Four Color Lithographs From Art Moderne Series

BAD HARE DAY (Mona Lisa); CALL OF THE WILD series: Phone Booth & Megaphone (2); THE GOLDEN GOOSE, four color lithographs, each signed in pencil, numbered XCI/C, 156/275, 269/275, 250/275, images 9 ¾

Four lithographs in colors: “Scramble for the Marianas” (F6F Hellcat, Classic Fighter Series), 1994, numbered 492/1000; “Tokyo Bound” (B-25 taking off from the Hornet), 1997, numbered 429/600;

Four lithographs in colors: ”September Victory” (Spitfires of No. 92 Squadron, Royal Air Force, Classic Fighter Series), 1993, numbered 754/100; “One-Tens over Kent” (Messerschmitt Me110s and

Marisol (Marisol Escobar), (French/Venezuelan, 1930-2016), Untitled, No. 3 (from series Untitled Suite No. 6), 1978, lithograph printed in four colors, 52 x 38 inches, pencil signed and numbered 95/10

Artist: Tobiasse, Theo (Israeli 1927-2012) Title: Shavuot Series (suite of four) Date: 1984 Medium: lithograph printed in colors with Carborundum etching and embossing on Arches paper Dimensions: 22.5

UNTITLED from the Vegetable series (SF.112D; L.124) 1971, lithograph in three colors, signed in pencil, numbered 1/4 from the edition of only four, (there were also a few proofs), sheet 24 x 35”, pr

John Altoon (American, 1925-1969) From the About Women Series. Four color lithographs, 1965/66, each pencil signed, one inscribed 'Artists Proof', the other three numbered, each with the chop of Gemin

This lot contains a Guy Gardner DC Comics Series issue #0 four-color art proof. This art proof appears to signal the issue was in the final phase of production as it appears almost exactly like the pr

Adam Fuss (British, b.1961) : Untitled (My Ghost series). Four color offset lithograph, printed in 2000. Unsigned, framed and matted. Fuss's work is distinctive for its contemporary reinterpretation o

John L. Doyle (American, 1939-2010) The Cowboy Series, 1974, group of four color lithographs on paper each 46 x 34 1/2 inches Provenance: Property sold to Benefit the Acquisitions Fund of the Buffalo

Jean Miro (Spanish 1893-1983), "Les Amis du Musée d'Art Moderne de Paris", 1972, color lithograph, pencil signed and numbered 13/75 lower left, framed. Approx. paper h. 35", w. 24.5"; Frame h. 52", w

Artist: Pablo Picasso (Spanish, 1881 - 1973). Title: "Hommage a Rene Char [Musee d'Art Moderne de Ceret]". Medium: Color lithograph. Date: Composed 1969. Dimensions: Overall size: 30 3/4 x 20

Modigliani, Amedeo, after (1884–1920). Depuis Bonnard… / Musée National d’Art Moderne. Paris: Mourlot, 1957. Color lithograph advertising an exhibition at the Modern Art Museum

SCHOOL DAYS, portfolio of four color lithographs including Baseball, Golf, Studying and Cheering, each signed and numbered 110/200, two in ink and two in pencil, all with Circle Fine Arts blind stamps

LES ELEMENTS OF NATURE, 1983, the portfolio of four color lithographs with embossing, each signed and numbered 26/125 in pencil, sheets 26 x 19 ¾”, with tirage, cover sheet and portfolio

VARIOUS, four color lithographs, each signed in pencil and inscribed EA (epreuve d’artiste/artist’s proof), aside from the numbered editions, all with blind stamps lower left, sheets 21 &#

Six volumes of Derriere Le Miroir (DLM) including: Villeri, Jean, Derriere Le Miroir No. 7, published February 1948, Galerie Maeght, 15 x 11 inches, includes four color lithographs, French fold layout

FOUR SEASONS, 1996, the set of four color lithographs, each signed and dated and numbered 32/50 in pencil, printed by Cirrus with blind stamp lower left, images 16 ¼ x 14â€, sheets 24 ½ x 20

VARIOUS, four color lithographs by Gillot after Lorsay and others, sights 7 x 4”, all matching hand-made custom frames 14 ½ x 11 ½” with glass. (4)

MORROW, 1976; CARDUCCI & HERMAN LANDSCAPE, 1981; DOMUS, 1984; GOINGS EXHIBITION POSTER; four color lithographs, the first with hot foil stamping, each signed and dated in pencil, two numbered 81/300 a

VARIOUS, four color lithographs, each signed and numbered in pencil, all from numbered editions of 200, all printed by Mourlot with blind stamp lower left, sheets approximately 26 x 19”. (4)

PORTRAIT OF A WOMAN, 1987, pencil drawing on tracing paper, signed lower left, 19 x 24”, matted 30 x 26 ¼”; FACES, 1987, four color lithographs (three images) on black paper, each s

DOPPELGANGER, 1989, four color lithographs, each signed and numbered 43/50 in pencil, each 24 x 19”, frames 31 x 26” with glass. (4)

Collection: artists include John Muench, Peter Klitsch, Herbert Fink & Stanley Kaplan, four color lithographs and etchings, each signed and numbered in pencil, from editions 100 & 250 (3), sheets aver