Prints & Multiples

Gerry Peirce etching and drypoint First Image

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Gerry Peirce etching and drypoint First Image

Gerry Peirce etching and drypoint

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Gerry Peirce etching and drypoint (1 of 4)

Gerry Peirce etching and drypoint Gerry Peirce (American 1900-1969)- ''Watchman Of The North Rim''- etching and drypoint, signed, titled and numbered 5/100. 5 7/8 x 10 3/8''

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Gerry Peirce (1 of 2)

Gerry Peirce Charleston SC 1900-1968Early 20th century. Original Drypoint etching titled St. Philips. Signed lower right illegibly. The piece was clearly executed by a well trained artist. Some slight yellowing co

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Gerry Peirce Etching [Cleveland] (1 of 4)

Gerry Peirce Etching [Cleveland]Gerry Peirce original pencil signed etching. Signed with inscription in pencil "Drawn For The Guardianship Trust Co. G. Peirce" lower right. Titled in pencil "Cleveland" lower left. Measures 7" x 5 3/

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Gerry Peirce Etching, "Cleveland" (1 of 6)

Gerry Peirce Etching, "Cleveland"Gerry Peirce (American 1900-1968) "Cleveland," etching on paper, signed and inscribed "Drawn for The Guardian Trust Co," titled lower left, framed. Dimensions: 7 x 5.25 in. plate size,

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Gerry Peirce Signed Etching (1 of 5)

Gerry Peirce Signed Etching Gerry Peirce signed etching. Signed in pencil lower right. Titled and numbered in pencil "Shore Fishermen 40/50" lower left. Measures 10-7/8" x 10" image size, 13.75" x 11.75" sheet size. Unframed, lo

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3 Etchings (1 of 7)

3 Etchings 3 Etchings- 1.) Gerry Peirce- ''Morning''- signed, titled and numbered 23/50 in pencil, 13 3/8 x 9 3/4''; 2.) Samuel K. Popkins- ''At the Crossing''- signed and titled in pencil, 6 3/4 x 8 1/4''; 3.)

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Gerry Peirce, American (1900-1969), "The Church at Rancho De Taos", New Mexico, etching, 8"H x 9 (1 of 7)

Gerry Peirce, American (1900-1969), "The Church at Rancho De Taos", New Mexico, etching, 8"H x 9 Gerry Peirce American (1900-1969) "The Church at Rancho De Taos", New Mexico etching pencil signed, titled, and numbered 1/50 lower margin. From AskArt: A painter, teacher, etcher, illustrator, and au

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Emile Kosa (1876-1955) California , Gerry Peirce (1900-1969) New York Arizona D. Wood & Artist (1 of 5)

Emile Kosa (1876-1955) California , Gerry Peirce (1900-1969) New York Arizona D. Wood & Artist Emile Kosa OLIVERA STREET aka OLD MEXICO, etching, signed and titled in pencil, plate 10 ½ x 8 ¾”, full margins, frame 18 ¼ x 15 ¾” with glass; Gerry Peirce DES

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KATHE KOLLWITZ ETCHING DRYPOINT & AQUATINT 1899 (1 of 5)

KATHE KOLLWITZ ETCHING DRYPOINT & AQUATINT 1899 KATHE KOLLWITZ GERMAN, 1867-1945), ETCHING, DRYPOINT & AQUATINT, 1899, H 11", L 12", "AUFRUHR" ("REVOLT"):Signed in pencil lower right. Numbered 7/50 lower left. Framed.

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REMBRANDT VAN RIJN ETCHING & DRYPOINT (1 of 4)

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ETCHING & DRYPOINT "TRIUMPH OF MORDECAI" (1 of 3)

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Vintage Signed Bernard Buffet "Insecte Brun" Etching & Drypoint Print 42/50B (1 of 4)

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Gene Kloss (American, 1903 - 1996), "Corn Husking - Taos Pueblo" c. 1960, etching / drypoint, (1 of 4)

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Gene Kloss, American (1903-1996), Riding By Moonlight, etching, drypoint, ed. 7/25 (1 of 4)

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Louis Icart "Lady with Peacock" Etching & Drypoint (1 of 1)

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Louis Icart "Lady with Peacock" Etching & Drypoint (1 of 3)

Louis Icart "Lady with Peacock" Etching & Drypoint Louis Icart "Lady with Peacock" etching & drypoint copyright notice upper left 1925. Pencil rigned LR, windmill mark LL, plate size approx 15"w x 18.5"h , frame size 28" w x 32"h

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Louis Icart (1888-1950), "Intimacy," 1928, Etching, drypoint, and aquatint in colors on paper, (1 of 7)

Louis Icart (1888-1950), "Intimacy," 1928, Etching, drypoint, and aquatint in colors on paper,Louis Icart(1888-1950)"Intimacy," 1928Etching, drypoint, and aquatint in colors on paperA proof aside from the edition of unknown sizeSigned in pencil in the lower margin, at right: Louis Ic

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Louis Icart (1888-1950), "Mockery," 1928, Etching, drypoint, and aquatint in colors on paper, Plate: (1 of 7)

Louis Icart (1888-1950), "Mockery," 1928, Etching, drypoint, and aquatint in colors on paper, Plate:Louis Icart(1888-1950)"Mockery," 1928Etching, drypoint, and aquatint in colors on paperA proof aside from the edition of unknown sizeSigned in pencil in the lower margin, at right: Louis Ica

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Robert Indiana (1928-2018), "American Dream II, Eat, Die, Hug, Err," 1996, Etching, drypoint, and (1 of 5)

Robert Indiana (1928-2018), "American Dream II, Eat, Die, Hug, Err," 1996, Etching, drypoint, and Robert Indiana(1928-2018)"American Dream II, Eat, Die, Hug, Err," 1996Etching, drypoint, and aquatint in color on wove paper, watermark ArchesEdition: XXXXVI/LSigned, titled, dated, and numb

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Louis Icart - "Intimacy" Etching, Drypoint and Aquatint in Colors on Paper Pencil Signed (1 of 6)

Louis Icart - "Intimacy" Etching, Drypoint and Aquatint in Colors on Paper Pencil Signed Louis Icart - "Intimacy" Etching, Drypoint and Aquatint in Colors on Paper Pencil Signed. Numbered in Pencil Bottom Left '59'. Size: 25.5" x 23" framed. Provenance: Private Collector.

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Louis Icart (1888-1950), "Blue Alcove," and "Pink Alcove," Etching, drypoint, and aquatints in (1 of 12)

Louis Icart (1888-1950), "Blue Alcove," and "Pink Alcove," Etching, drypoint, and aquatints in Louis Icart (1888-1950)"Blue Alcove," 1929Etching, drypoint, and aquatint in colors on paperFrom the edition of unknown sizeSigned and numbered in pencil along the lower edge: Louis Icart /

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SEYMOUR HADEN (BRITISH, 1818–1910), ETCHING, DRYPOINT (1 of 4)

SEYMOUR HADEN (BRITISH, 1818–1910), ETCHING, DRYPOINT SEYMOUR HADEN (BRITISH, 1818–1910), ETCHING, DRYPOINT AND PLATE TONE ON BUFF PAPER, 1865 H 4.25" W 7.5" OLD CHELSEA (Old Chelsea Church) Literature: Schneiderman 101

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Louis Icart (French, 1888-1950) "Casanova" Etching & Drypoint (1 of 10)

Louis Icart (French, 1888-1950) "Casanova" Etching & Drypoint DESCRIPTION: "Casanova" etching and drypoint with hand coloring on paper by Louis Icart (French, 1888-1950). Pencil signed at lower right. Blind stamp and pencil "236" at lower left. CIRCA: 1928 ORIGI

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