Follower of Giuseppe Cades Hercules at the Crossro

(Roma, 1750 - 1799) San Giuseppe da Leonessa? Olio su carta, cm 70X50,5 Il dipinto è per tradizione collezionistica attribuito a Giuseppe Cades, il quale si formò a Roma all'Accademia di San Luc

Gold Leaf framed Religious Chromolithograph . Frame for Giuseppe Cades after Raphael \'Theology\' Ceiling of the Stanza della Segnatura, Late 18th centuryObject look to be painted, see magnified image

(Italian, 1665-1747) St. Francis in Ecstasy, inscribed label verso oil on linen, 19-3/4 x 15-1/4 in. oval; oval gilt wood frame, 24-1/4 x 20-1/4 x 2-1/2 in. Provenance: Hampel Fine Art Auctions, Munic

Follower of Giuseppe Recco Still Life of Tulips, Roses, Lillies and Other Flowers Oil on canvas 16 x 20 1/2 inches (40.7 x 52 cm) C

Follower of Giuseppe Recco Still Life of Tulips, Dalias, Morning Glories and Other Flowers Oil on canvas laid to panel 15 3/4 x 20 1/2 inches (40 x 52 cm) C

Follower of Paolo Veronese (Italian, 1528-1588), Study of Hercules and Antaeus, ink and wash on paper, unsigned, attribution inscribed verso, overall (in mat): 17"h x 12"w

Tabernacle of the Virgin and Child with Two Cherubs, Christ of Sorrow above in the lunette top, relief in painted stucco housed in a contemporary frame of gilt and painted wood, having gilt haloes, or

A SOUTH GERMAN PATINATED BRONZE FIGURAL FOUNTAIN GROUP OF HERCULES AND CERBERUS From the workshop of Max Labenwolf and Hans Reisinger, 16th century The three heads of Cerberus piped to emit water. hei

coppia di dipinti, in in cornici laccate e dorate con ghirlande floreali a rilievo, olio su tela ovale, W. 70 - H. 95 Cm

Roma 1900 ; 1972 Superficie 718, 1950-51 Olio su tela, cm 60 x 92,5 Firmato e datato sul retro Autentica su fotografia dell'Archivio Capogrossi, n° AC/056/OT Provenienza: Galleria l'Isola, Roma Galle

Firmato e datato in basso al destro, Firmato e titolato al retro, olio e tecnica mista su tela, W. 130 - H. 162 Cm, Galleria Blu, Milano, Collezione privata, Milano, Santomaso. Opere 1939-1982, Museo

Olio su tela, cm. 55x38. Sul verso: firma, data e titolo; timbri Galleria Consorti Roma; timbro Collezione Lillo. Bibliografia: 1967, G. C. Argan, Capogrossi, Editalia, Roma, tav. 463.

Giuseppe Santomaso (Italian, 1907-1990) Untitled oil painting on paper mounted on canvas, 1962, depicting a polychrome Abstract Expressionist composition, signed and dated lower left, Galleria Poglian

Follower of CANALETTO (Italian, 1697-1768), The Grand Canal, Venice, oil on canvas (laid to board), canvas: 26 x 35 inches, framed: 27.75 x 37 inches, not signed.

GIUSEPPE CAPOGROSSI (Rome, 1900 - 1972) Superficie 673, 1968-69 Oil on canvas, 25 x 35 cm The artwork presents the classic symbol-pattern that has characterised the artist's production since the 1950s

Follower of Antonio David (Italian, 1698-1750) "Prince Charles Edward Stuart, 'Bonnie Prince Charlie' (1720-1788)", ca. 1730-1745 oil on canvas unsigned, painted after the original commissioned in Rom

Giuseppe Borsato (Venice 1771-1849 Vienna) The entrance of Napoleon into Venice oil on canvas 23 3/4 x 31 1/2in (60.4 x 80cm) Footnotes: Napoleon Bonaparte arrived in Venice in 1807 when, for a brief

Follower of Domenikos Theotokopoulos, called El Greco (Candia 1541-1614 Toledo) The Madonna oil on canvas, possibly a fragment 48.4 x 37.8cm (19 1/16 x 14 7/8in). Footnotes: Provenance Priva

olio su tela, W. 235 - H. 165,5 Cm

Circle of Giuseppe Ruoppolo (Naples 1639-1710) Still lifes of fruit, flowers and urns on rocky banks a pair, oil on canvas 115.4 x 158.7cm (45 7/16 x 62 1/2in). (2) Footnotes: Provenance<

Fabriano 1929 ; 2008 Spazi di ferro n.54, 1989 Ferro verniciato, legno, cemento, cm 270 x 116 x 47 Firmato, datato e titolato sul retro Provenienza: Acquistato direttamente dall'artista nel 1989 dall'

olio su tela, W. 100 - H. 150 Cm, Expertise Dott.ssa Mina Gregori, "Questo accoppiamento di una anziana donna e di un bambino rappresenta probabilmente l'allegoria dell'età matura che accompagna e

Follower of Neri di Bicci (Italian, 1418-1492) Follower of Neri di Bicci (Italian, 1418-1492) Madonna and Child enthroned egg tempera on panel with later oil additions, gilding and punchwork to the de

Etichetta al retro della Galleria L'Isola, Roma, Etichetta al retro della Galleria d'arte Il Traghetto, Venezia, Etichetta al retro della Galleria Arte 92, Milano, Tempera su cartoncino Bristol, W. 35