GAU CASE

Gau Amulet Case and Medicine Bag, Tibet, late 19th century, silver, cloth, copper and leather, old photo of a lama inside box, medicine bag filled with shredded cloth, box 4 inches tall. Himalayan Art

Tibetan amulet cases, gau (gawu), used to hold votive figurines to protect the wearer from misfortune and evil. They are decorated with auspicious Buddhist symbols. Brass, early 20th century., H 8.6 c

A Tibetan copper and white Ga'u prayer box with a silk carrying case and painted clay deity, H. 9.5cm.

Group of Seven Tibetan Mixed Metal Gau Boxes Of various size and form, one with embroidered case, another with strap. The largest 11 1/2 x 9 1/2 x 4 in. Property from the Moke Mokotoff Collection

embossed silvered front with three glass windows revealing three deities, contained within a brocade case with carry strap, h 23cm

silver sheet, cloth, stone, Beautiful, completely preserved example with a small stone Buddha in cloth case with lockable front panel. This amulet containers were worn around the neck like jewellry. T

Beautiful silver and copper Tibetan Ghau with silk carrying case with flowers in blue thread, and gold thread designs throughout the case and sash. Size of container 5" H

Caroline Dudley (Tennessee, 1802-1832)important watercolor miniature portrait painting, depicting Chickasaw Native American dignitary Kinheche in bright garb and headdress holding a bow and arrow. Ins

(3 items) - Carroll Cloar (Tennessee, 1913-1993) acrylic on board painting titled, The Waiting, depicting figures standing in an open field, a brick building in the background covered with FS Chapell

Alice Ravenel Huger Smith (South Carolina, 1876-1958) tonalist watercolor Low Country landscape painting, titled "The Silent Watchers", depicting two white cranes perched in branches amid a purple and

Chinese White Jade Bowl, inverted bowl shaped form atop a short, slightly splayed foot ring. 6 5/8" diameter by 2 3/4" H. Qing Dynasty, Ch'ien Lung Period, mid to late 18th century. Provenance: The co

Tiffany Studios leaded glass and bronze table lamp with "Arrowroot" pattern conical form shade in green, white, yellow, rust, and blue leaded glass, with label reading "Tiffany Studios, New York" alon

Ladies platinum engagement ring featuring a 4.00 carat rectangular modified brilliant diamond, Clarity-SI2, Color-H, measuring 9.45 x 8.78 x 6.30 mm. 71.7% Total Depth; 80% Table; ETN to THK Girdle. G

Chinese archaic style bronze lamp in the form of a recumbent ram. Hinged top to the back that opens for use as an oil vessel with a spout to one end used to empty leftover fuel back into the body. Und

1st item: Asian bronze Buddha sculpture depicted seated in the Dharmachakra mudra atop a double lotus base, having tightly curled domed hair and elongated ear lobes. 13" H x 9" W. Late 19th/Early 20th

Korean iron censer or incense burner with silver wire inlaid Chinese "Shou" auspicious character marks to the rounded hexagonal sides and fret designs throughout; the pierced cover having a crane fini

Italian inlaid gilt bronze ceremonial chalice, ciborium, or part of a vigil lamp, with inlaid coral decoration throughout; pierced gallery surrounding a well with ruby glass liner, central knop above

Ladies 18K yellow gold & platinum ring featuring a 2.85 carat round brilliant diamond, Clarity-VS2, Color-F, with GIA report number 8459038 from a report issued 5/26/94. The ring is marked "18K" and "

Swiss double open-face The (Dutch) Kitchen automaton pocket watch attributed to Pierre-Simon Gounouilhou (France/Switzerland, 1779-1847). 18K gold surround and stem, enamels, brass, and steel with bac

Michel Cazabon (France, Trinidad and Tobago, 1813-1888) Caribbean watercolor landscape depicting the figures of an adult and child standing at the edge of a body of water, with trees and hut in backgr

William Wendt (American/California, 1865-1946) large plein-air impressionist oil on canvas landscape titled "Breezy Uplands" depicting a lush green pasture with a copse of trees to the right under a c

Chinese inlaid rosewood and white jade Ruyi scepter; the rosewood frame inlaid with silver wire floral decoration, and inset with three white jade plaques of graduated size, each profusely carved with

French bronze and gilt bronze Spherical Weight or "Falling Ball" mantle clock, with barometer and thermometer. Top features a bronze standing lion figure atop a cover that lifts for the deposit of bal

George Nakashima (Pennsylvania/Washington/Japan/India, 1905-1990) mid-century modern walnut credenza, pinned and dovetailed case construction with two vertical slat sliding doors backed with pandanus