GEROLAMO SCARSELLO (BOLOGNA, CIRCA 1670)

Circle of Giulio Cesare Procaccini (Bologna circa 1570-1625 Milan) The Madonna and Child oil on canvas 65.3 x 56.3cm (25 11/16 x 22 3/16in).

VERY RARE CIRCA 1670 CT. RIVER VALLEY SUNFLOWER CHEST WITH THREE CARVED PANELS OVER DRAWERS. AMERICAN RED OAK. TOP REPLACED IN THE LATE 19TH C.NOTE PEAR SHAPED GHOST SHADOW ABOVE THE END TURNINGS TYPI

17TH C. HAND COLORED MAP OF BERMUDA - CIRCA 1670 - TITLED "MAPPA AESTIVARUM INSULARUM ALIAS BARMUDAS" - FRAMED AND IN VERY GOOD CONDITION - FRAME 21 3/4" X 19 1/8", SIGHT 14 3/4" X 11 3/4"

A GERMAN PARCEL-GILT SILVER BEAKER CUP, CIRCA 1670, tapering rounded form with fine snake skin ground. 5cm high, 1.2 troy ounces

CIRCA 1670 PAIR PILGRIM CENTURY BACK STOOLS, YORKSHIRE CARVED OAK, CARVED HEARTS, PROBABLY TO COMMEMORATE A WEDDING, 40 X 19 X 19 SEAT

A carved oak overmantle circa 1670. Provenance: Sold by Vernay and Jussel, NYC in 1979 for $5000 Ht: 38.5" Wd: 78" Dpth: 16.5"

GREAT 17TH C PAINTED CARVER CHAIR, MASSACHUSETTS, CIRCA 1670-1680, OLD 19TH C RED PAINT, ALL ORIGINAL BOLD FINIALS AND HANDHOLDS, FULL HEIGHT TO FEET, NO REPAIRS OR RESTORATIONS, RUSH SEAT DATES TO TH

Attributed to Jan van Neck (Dutch, 1635-1714) Gerusalemme Libertata (Jerusalem Delivered), Circa 1670-1680 oil on canvas unsigned 24 5/8 x 29 1/4 inches. This lot is located in Cincinnati. Provenance:

VERY RARE 17TH CENTURY AMERICAN PANEL FRONT JOINED BLANKET CHEST, TRACES OF THE ORIGINAL PAINT DECORATION, CT. RIVER VALLEY, CIRCA 1670-1680. ORIGINAL TOP AND FEET. OAK AND PINE, 46 X 24 X 25

17TH C PILGRIM CENTURY CARVED CHEST, CARVED PANELS, OAK, ENGLISH, CIRCA 1670, FULL FEET, ORIGINAL TOP, 54 X 23 X 29

England circa 1670, the peg joined case showing a front panel with carved crescent shaped motifs, with both architectural and figural elements, the panelled top opening to a plain interior on remnants

RARE LATE 17TH C WILLIAM AND MARY LOOKING GLASS, ENGLISH, CIRCA 1670-1700, ORIGINAL MIRROR, OLD SURFACE, MINOR USE LOSSES. 12 X 25

The oil on canvas AFTER David Teniers the Younger or David Teniers II (15 December 1610 - 25 April 1690), a composition based on the painting titled An Alchemist at Work, circa 1670 displayed in an or

A quality cold cast bronze "Medici Horse", this is a replica of a bronze piece done by Giovanni Da Bologna circa 1650. Bronze sits on a black marble plinth. Piece measures 10.25" tall X 11" across.

E.W. Allen original oil painting of a colonial child after an original painting circa 1670 by an unknown artist, mounted in a wood frame 2 1/8" by 2 3/4"

1) J. Jansson; "Aegypti Recentior Descriptio …" (Amsterdam: 1666) about 16 X 20 in., p.m.; 2) J. Blaeu, "Nova Aegypti Tabula" circa 1670, about 17 1/4 X 20 1/2 in., p.m.; Property from the Hans Goed

Ecclesiastical - A Charles II unmarked silver recusant altar cruet, circa 1670 Of rounded form upon a domed spreading circular foot, the panel section spout opposite a C scroll handle with moulded upp

This is a hand carved wood sculpture of a cherub, it is rendered in a typical early Baroque style, circa 1670. The simple carving technique, which brings out a lot of character, indicates that it was

A vintage Baroque Style oil painting on a metal plate after the original oil painting on canvas, Boys Playing Dice, circa 1670-1675 by Bartolome Esteban Murillo (Spanish, 1617-1682). Framed. The previ

Circa 1670, seat height 18.5 inches, overall height 39.5 inches.With later cigar leather upholstery.

1) J. Blaeu, "Nova Aegypti Tabula," circa 1670, 17 1/4 X 20 1/2 in., p.m.; 2) Pierre Du Val, "Aegyptus Antiqua Divisa in Nomos," (Amsterdam: c.1660), 15 1/4 X 20 1/2 in., p.m.; Property from the Hans

A vintage Baroque Style oil painting on a metal plate after the original oil painting on canvas, Boys Playing Dice, circa 1670-1675 by Bartolome Esteban Murillo (Spanish, 1617-1682). Framed. The previ

Art print of “The Lacemaker” painting by Johannes Vermeer circa 1670. Print mounted floating on a gold metallic toned painted board. Board measures approx 29 in tall by 25 in wide.

Art print of “The Lacemaker” painting by Johannes Vermeer circa 1670. Print mounted floating on a gold metallic toned painted board. Board measures approx 29 in tall by 25 in wide.