood panel. Overlaid with a finely chased and embossed silve

A FINELY PAINTED AND LARGE ICON OF THE ANASTASIS AND THE FESTIVAL CYCLE Russian, Palekh, late 18th century Tempera on wood panel with kovcheg. The central image depicting Christ's Descent into Hell, w

A FINELY PAINTED ICON OF THE RESURRECTION AND DESCENT INTO HELL Russian, Palekh, mid 19th century Tempera on wood panel, against a gold background. The central panel depicting Christ's Descent into He

A FINELY PAINTED ICON OF THE ANASTASIS AND THE FESTIVAL CYCLE Central Russian, 19th century Tempera on wood panel with kovcheg. The central image depicting Christ's Descent into Hell, where he raised

AN ICON SHOWING THE DESCENT INTO HELL AND RESURRECTION OF CHRIST WITH FEASTS Russian, late 19th century Tempera on wood panel. The background made of silver, covered by a golden lacquer. Minimally res

A LARGE ICON SHOWING THE CRUCIFIXION OF CHRIST WITH A SILVER OKLAD Russian, Moscow, Ivan Alekseev Alekseevitch, 1892 (oklad) Silver, chased, embossed and finely engraved. Marked with city hallmark, as

FINELY PAINTED RUSSIAN ICON SHOWING SAINTS around 1800, 30,5 x 26,5 cm

FINELY PAINTED RUSSIAN ICON SHOWING ST. SOPHIA, THE HOLY WISDOM around 1900, 30,5 x 26,5 cm

FINELY PAINTED RUSSIAN ICON SHOWING ST. NICHOLAS 1st half of 19th c., 35,5 x 30 cm

RUSSIAN ICON WITH SILVER-BASMA SHOWING THE MOTHER OF GOD SMOLENSKAYA 18th c. 36,5 x 30 cm

A RARE RUSSIAN ICON WITH SILVER OKLAD SHOWING CHRIST CROWNED WITH THORNS silver (345g), Moscow 1868 assay master's mark: Viktor Savinkov (1855-1888) master's mark illegible 31,5 x 27 cm

Item: Russian Icon Saint: Christ Pantocrator Date: Circa 1890 Origin: Moscow, Russia Materials: Egg tempera and zinc on wood with silver basma (Moscow Hallmark) with a diamond pattern Dimensions: 7.75

Antique 19th Century Russian Orthodox Traveling Icon of Jesus Christ's Descent into Hades This is a small traveling Icon depicting Christ's descent into Hades to save the lost souls. Origin: Moscow re

Moscow 1885 31 x 26 cm, Kiot: 34 x 30 cm Condition: Oklad torn and bent at the edges..

A FINE RUSSIAN ICON OF CHRIST FEODOR RUCKERT C. 1900. Here is depicted a finely painted image of Christ as the Lord Almighty (Gospod Vsederzhitel) with his right hand Christ delivers a blessing and hi

A FINELY PAINTED ICON SHOWING SELECTED SAINTS Russian, Guslicy, late 19th century Tempera on wood panel with kovcheg. At top center within a reserve an image of the Old Testament Trinity. Below a gath

Eastern Europe, Russia, ca. 1859. A very special icon finely painted in egg tempera on wood and embellished with a 92% silver oklad, depicting three standing saints (perhaps the more unusual manifesta