Giovanni Francesco Grimaldi; 17thC. Italian Etching

Giovanni Francesco Grimaldi(1626-1680) etching on paper(mounted to board). Seaside Landscape with Figures and Bull. Inscribed in plate: An, Carache delin. .35. D. - Masse. Sculp. Cum privil Regis.; 12

Set of 3 prints. Veduta architectural views in Italy. Giovanni Francesco Costa (Italian, Venice, 1711–1772/73). Sights 10 3/4" x 13 1/2".

Giovanni Battista PiranesiItalian, 1720-1778From Antiquites de Pompeia or Antiquites de la grande GreceEtching, unmarkedThe etching by Francesco Piranesi, the master's son. This plate is the title p

after Giovanni Francesco Romanelli (Italian, 1610-1662), The Cumaean Sibyloil on canvas, 19th century, housed in antique gilt wood and composition frame. DOA 36.25 x 31 in. Private Collection, Virgini

17th c. Italian Portrait Painting after Italian Master Giovanni Francesco Romanelli (Italian, 1610-1662) Entitled THE CUMAEAN SYBIL | Oil on Canvas | Housed in a gold gilded gesso wood frame| Approx.

Manner GIOVANNI FRANCESCO GESSI (Italian 1588-1649) "Portrait of Woman" Oil on canvas laid on canvas. 29 3/4 x 25 inches; Frame: 37 x 30 3/8 inches. Unsigned. CONDITION: In overall fair condition. The

Comprises: 1.) One framed 18th century engraving by Bartolozzi, After Guercino (Giovanni Francesco Barbieri) (Italian, 1591–1666), entitled "Ex collectione comitis Antonii M. Zanetti Hieron F."

Attributed to Guercino (Giovanni Francesco Barbieri, Italian, 1591-1666), Portrait of a man, red chalk on paper, 11X7.5 cm, apparently unsigned. Tears, minor creases. Not examined out of the frame.

After Giovanni Piranesi (Italian, 1720-1778) Etching Assortment (3) items including plates #72, #73 and #75 of 'Vasi, Candelabri, Cippi, Sarcofagi, Tripodi, Lucerne, ed Ornamenti Antichi Disegnati ed

Original etching in large format "Veduta del Palazzo Odescalchi" by Giovanni Piranesi (1720-1778), published in 1753. Features strong border impression and vertical plate fold. Condition fine with no

Etching of Roman ruins. Dimensions: (Frame) H 21" x W 27.75", (Sight) H 12.5" x W 19.25" Condition: Handling wear to frame. Toning including a slight waviness to paper.

Francisco Bartolozzi (Italian, 1725-1815) , "Two Boys Playing with a Length of Cloth", hand-colored stipple engraving, after Giovanni Francesco Barbieri "Guercino" (Italian, 1591-1666), printed label

After Francesco Giovanni Gessi (Italian, 1588-1649) Portrait of a Lady oil on canvas 27 x 20 1/4 inches. Property from the Estate of Anne M. Baker, Peru, Illinois

FRANCESCO PIRANESI ( Italian 1758/9-1810) AN ETCHING, "Stylobates marmoreus consecrationis Imp. Antonini Pii, et Faustinae Uxoris eius from Trofeo o sia Magnifica Colonna Coclide," etching and engravi

Colonna Antonina  18th century signed within plate l.r. Piranesi fecit on laid paper framed  21.75 x 16 in. (plate), 39 x 26.75 in. (frame)Â

Oblisco Egizio  18th century  signed within plate l.r. Piranesi Architetto fec.  on laid paper framed 21.5 x 16 in. (plate), 39.25 x 26.75 in. (frame)Â

Giovanni Battista Piranesi (Italian, 1720-1778) etching. The 18th or 19th century Piranesi etching, Veduta di Piazza Navona Sopra le rovine del Circo Agonale is from the “Vedute di Roma”, which is

The Cumean Sybil Third quarter of the 19th century. The classic image based on greek mythology of the Apollonian priestess, the Cumean Sybil, after Italian painter Giovanni Francesco Romanelli (1610 -

Giovanni Piranesi (Italian, 1720-1778) Etching "Sepulcro de Cecilia Metella" etching on laid paper, state unknown, 18" x 25-1/8" plate, 21-1/4" x 28-1/2" sheet, good condition, laid down on board, fox

DESCRIPTION: A Giovanni Battista Piranesi, (Italian, 1720) etching The smaller Harbor, called the Porto di Ripetta ("Veduta del Porto di Ripetta"). Signed within plate. Provenance: Original Invoice pu

Giovanni Battista Piranesi (Italian, 1720-1778). 19th century etching on paper, Veduta dell' Anfiteatro Flavio Detto Il Colosseo, done from oiginal plate. Signed in the plate lower right. Titled and i

16 x 9 3/4 in. (plate), 18 3/4 x 13 in. (paper)

Giovanni Battista Piranesi (Italian, 1720-1778), etching, "Veduta di Piazza Navona sopra le rovine del Circo Agonale", from "Vendute di Roma", 18 1/2" x 27 1/2" plate, 25 1/4" x 34 1/4" overall, laid

Giovanni Battista Piranesi, Italian, 1720-1778. Etching, engraving and burnishing on wove paper titled "The Pier with a Lamp", plate XV from the "Carceri d'invenzione" (Imaginary Prisons) series. Sign