GOYA, “YSELE QUEMA LA CASA” FROM LOS CAPRICHOS

Francisco de Goya (Spanish, 1746-1820). “Ysele Quema la Casa” from Los Caprichos (plate 18), etching and aquatint on laid paper, first edition. Provenance: Private Collection, Cashiers, NC.; Sothe

Francisco De Goya etching Los Caprichos Plate 57 La Filiacion. Image size 8 3/4" x 6", framed dimensions 22 3/4" x 20".

Francisco José de Goya y Lucientes (Spanish, 1746-1828). Plate 57 from "Los Caprichos," plate size 8 1/2 x 6 in., framed

Francisco de Goya (Spanish, 1746-1828), "La Filiacion" pl. 57 from Los Caprichos, etching, unsigned, overall (with frame): 16"h x 12.5"w

(Spanish 1746-1828) Plate no. 55 from "Los Caprichos", etching, aquatint, drypoint, and engraving. Good impression on wove paper with dark umber ink. Reference: Harris 90, third edition. Overall: 16-3

Framed Francisco Goya "Dios La Perdone: Y Era Su Madre" Etching on Paper. Etching from Los Caprichos. Francisco Goya, Spanish artist (1746-1828). Piece measures 8 inches high x 7 inches wide, framed m

(Spanish 1746-1828) "El Sueno de la Razon Produce Monstruos" Plate no. 43 from "Los Caprichos", etching, aquatint, drypoint, and engraving. Good impression on wove paper with dark umber ink. Reference

Francisco de Goya (Spanish, 1746-1828) etching and aquatint, El Amor y la Muerte (Love and Death), from Los Caprichos, plate 10. Circa 1799. Titled in plate lower to the center. Framed. The auction la

Francisco Goya (Spanish, 1746-1828) two etching and aquatints from "Los Caprichos," including number 16: "Dios la perdone: y era su madre (For Heaven's sake: and it was her mother)," and number 38: "�

Etching and aquatint 215 mm x 150 mm, framed cm 37 x cm 27 Series '' Los Caprichos '' (1799), No. 36, antique edition.

Francisco de Goya y Lucientes (Spanish, 1746-1828), "El sueno de la razon produce monstruos (The sleep of reason produces monsters)", as Plate 43 in "Los Caprichos", etching and aquatine on paper, fif

Francisco Jose de Goya (Spanish, 1746-1828). "El si Pronuncian y la Mano al Argan, al Primero que Ilega" - 1790s, etching and aquatint. Titled lower center, COA from Nathan Daniel Isen, Philadelphia.

(lot of 2) After Francisco Jose de Goya y Lucientes (Spanish, 1746-1828) "El de la Rollona" and "Cual la descanonan" etchings and aquatints on paper, plate 3 and 21 from "Los Caprichos," unsigned, ove

Ruega Por Ella (She prays for her) Plate 31 from 'Los Caprichos' Etching, burnished aquatint, drypoint and burin. Harris 66, posthumous edition. Gracias a la almorta (Thanks to the Millet) Plate. 51 f

Los Caprichos, 1799 [Madrid, this set printed later], edition unknown (likely one of the earlier editions of the 1850s-60s), bound set of 80 etchings with aquatint on heavy, unwatermarked, wove paper

Francisco de Goya, Los Caprichos etching, Francisco de Goya Lucientes (Spanish, 1746-1828), Plate 1, "Self Portrait", likely a later impression, on smooth wove paper, glued into mat along left edge of

Antique Francisco Goya (Spanish 1746-1828) "Correcion" From "Los Caprichos" Series Etching & Aquatint Print on Paper. "Correcion" (Plate 46). Edition unknown. Professionally framed & matted. Framedmea

Heading: Author: Goya, Francisco Title: Que Pico de Oro! Place Published: Publisher: Date Published: c.1881-1886 Description: Plate 53 from Los Caprichos. Aquatint. Black

Francisco de Goya (Spanish, 1746-1828) Engraving, Ya es Hora (It is the hour), Plate 80 of Los Caprichos. Measures 8 3/8"x 5 7/8". In Frame 21.50"x17.50"x1". Weight 5 pds. From the 7th Edition of 110

Antique Francisco Goya (Spanish 1746-1828) "Chiton" From "Los Caprichos" Series Etching & Aquatint Print on Paper. "Chiton" (Plate 28). Edition unknown. Professionally framed & matted. Framed measurem

After Francisco Goya, "Soplones" from Los Caprichos, a set of 80 aquatint prints created by Goya in 1797 and 1798, and published as an album in 1799. Print is assumed to be from a later edition, but p

Framed oil on canvas painting, Young Girl Standing in front of La Casa de los Azulejos, Mexico City, Agapito Labios (Mexican, 1898-1996), unsigned, bearing artist's cipher lower left, marked "Pinto tr

Mexican School, "Golden Eagle with Mexican Flag," mid-20th c., feathers and mixed media on cardboard, presented in a wood shadowbox frame, unsigned/inscribed, "Morret, La Casa de Los Marcos, Xicotenca

Four (4) Francisco de Goya Lucientes (Spanish, 1746-1828) etchings with aquatint from Los Caprichos, 19th century. All with deep, well-defined platemarks. 1st item: Etching with aquatint entitled Ni m