Fitz Henry Lane (American, 1804–1865), , Boston Harbor

Attributed to Fitz Henry Lane (American, 1804–1865), luminous full moonrise over harbor, oil on artist board, in period gilt wood oval frame, 7 3/4" h x 10 1/4" w (view), 11" h x 13" w (frame). Prov

Fitz Henry Lane (American, 1804-1865), lithograph on paper depicting a working seaside town on the harbor, published by A. Conant, 18" x 26" sight, 26 3/4" x 34 1/2" framed.

Signed illegibly in the lower left corner. This looks like the work of Fitz Henry Lane (1804-1865). 19th Century oil on wood. 10 3/4 x 8 3/4 in. (Framed), 9 1/2 x 7 1/2 in. (Board)

Fitz Henry Lane (American, 1804-1864), 'View of Gloucester, Massachusetts', lithograph, labeled L.H. Bradford and Co., 23 1/2" x 36", framed 30 1/2" x 43". Provenance: Northeast Auctions, Portsmouth,

Willis Henry Plummer (American, 1838-1935) A Bark and Sidewheeler Entering and Leaving Boston Harbor, 1872 oil on canvas signed and dated 24 x 34 inches. Property from the Collection of the Legendary

"A View of Newburyport" lithograph 18 1/2 x 27 inches. signed inprint. framed. 23 x 32 inches (overall)

Unsigned 19th century American School watercolor of Boston Harbor in carved walnut frame 12 x 10"

Fitz Hugh Lane, 1804-1865, Print, "Limber Schooners at Evening on Penobscot Bay" 1860. National Gallery of Art, Washington, Andrew W. Mellon Fund & Gift of Mr. and Mrs. Francis W. Hatch, Sr. 1980.29.1

Henry Bayley Snell, American (1858 - 1943). Oil on board, signed lower left. Oil on board. 8.75" H x 10.5" W, framed 13.5" x 15.5". Condition report: good condition, wear to frame. Contact AAG for mor

Clyde Score (American, 20th C.), "Boston Harbor", 1983, oil on panel, depicts Boston Center Building with two mast sailboat and small motorboat moored in foreground, signed and dated LR, not examined

Two (2) pieces Historical Staffordshire, American Views. 1st item: Historical Blue and White Staffordshire transfer printed covered sugar bowl, printed with scene of Boston Harbor, American Eagle, and

Henry Martin Gasser(1901-1981) watercolor on paper. Winter Harbor. Signed lower right; 15.25in. x 20in.(image), 22in. x 26.5in.(framed)

Oil on wood panel. Gloucester Harbor. Signed l.l.; 13in. X 16in.

Antique American impressionist landscape oil painting by Frank Henry (Hector) L. Tompkins (1847 - 1922). Oil on canvas. Signed. Framed. Please see all images for condition. Size is measured and writte

Joseph H. Boston (American, 1860-1954) Harbor at Night oil on canvas signed Joseph H. Boston (lower right) 25 1/2 x 31 1/2 inches. Property from the Estate of Avis Hope Truska, Scottsdale, Arizona

Joseph H. Boston, N.A., White House with Figures, Joseph Henry Boston, N.A., (American, 1860-1954), oil on canvas, signed "J.H. Boston" lower left, 19.5"h x 23.5"w (sight), 26"h x 29.5"w (frame) Prove

Henry Hanning (American, 1883-1948) Asian Harbor oil on canvas signed verso 26" x 30" Provenance: R.H. Love Galleries, Chicago, Illinois (label verso)

Charles Mottram (British, 1807-1876), hand-colored engraving after John William Hill (American, 1812-1879) depicting the Boston Harbor, 20" x 31 1/2" image size, 32 1/2" x 43" framed.

Henry Bayley Snell (American, 1858–1943) Gloucester Harbor Signed 'Henry B. Snell' bottom left, oil on canvas laid down to board22 5/8 x 28 3/8 in. (57.5 x 72.1cm) Provenance The Coryell Galler

George Schlosser oil painting of sailing ships after the original "Salem Harbor" by Fitz Hugh Lane circa 1853, 2.5" by 4"

Lawrence E. Kupferman (American 1909-1982)- ''Inner Harbor-Boston''- etching and drypoint, c. 1932, signed, titled and numbered 9/40 in pencil, another impression of this print was exhibited at the Br

William Henry Coffin (American 1812-1898) "Sailing off of Boston" Oil on canvas Signature lower right "W.H. Coffin" 1885 12" x 12" Christies label on verso, sold for $688 2010, The Wallace Gallery lab

Highest quality model of the American clipper ship "Flying Cloud". Planked deck with expertly executed cabins, hatches, skylights, etc... Hull is copper sheathed below the waterline and painted black

Landscape painting from the early twentieth century by noted American artist J.J. Enneking Landscape painting showing the Blue Hills, Big Blue with a pond (possibly Houghtons) and livestock feeding in