HENRI ROUSSEAU (after) La Chase du Tigre.Color aquatint, 1924. 375x505 mm; 14x19 inches, full

RUFINO TAMAYO Hombre Contemplando la Luna. Aquatint and etching, 1947. 200x147 mm; 8x5 inches, full margins. Edition of 80. Signed in pencil, lower right. Published by The Quadrangle Press, New York.

FERNAND LÉGER (AFTER) Femme à la Cruche. Color aquatint, engraving and roulette, 1928. 475x313 mm; 18¾x12⅜ inches, full margins. Etched by Jacques Villon. Published by Chalcograph

HENRI-JOSEPH HARPIGNIES Un Bien Aller dans la Foret du Tronçais. Oil on canvas. 810x1015 mm; 31x40 inches. Signed in oil, lower left recto. Provenance: Sold Christie's, New York, November 1, 1999

HOWARD COOK Queensboro Bridge. Etching and aquatint, 1930. 277x184 mm; 10x7¼ inches, full margins. Edition of 40 (from an intended edition of 50). Signed, dated, numbered 21/50 and inscribed "imp

ANTON SCHUTZ Plaza Lights. Aquatint, circa 1929. 352x255 mm; 9x14 inches, full margins. Signed in pencil, lower right. A very good, luminous impression of this extremely scarce print.Born in Germany,

JOAN MIRÓ Le Prophète Encerclé. Color aquatint and etching, 1965. 680x530 mm; 26¾x20¾ inches, full margins. Signed and numbered 10/75 in pencil, lower margin. Printed and publ

JOHN SLOAN Robert Henri, Painter. Etching, 1931. 355x279 mm; 14x11 inches, full margins. Eighth state (of 8). Edition of 60 (from an intended edition of 100). Signed and inscribed "100 proofs" in penc

MARC CHAGALL Moïse et les Tables de la Loi. Color lithograph, 1962. 650x497 mm; 25x19 inches, full margins. Signed and numbered 16/50 in pencil, lower margin. Printed by Mourlot, Paris. Published

GLENN LIGON Notes on the Prelude. Drypoint and aquatint on white wove paper, 2012. 406x304 mm; 16x12 inches, full margins. Signed, dated and numbered 21/35 in pencil, lower margin. Published by Burnet

JOAN MIRÓ Oiseau Entre deux Astres. Color aquatint, etching and carborundum, 1967. 695x565 mm; 27x22¼ inches (sheet), full margins. Signed and numbered 27/75 in pencil, lower margin. Printed

RENÉ MAGRITTE L'Oeil. Color aquatint and etching on Japon nacré, 1968. 175x143 mm; 6x5 inches, full margins. With the artist's signature ink stamp and blind stamp, lower right, and numbered

PABLO PICASSO (after)Intériour Rouge avec un Transatlantique Bleu.Color aquatint, 2 impressions, and 2 original copper etching plates, circa 1960. 405x325 mm; 16x12¾ inches, full margins. On

PABLO PICASSO Salomé. Drypoint, 1905. 405x350 mm; 16x13¾ inches, full margins. Edition of 250. Van Gelder watermark. Printed by Louis Fort, Paris. Published by Vollard, Paris. From La Suite

LOUISE NEVELSON Circus Wagon. Aquatint and etching with hand coloring in watercolor on cream wove paper, circa 1955. 380x446 mm; 15x17 inches, full margins. Signed, titled and numbered 1/20 in pencil,

PETER DOIG Paragrand 2. Color aquatint and etching on Japan paper, 2013. 504x405 mm; 19¾x15¾ inches, full margins. Printer's proof, aside from the edition of 20. Signed, dated and inscribed

CLAUDE MONET and GEORGE W. THORNLEYLes Falaise dans la mer.Lithograph printed in dark green cream Chine appliqué, 1894. 190x262 mm; 7½x10½ inches, full margins. Edition of 100. Signed b

EDGAR DEGAS (AFTER) Avant la Course. Color lithograph on Chine volant, 1910. 500x590 mm; 19x23¼ inches (sheet), full margins. Printed by Auguste Clot, Paris. A very good impression. This color li

LE CORBUSIER La Mer est Toujours Présente. Portfolio with complete text and 10 lithographs, 1962. 560x490 mm; 22x19¼ inches (sheets), full margins, loose as issued. One of 120 numbered copie

after HENRI MATISSE Espagnole a la Mantille -1925. color Aquatint and Etching, pencil signed lower right and numbered 57/200 impression size 15-1/2 x 10-5/8 inches. Overall framed size is 29-3/4 x 26-

Henri Matisse (French: 1869 - 1954) Etching and aquatint in colours on wove Arches paper titled "L'Espagnole a la Mantille". Engraved by Jacques Villon. Printed by Calcographie du Louvre, Paris. Publi

VISAGES: HENRI MATISSE-PIERRE REVERDY, 1946. Editions du Chene, Paris. Portfolio with complete text and 14 lithographs printed in brown, 12.75 inches x 10 inches (32.5 x 25.5 cm), full margins, loose

GRANT WOOD February. Lithograph, 1941. 227x303 mm; 9x11¾ inches, full margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. A superb impressi

EDWARD HOPPER Night Shadows. Etching, 1921. 175x210 mm; 7x8¼ inches, full margins. Edition of approximately 500. Signed in pencil, lower right. Published by The New Republic, New York. A brillian

MARTIN LEWIS Relics (Speakeasy Corner). Drypoint, 1928. 302x252 mm; 11¾x9¾ inches, full margins. Edition of 111. Signed in pencil, lower right. A brilliant, luminous impression of this impor