Frank Clark Bromley (1859-1890) Evening Harbor Scen

American, 1859-1890. Oil on canvas, signed lower right. New Hampshire lake scene at dawn. Restoration including rebacking on canvas. 20"h. 30"w., gilt frame, 31"h. 41"w.

FRANK E. BROMLEY (US ACT. C. 1859-1890), OIL ON BOARD, H 20", W 30", ROCKY COASTLINE WITH SAILBOATS IN THE DISTANCE:Signed lower right; gilt period frame.

Walter Clark (1859 - 1935), The Pooch, oil on canvas, signed lower right Walter Clark, relined, in Newcomb-Macklin frame, 20" x 16", sold at Christie's 6/22/2007.

Jos&#233; Weiss (British, 1859-1919) Evening After Rain oil on canvas signed Jos&eacute; Weiss (lower left); titled (on the reverse) 23 1/2 x 40 inches. This lot is located in Chicago. <

Chiura Obata (American/Japanese, 1885-1975), "Evening at Clark Inn (from the World Landscape Series)," 1930, woodcut print in colors, printed at Takamizawa print studio with printer's label verso, sig

Circa 1890, Edouard Drouot (1859-1945), Salome, a bronze figure with double patina, signed on base "E. Drouot", nice condition, 25" tall, 15.25" at widest

Frank W. Benson (1862-1951) Mallards at Evening, 1927 signed "Frank W Benson" lower left drypoint, 13 1/2 by 11 1/2 in. Provenance: Private Collection, Wisconsin

Property from a Savannah, GA Estate Description: Eliot Clark (NY/VA, 1883-1980), Silver Haze Cold Spring Harbor, Oil on Fiberboard Panel, signed lower right, depicting a boat in a harbor, with a

DESCRIPTION: An oil on canvas painting by American artist Frank Henry Shapleigh depicts a harbor view of Fort Marion with a boat named "Anita" approaching, signed on the bottom right "F.H Shapleigh" a

Redhead Drake Lloyd Parker (1859-1921) Parkertown, NJ, c. 1890 15 in. long A expertly crafted hollow New Jersey decoy by one of Barnegat Bay's finest carvers. The work is marked with a stamped "DSC" o

SALVIATI & C. (FOUNDED 1859); ATTRIBUTED TO Two Zanfirico Goblets circa 1890 blown and internally decorated glass with aventurine, the larger goblet with paper retail label 'LEVIELE 23 West 35th St.,

ARTIST: Frank Earl Klepper (Texas, Arkansas, 1890 - 1952) TITLE: Landscape MEDIUM: oil on board CONDITION: Very good. No visible inpaint under UV light. ART SIZE: 12 x 16 inches / 30 x 40 cm FRAME SIZ

FRANK SNOWEAmerica, 19th CenturyBoston Harbor with the Statehouse in the background. Signed faintly lower right.Oil on canvas, 14" x 22". Framed 22" x 30". For a similar example see Grogan & Company,

David Wu Ject-Key (1890 - 1968), "Gloucester Waterfront", oil on canvas, harbor, signed and titled on back, Geraci Galleries label on back. 24" x 30".

An Ossie Clark/Celia Birtwell printed black wool jersey evening dress, 1973, un-labelled, with 'African Violet' and 'Pineapple' print combination in orange, green and lilac, the back slashed to just a

James Abbott Mcneill Whistler (American 1834-1903) Depicting sailboats in a harbor inscribed and dated l.r. "Whistler/1859." 14"h x 7"w

FRANK HORVAT (1928&#8211;2020) | Anna Karina in evening gown by Nina Ricci, Paris 1959 | Vintage gelatin print, single-weight glossy paper, in excellent condition (minor signs of wear) 29,7 x 19,8 cm

Eliot O'Hara (American, 1890-1969). Watercolor on paper, depicting a harbor, with abstracted figures on a boat. Also with artist's Washington D.C. studio label to verso, including date of 1965. 21.5"

STILL LIFE WITH CAT AND FLOWERS, 2000, oil painting on canvas, signed and dated upper left, 54 x 54â€. From the collection of Paul J. Coady.

George Ames Aldrich (1872-1941) Early American Oil on Canvas Harbor Scene Painting. Of Worcester, Massachusetts Aldrich studied in France under James Whistler and a pupil of Norwegian Artist Fritz Tha

PARTS AND FRAGMENTS FROM A GLASS FISH CONSTRUCTION, several studio sections and fragments for versions of the Cohen fish construction, largest being nearly 75% complete, 24” tall, it is possible a c

Fine marine painting by British artist William Clark showing the barque Jane Blain. Signed W. Clark 1836. The vessel has sails raised with many other vessels in the picture. In early frame.

ITATA from V Series (A.23), 1968, color lithograph, signed and dated in pencil, numbered 100/100, printed and published by Gemini G. E. L. with their blind stamp, sheet 16 ¼ x 22 ¼”, framed with g

AVICENNA (A.37), 1970, color lithograph, signed in pencil, numbered 72/75, printed and published by Gemini G. E. L., with their blind stamp lower right, sheet 16 x 22", framed.