George Brookshaw 1817 Engravings [Fruit]

George Brookshaw (British, 1751-1823). Four plates of peaches from "Pomona Britannica" -1817, botanical engravings with hand finishing. Unframed. Approx. 13" x 10.25" (sheet)

George Brookshaw (British, 1751-1823). Four plates from "Pomona Britannica" of different varieties of pears, engravings with hand finishing. Unframed. Approx. 13" x 10.25" (sheet)

George Brookshaw (British, 1751-1823). Four plates from "Pomona Britannica" of peaches and nectarines, engravings with hand finishing. Unframed. Approx. 13" x 10.25" (sheet)

3 engravings of apples and peaches. Featuring a plate by George Brookshaw. Largest: Sight: 9 1/4" H x 7" W. Frame: 17" H x 15" W.

Hand colored aquatint engraving Early 19th century, c. 1812, plates from the "Pomona Britannica; or a Collection of the Most Esteemed Fruits" by George Brookshaw (English, 1751-1823); including Plate

Apples, plate no. 90 Aquatint with stipple engraving Early 19th century, c. 1807, hand-colored plate XC from the "Pomona Britannica; or a Collection of the Most Esteemed Fruits" by George Brookshaw (E

George Brookshaw (British, 1751-1823), "Peaches" aquatint and stipple engraving printed in color and finished in watercolor, from the book "Pomona Britannica of a Collection of the Most Esteemed Fruit

Including (1) depicting cherries marked on bottom, " Plate VII Painted and published as the act directs by the author C. Brookshaw. May 1805". Other depicting peaches marked on bottom, "Plate XXXV Pai

George Brookshaw (British 1751-1823)- White Grapes- hand-colored stipple aquatint and engraving, from 'Pomona Britannica', published by the author. 16 3/4 x 12 3/4''

George Brookshaw (British, 1751-1823) "(Apricot) Black Apricot, Breda Apricot, Brussels Moore Park Apricot" aquatint and stipple engraving printed in color and finished in watercolor, from the book "P

George Brookshaw (British, 1751-1823) "(Apricot) Black Apricot, Breda Apricot, Brussels Moore Park Apricot" aquatint and stipple engraving printed in color and finished in watercolor, from the book "P

Plate LXXV. Aquatint printed in colors w hand coloring; from "Pomona Britannica or A Collection of the Most Esteemed Fruits", George Brookshaw, illegible annotation below the image, plate size 17 3/4"

Prints "Eulogium Sacred to the Memory of the Illustrious George Washington, Columbia's Greatest and Successful Son: honored Be His Name." Engraved by Peter Maverick 1817 1817-Dated, George Washington

Lot 28A George Brookshaw British (1751-1823) Pineapple aquatint and stipple engraving, finished with hand coloring 30 x 20 inches Reply Pine Plate 41. From Pomona Britannica. London: T. Bensley, for

George Brookshaw (British 1751-1823)- ''Silver Rockk Melon''- hand-colored stipple aquatint and engraving, from 'Pomona Britannica', published by the author. 16 3/4 x 12 3/4''

Plate LXXIV. Aquatint printed in colors with hand coloring; from "Pomona Britannica or A Collection of the Most Esteemed Fruits", annotated Plate LXXIV "Painted and Published as the Act directs by the

After George Brookshaw (British, 1751-1823) Melon, Plate LXXII, from Pomona Brittanica, c. 1807 Aquatint and stipple engraving with hand-coloring, on wove paper, with margins, framed. plate 17 3/4 x 1

George Stubbs (British, 1756- 1815), "Sweet William," (1817), stipple engraving, signed in plate, image: 15.75"h x 24"w, overall (with frame): 28"h x 31.5"w

[BOTANICAL]. Brookshaw, George (1751-1823) Three Pears (Plate LXXX) -- Six Apples (Plate LXXXVIII) from Pomona Britannica, London, 1804-1822 (but each plate watermarked IIS&S 1822) 2 engravings with h

After George Morland, British genre engraving, After George Morland (British, 1763-1804), "The Fruits of early Industry & Economy", 25"h x 20"w (sight), 31.75"h x 26"w (frame size), matted and framed

This beautiful hand-colored engraving is from Georges Louis Leclerc, Comte de Buffon's Allgemeine Naturgeschichte. The work was published in Belin by Pauli between 1771 and 1774. Buffon's work became

Offered is a large oil on canvas painting by George E. Forster (German/American 1817-1896). Depicts a "Still Life of Fruit" with a vase, watermelon, grapes, and more. Faintly signed lower left corner,

Attributed to George Forster (New York/Germany, 1817-1896). Pre-Raphaelite School. Still Life of Strawberries, Grapes and a Bird's Nest, Circa 1857. Oil on canvas, worn indistinct signature and date 1

A GEORGE V SILVER FRUIT BOWL, by Atkin Brothers, Sheffield 1922, rounded rectangular with four leaf-shaped feet, decorated with a pierced band and bright-cut engraving, presentation engraving. 23cm wi