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Giacomo Barozzi da Vignola – Ionic Capital Designed by Michelangelo (Comparative Study) First Image

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Giacomo Barozzi da Vignola – Ionic Capital Designed by Michelangelo (Comparative Study) First Image

Giacomo Barozzi da Vignola – Ionic Capital Designed by Michelangelo (Comparative Study)

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Giacomo Barozzi da Vignola – Ionic Capital Designed by Michelangelo (Comparative Study) (1 of 2)

Giacomo Barozzi da Vignola – Ionic Capital Designed by Michelangelo (Comparative Study)This architectural engraving illustrates two views of the highly decorated Ionic Capital designed by Michelangelo (Michel Ange), showcasing his unique variation on the classical order, likely based on

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Giacomo Barozzi da Vignola – Ionic Portico without Pedestal (Architectural Study) – Copper (1 of 2)

Giacomo Barozzi da Vignola – Ionic Portico without Pedestal (Architectural Study) – Copper This architectural engraving illustrates the elevation and proportional measurements of an Ionic Portico without a pedestal, showing an arcade supported directly by columns of the Ionic Order. The pla

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Giacomo Barozzi da Vignola (1507–1573) – Ionic Portico with Pedestal (Architectural Study) (1 of 2)

Giacomo Barozzi da Vignola (1507–1573) – Ionic Portico with Pedestal (Architectural Study)This architectural engraving illustrates the elevation and proportional measurements of an Ionic Portico with a pedestal, showing an arcade supported by columns of the Ionic Order elevated on individu

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Giacomo Barozzi da Vignola – Detailed Illustration and Measurement of an Ionic Capital (1 of 2)

Giacomo Barozzi da Vignola – Detailed Illustration and Measurement of an Ionic Capital This architectural engraving provides a detailed illustration of the Ionic Capital, including measurements, labels, and a geometric breakdown of the characteristic volute design. The plate shows the c

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Giacomo Barozzi da Vignola (1507–1573) – Tuscan Capital and Entablature – Engraving (1 of 3)

Giacomo Barozzi da Vignola (1507–1573) – Tuscan Capital and Entablature – Engraving This engraving is an architectural study of the Tuscan order, illustrating the elevation and profile of the capital and entablature, along with the plan of the capital. The print includes detailed mod

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Giacomo Barozzi da Vignol, after – Ionic Capital – Engraving (c. 1747) (1 of 2)

Giacomo Barozzi da Vignol, after – Ionic Capital – Engraving (c. 1747)This engraving provides a detailed, technical study of an Ionic capital, showing the volute construction and its proportional profile for accurate rendering. It was published as a plate in a French ed

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Giacomo Barozzi da Vignol, after – Ionic Capital with its Plan Below – Engraving (c. 1747) (1 of 2)

Giacomo Barozzi da Vignol, after – Ionic Capital with its Plan Below – Engraving (c. 1747)This engraving provides a detailed, cross-section study of an Ionic capital, showing the volutes, astragal, and other ornaments, along with its proportional plan for construction. It was published as

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Giacomo Barozzi da Vignola – Geometric Construction of the Ionic Volute (Vignola's Method) (1 of 2)

Giacomo Barozzi da Vignola – Geometric Construction of the Ionic Volute (Vignola's Method)This technical architectural engraving illustrates the method for geometrically constructing the Ionic volute, the spiral scroll that defines the capital of the Ionic order. The plate includes figures

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Giacomo Barozzi da Vignola – Composite Bases and Capitals – Engraving (18th Century) (1 of 2)

Giacomo Barozzi da Vignola – Composite Bases and Capitals – Engraving (18th Century)This technical plate illustrates two variations of the Composite capital and base, showing the richly decorated bell of the capital which combines the volutes of the Ionic Order with the acanthus and

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Giacomo Barozzi da Vignola (1507–1573) – Architectural Study of Wall Panelings in Marble (1 of 2)

Giacomo Barozzi da Vignola (1507–1573) – Architectural Study of Wall Panelings in Marble This architectural engraving presents a detailed study of interior wall paneling, known as lambris, designed with a combination of marble and fine woodworking. The illustration depicts several ornate

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Giacomo Barozzi da Vignola – Corinthian Capital and Entablature – Engraving (18th Century) (1 of 2)

Giacomo Barozzi da Vignola – Corinthian Capital and Entablature – Engraving (18th Century)This technical print provides a detailed elevation and section of the Corinthian Order, showcasing the elaborate capital adorned with acanthus leaves and the proportionally correct entablature above i

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Giacomo Barozzi da Vignola, after – Doric Capital and Entablature – Copper engra (1 of 1)

Giacomo Barozzi da Vignola, after – Doric Capital and Entablature – Copper engra This copper engraving illustrates the components of the Doric order, detailing the capital and entablature, from a French edition of Vignola's influential treatise. Giacomo Barozzi da Vignola was an I

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Giacomo Barozzi da Vignola, after – Doric Capital and Entablature – Copper engraving (1 of 2)

Giacomo Barozzi da Vignola, after – Doric Capital and Entablature – Copper engraving This copper engraving illustrates the components of the Doric order, detailing the capital and entablature, from a French edition of Vignola's influential treatise. Giacomo Barozzi da Vignola was an I

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Giacomo Barozzi da Vignola – Corinthian Bases and Capitals – Engraving (18th Century) (1 of 2)

Giacomo Barozzi da Vignola – Corinthian Bases and Capitals – Engraving (18th Century)This technical plate illustrates two variations of the Corinthian capital and base, showing the richly decorated bell of the capital adorned with acanthus leaves on the left and olive leaves on the ri

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Giacomo Barozzi da Vignola – Symbolic Composite Bases and Capitals – Engraving (1 of 2)

Giacomo Barozzi da Vignola – Symbolic Composite Bases and Capitals – Engraving This technical plate illustrates two variations of the Composite capital and base, focusing on different symbolic foliage used for the capital's ornamentation, rather than the standard acanthus leaf.

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Giacomo Barozzi da Vignola – Plan and Profile of the Composite Capital – Engraving This technical print illustrates the design and proportions of the Composite capital in both elevation (profile) and plan view, detailing its complex structure which combines the acanthus leaves of th

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Giacomo Barozzi da Vignola (1507–1573) – Doric Intercolumniation – Engraving (18th Century) (1 of 3)

Giacomo Barozzi da Vignola (1507–1573) – Doric Intercolumniation – Engraving (18th Century)This engraving, titled Entre-Colonnement Dorique, is an architectural study illustrating the correct spacing and proportions (intercolumniation) for columns in the Doric order. The detail includes the

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Giacomo Barozzi da Vignola, after – The Five Orders of Architecture – Copper engraving (1 of 2)

Giacomo Barozzi da Vignola, after – The Five Orders of Architecture – Copper engraving This copper engraving illustrates the five classical orders of architecture: Tuscan, Doric, Ionic, Corinthian, and Composite, from a French edition of Vignola's influential treatise. Giacomo Barozzi d

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Giacomo Barozzi da Vignola – Comparison of Altar Ornaments from Saint Peter's in Rome (1 of 2)

Giacomo Barozzi da Vignola – Comparison of Altar Ornaments from Saint Peter's in Rome This technical and comparative print illustrates architectural elements from two major altars: the Altar of Saint Peter's Basilica in Rome and the Altar of the Val-de-Grâce Church in Paris. The desig

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Giacomo Barozzi da Vignol, after – Ionic Portico without Pedestal – Engraving (c. 1747) (1 of 2)

Giacomo Barozzi da Vignol, after – Ionic Portico without Pedestal – Engraving (c. 1747)This engraving presents a detailed technical study of an Ionic portico, illustrating columns placed directly on the ground supporting a series of arches and an entablature. The diagram includes propor

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Giacomo Barozzi da Vignol, after – Ionic Intercolumniation – Engraving (c. 1747) (1 of 2)

Giacomo Barozzi da Vignol, after – Ionic Intercolumniation – Engraving (c. 1747)This engraving presents a detailed technical study of the Ionic order, focusing specifically on the measurement and spacing between two columns (intercolumniation) and the proportional design of the e

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Giacomo Barozzi da Vignol, after – Portico supported by columns – Engraving (c. 1747) (1 of 2)

Giacomo Barozzi da Vignol, after – Portico supported by columns – Engraving (c. 1747)This print is a detailed architectural study of an Ionic portico, or entrance, supported by columns set on pedestals. The illustration includes technical measurements and explanatory text, serving as

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Giacomo Barozzi da Vignol, after – Rustic Door of the Tuscan Order – Engraving (c. 1747) (1 of 2)

Giacomo Barozzi da Vignol, after – Rustic Door of the Tuscan Order – Engraving (c. 1747)This engraving illustrates an architectural study of a rustic door designed in the Tuscan order, complete with proportional measurements and construction details, published as a plate in a French edit

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Giacomo Barozzi da Vignola (1507–1573) – Measured Elevation of the Principal Doorway of the (1 of 2)

Giacomo Barozzi da Vignola (1507–1573) – Measured Elevation of the Principal Doorway of the This copperplate engraving is a precise, measured elevation of the principal doorway of the Capitol in Rome (Porte du Capitole). The illustration depicts a monumental portal framed by columns of a cla

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