Important Chinese late Ming - Early Qing bronze Gu

Christie's; Large Pair Late Ming / Early Qing Dynasty Gilt Bronze Duck Censers, the bases shaped with webbed feet, the covers with an air hole at the back and the duck neck hollowed to mouth for escap

A Bronxe Bombe Censer with Mythical Beast Mask Handles, Late Ming/Early Qing Dynasty.Provenance: Important European Collectors. W 7 inches.

A good Chinese bronze mirror, late Ming-early Qing dynasty, 17th century the stand heavily cast in the form of a mysterious animal, possibly a "Xiezhi" in a resting position with the front l

A circa late Ming or early Qing dynasty mother-of-pearl embellished bronze figure of Liu Hai and toad. Approx. 7-3/4in tall x 6in wide x 6in deep.

Cast Bronze Figure of Budai Wearing loose-fitting robes, and seated with his right arm resting on his raised knee whilst holding a beaded rosary. Late Ming/Early Qing Dynasty {Height: 7 1/2 inches (19

LATE MING/EARLY QING DYNASTY Height: 9 1/4 in.

Bronze Ru Yi with Opaline and Green Gems, late Ming/early Qing. From Dr. Robert I-San Lin (#5493), 86-year old senior Chinese artwork appraiser appointed by China Commission on Artwork Authentication,

A LARGE ARCHAISTIC PARCEL-GILT AND SILVER-INLAID BRONZE TRIPOD CENSER, LATE MING TO EARLY QING China, 17th-18th century. The compressed globular body supported on three feet and set with three flanges

As a Lu Duan on a lotus platform. Head detached from body. Late Ming to early Qing dynasty. H. 18cm (7 in.)

East Asia, China, late Ming to Early Qing Dynasty, ca. 17th to 19th century CE. An elegant arrow vase cast from bronze- the unusual side cylinders were used in a drinking game called touhu or pitch po

ANTIQUE CHINESE BRONZE HU - 17TH CENTURY. LATE MING TO EARLY QING DYNASTY. 44 CM TALL. PROVENANCE - BETHESDA MD ESTATE

An associated pair of Chinese patinated bronze archaistic gu-form vaseslate Ming/early Qing dynasty, 17th/18th century(2). H: 11 in.

early qing / late ming, monted as lamp previously, now apart; measures 17.5" in height, 8.5" wide; heavy

A GROUP OF TWO SILVER-INLAID BRONZE BELT HOOKS, 17TH CENTURY China, late Ming (1368-1644) to early Qing dynasty (1644-1912). Each cast with a horned chilong-head hook to one end and a circular button

A SILVER-INLAID BRONZE ARCHAISTIC 'DRAGON' BELT HOOK, 17TH CENTURY China, late Ming (1368-1644) to early Qing dynasty (1644-1912). Cast with a dragon-head hook and a circular button to the underside,

antique, chinese, bronze censer with Ming dyn. Reign mark. Late Qing dyn. or early republic. Size 11.5 cm

2 Chinese Ming / Early Qing Bronze Incense Burners; the first Ming Dynasty (or earlier), in an ovoid shape on 4 animal head feet, the sides cast with 4 Taotie Masks and an archaistic border, now with

East Asia, China, late Ming to early Qing Dynasty, ca. 1600 to 1700 CE. A finely made, ceramic shallow bowl with a pretty motif of a blue fish with a crosshatched red body. The body of the fish is dyn

Jade Hairpin Jade Hairpin; possibly from the late Ming, or early Qing dynasty. The body of the hairpin exquisitely created in an openwork stylized floral motif with a bird as the center piece; recto a

Mid 17th century; porcelain vase having pair of molded lion masks, 8 1/2 in. H.Purchased from Stockspring Antiques, London, England on November 17, 1998. Property from the collection of Robert and Nan

Ink and color on silk of flowers and 2 cranes attributed to Luu Ji. It is from the late Ming to early Qing dynasty. It has a seal and signature. Painting is framed and matted. Dimensions are 64 1/4 in

Chinese late Ming to Qing bronze tri-pod incense burner, depicting scrolling dragon and flowers, with a foo dog finial on the open work lid, the three legs depicting the face of the beast, flanked by

A RARE HUANGHUALI DEMOUNT-ABLE SQUARE CORNER-LEG TABLE, FANGZHUO LATE MING/EARLY QING DYNASTY, 17TH CENTURY The Demount-able square-panel top is set within the wide, square frame with a thumb-grooved

A graphically beautiful Li dragon cover (long bei), late Ming/early Qing period (18th/19th century). Size: 73'' x 45.75'' (185 x 116 cm). The tapestry emphasizes the gentle, mythical ch'ilin, believed