George Sotter "Cathedral of Learning from Schenley

George Sotter (American, 1879-1953), 'Tugboat Docked in Gloucester', oil on canvas, 26" x 22", in custom carved giltwood frame 34" x 30", labeled Bianco Gallery, Buckingham, Pennylsvania, exhibited at

George Sotter (Pennsylvania, 1879-1953); "New Hope Barn" Oil on Board Sketch signed lower right recto "Sotter;" framed. Age related wear. Height of art 7 inches (17.7 cm.) X width of art 11 inches (28

"New Hope Barn" Oil on board sketch signed lower right. George W. Sotter was an American painter best known for Impressionist-style works. Measurements with frame: 10 x 13.5 Measurement without frame:

Oil on board, "Gloucester Harbor, Mass", SLR. Harbor scene nocturne, in George Sotter frame. 16"h x 20"w and 19.5"h x 23.5"w framed

George William Sotter (1879 - 1953) " Pigeon , Massachusetts", Oil on board , Signed , measures 12" x 16" w/frame 18.5" x 22" , (Provenance :Private Collection, Pennsylvania ) George Sotter, though re

Retains orginal weights, pendulum & key. Reverse on glass door image of St Georges Cathedral. Interior paper label mostly complete. 26" Tall, 15 1/2" Wide

Oil on paper board painting by O.M. Vernitsky, a late 20th-century Ukranian artist. The artwork depicts a view of the St. Georges Cathedral in Lviv, an 18th-century baroque church of the Ukrainian Gre

(American, 1879-1953) Boating scene. Signed,l.r., "GW Sotter". 8"h x 9"w

George William Sotter(American, 1879-1953)Cedars Morningoil on masonitesigned lower right G.W. SOTTER, titled to reverse and inscribed painted by George W. Sotter numbered 21 in a circle10

(American, 1879-1953) Depicting a mountain landscape and signed, l.r., "Geo W. Sotter". 8"h x 9"w

Oil on canvas, mounted on board. Winter Nocturne signed l.r. and dated 1943; 20in. X 24in.(needing restoration)

George William Sotter (1879 - 1953) Pennsylvania,landscape Medium: Oil on canvas signed Size: 24" x 18" Frame Size: 28.5" x 22.5" Condition: Good, The middle has about 0.5 inch damage, professionally

Orr, Louis (American, 1879-1961) Cathedral of Learning, University of Pittsburgh, etching, 17.5 x 14 inches, plate, pencil signed lower right, framed in a wood frame measuring 26 x 22 inches.

Agassi George Agassian. Cathedral. 1983. Signed and dated. Colored marker and pencil on paper. Slight toning and fading, otherwise great condition. Image is 28 x 22. Frame is 25" x 31" h. Provenance:

George William Sotter (1879-1953), Mixed Media on paper Measures 18,5" x 13" shipping us$99.00

Agassi George Agassian. Cathedral. 1983. Signed and dated. Colored marker and pencil on paper. Slight toning and fading, otherwise great condition. Image is 23.5” w x 29” h. Frame is

Pencil on paper, a landscape with central house, signed and dated for 1934 at the lower right corner. Dimensions: Sight is 9" x 7", the frame 11 1/4" x 9 1/4".

Agasi George Agassian (1904-1983). Cathedral With Bell Tower. 1981. Signed and dated faintly. Ink and colored pencil on paper. Image is 27" x 21.5". Frame is 28.5" x 23". Slight fading, otherwise good

NEEDLE POINT CATHEDRAL OF LEARNING UNIVERSITY OF PITTSBURGH Needle Point Cathedral of Learning University of Pittsburgh 15 1/2" x 12"

NIGHTTIME SNOW SCENE WITH FARM HOUSE, OUT BUILDING, SNOW COVERED LANE, ETC. (MOONLIGHT SCENE), SIGNED G.W. SOTTER (GEORGE WILLIAM SOTTER) 1879-1953, VERY DESIRABLE & WELL DONE, 6 1/2 IN. H X 8 1/2 IN.

Signed George W. Sotter oil on canvas of a Connecticut River scene. (Sothebys Lot 136, on June 9, 2016. Est. $15,000-$25,000)Approx. 36.5"x24.5" Framed.

Joseph C Fitzpatrick (American, 1909-1994). Signed original oil on canvas painting. Titled, "Pittsburgh," an Expressionist depiction of the city with its iconic architecture, Cathedral of Learning, ar

Original painting on artist board signed lower right "G. W. Sotter". Seascape with mountains in the abstract, impressionist style of artist George W. Sotter (American, 1879-1953). Simple wooden frame

1885 Cathedrals Churches of ENGLAND Wales Architecture ART Britain Illustrated Thomas George Bonneys Cathedral Churches of England and Wales is a fascinating, late 19th-century collection of illustrat