James ENSOR (1860-1949) Etching "Les Mauvais Medecins" from 1895 -13/50

James Ensor (Belgian, 1860-1949) Etching on Simili Japon 1895, Bataille Des Éperons D'or (Battle of the Golden Spurs), H 7" W 9.3" | Signed in pencil lower right, dated and annotated Bataille des &#2

James Ensor (Belgian, 1860-1949) La Chimere, 1888 etching signed, dated and titled in pencil 3 1/2 x 2 1/2 inches. Property from the Joshua B. Kind Trust, Downers Grove, Illinois

James Ensor (Belgian, 1860–1949), "Roman Victory," 1889, etching, plate signed lower left, image: 7"h x 9"w, overall (with frame): 28.25"h x 23.25"w

James Ensor (Belgian, 1860-1949) La Kermesse Au Moulin, 1889 etching signed, dated and titled in pencil 5 1/4 x 6 3/4 inches. Literature: Delteil 72 Property from a Private Collection, Chicago, Illino

James Ensor (1860-1949) My Portrait in 1960 (Delteil, Croquez, Taevernier, Elesh, 34), 1888 Etching on simili-japon paper, signed and dated in pencil, titled in pencil on verso, Tavernier's second sta

Pencil signed and dated in lower right margin, signed lower left in the plate. John A. Thorson, New York label verso. James Ensor (Belgian, 1860-1949). From a Chappaqua, NY home. Dimensions: Plate - 5

James Ensor (1860-1949): My Portrait in 1960 Drypoint in black on Chine, 1888, unsigned, inscribed 'No. 34' lower left and right, with an indistinct collector's mark on the reverse. 9 3/8 x 11 3/4 in.

JAMES ENSOR Masques Scandalisés. Etching on imitation Japan paper, 1895. 117x80 mm; 4x3 inches, full margins. Signed and dated in pencil, lower right, and countersigned in pencil, verso. A very g

JAMES ENSOR 1860-1949 Senza titolo, 1914 Matita su carta cm. 27x21 Firma e anno al fronte PROVENIENZA Collezione privata, Milano

JAMES ENSOR Auto-da-fé. Etching, 1893. 81x116 mm; 3x4¾ inches, wide margins. Signed and dated in pencil, lower right, and countersigned in pencil (erased), verso. A very good impression. Del

James Abbott McNeill Whistler (American, 1834-1903) Rotherhithe (Kennedy 66; Glasgow 70) Etching and drypoint, 1860, on cream laid, Glasgow's final sixth state, with narrow margins, 295 x 218mm (11 5/

VINCENZO IROLLI (Naples, 1860 - 1949) Terrace in bloom Oil on canvas, 64 x 97 cm Signed lower right: V. Irolli Excellent conditions, framed without glass

James Rizzi, etching with color, James Rizzi (American, b. 1950), "Oncoming Traffic", mixed media etching, signed, titled and numbered (2/99) in lower margin, 8.25"h x 6.25"w (sight), 12.5"h x 9.5"w (

James A.M. Whistler, etching, 1879, James Abbott McNeill Whistler (American, 1834-1903), "Upright Venice" from the Twenty-six Etchings of the Second Venice Set (Kennedy 16), on laid paper, likely four

CURRIER, Nathaniel (1813 - 1888) and IVES, James Merritt (1824 - 1895), after Parsons and Atwater.The City of Philadelphia.Lithograph with original hand color.New York: Currier & Ives, 1875.24" x 34"

CURRIER, Nathaniel (1813 - 1888) and IVES, James Merritt (1824 - 1895), after Parsons and Atwater.The City of St. Louis.Lithograph with original hand color.New York: Currier & Ives, 1874.28 1/4" x 39

CURRIER, Nathaniel (1813 - 1888) and IVES, James Merritt (1824 - 1895), after Durrie.Autumn in New England. / Cider Making.Lithograph with original hand color.New York: Currier & Ives, 1866.18 1/4" x

SCULLY, SEAN. Pomes Penyeach. Poems in English and German by James Joyce. 13 etchings and aquatints printed in colors by Scully; printed by Jennifer Melby, New York, published by Bernd Klüser, Mu

Hand-colored engraving with etching after John James Audubon, "White Headed Eagle", plate 31. Robert Havell and Son engravers, 1828. Frame Opening: 25 x 38 in.

1871-1872; oil on canvas; signed lower left, signed again, titled, and dated verso 35 1/4 x 59 1/2 in. (89.5 x 151.1 cm.), Frame: 41 1/4 x 65 1/2 in. (104.8 x 166.4 cm.) Provenance: Property from a La

James Whistler, American (1834-1903). Black and white etching of his mother sleeping titled 'Whistler's Mother' mounted in chrome frame and signed 'W 56' lower right corner. Measures 15 3/8"H x 17.75"

Fine early impression with artist butterfly mark upper left, titled "The Balcony Venice", image size 11.75" x 7.75", matted and framed under glass, remnants of original label on reverse. Condition app

James Abbott McNeill Whistler (American, 1884-1903) "Long Lagoon". Etching and drypoint, printed in brown ink on paper. From the "Second Venice Set" published in 1886. With Whistler's emblematic butte

Sir George James Frampton, RA (British, 1860-1928): A rare and apparently unique patinated bronze bust of St. George dated 1905 the young male saint clad in armour with downcast eyes, his helmet with