James Ensor (Belgian, 1860-1949) Etching on Simili Japon 1895, Bataille Des Éperons D'or

James Ensor (Belgian, 1860-1949) Etching on Simili Japon 1895, Bataille Des Éperons D'or (Battle of the Golden Spurs), H 7" W 9.3" | Signed in pencil lower right, dated and annotated Bataille des 

James Ensor (1860-1949) My Portrait in 1960 (Delteil, Croquez, Taevernier, Elesh, 34), 1888 Etching on simili-japon paper, signed and dated in pencil, titled in pencil on verso, Tavernier's second sta

James Ensor (Belgian, 1860-1949) La Chimere, 1888 etching signed, dated and titled in pencil 3 1/2 x 2 1/2 inches. Property from the Joshua B. Kind Trust, Downers Grove, Illinois

James Ensor (Belgian, 1860-1949) La Kermesse Au Moulin, 1889 etching signed, dated and titled in pencil 5 1/4 x 6 3/4 inches. Literature: Delteil 72 Property from a Private Collection, Chicago, Illino

Pencil signed and dated in lower right margin, signed lower left in the plate. John A. Thorson, New York label verso. James Ensor (Belgian, 1860-1949). From a Chappaqua, NY home. Dimensions: Plate - 5

James Sidney Ensor (Belgian, 1860-1949), wash and charcoal on paper depicting a slender penguin, signed l.r., 16" x 14" sight size, 21 1/2" x 19 1/4" framed.

James Ensor (1860-1949): My Portrait in 1960 Drypoint in black on Chine, 1888, unsigned, inscribed 'No. 34' lower left and right, with an indistinct collector's mark on the reverse. 9 3/8 x 11 3/4 in.

JAMES ENSOR Masques Scandalisés. Etching on imitation Japan paper, 1895. 117x80 mm; 4x3 inches, full margins. Signed and dated in pencil, lower right, and countersigned in pencil, verso. A very g

JAMES ENSOR Auto-da-fé. Etching, 1893. 81x116 mm; 3x4¾ inches, wide margins. Signed and dated in pencil, lower right, and countersigned in pencil (erased), verso. A very good impression. Del

Charles Raphael Peyre French 1872-1949 - True Turn of the Century Bronze Group entitled Bataille des Fleurs / Battle of Flowers. Early Cast Sculpture depicting 3 Children Putti. Signed base. Height 22

LOT OF TWO: A. "East River, NY"; 1949; Drypoint Etching; 10" x 12.25"; Signed Lower Right; Framed (under glass), Note: "J. Assenheim & Son" label on verso / B. "Manhattan Skyline"; 1931; Drypoint Etch

After Pablo Picasso (Spanish 1881-1973), "Famille des Saltimbanques", circa 1950, depicting a family of acrobats with their dog, etching on Japon nacre paper, signed lower left, and edition H.C. lower

James Abbott McNeill Whistler (American, 1834-1903) Rotherhithe (Kennedy 66; Glasgow 70) Etching and drypoint, 1860, on cream laid, Glasgow's final sixth state, with narrow margins, 295 x 218mm (11 5/

VINCENZO IROLLI (Naples, 1860 - 1949) Terrace in bloom Oil on canvas, 64 x 97 cm Signed lower right: V. Irolli Excellent conditions, framed without glass

JAMES ENSOR 1860-1949 Senza titolo, 1914 Matita su carta cm. 27x21 Firma e anno al fronte PROVENIENZA Collezione privata, Milano

James Rizzi, etching with color, James Rizzi (American, b. 1950), "Oncoming Traffic", mixed media etching, signed, titled and numbered (2/99) in lower margin, 8.25"h x 6.25"w (sight), 12.5"h x 9.5"w (

Hand coloured engraving. In good condition. Published in 1888 for Magazine of Art. Size: 21,5x30,4 cms.; Mariamne (c. 57-29 BC) was a Hasmonean princess, who married Judean king Herod. The relationshi

RENÉ MAGRITTE L'Oeil. Color aquatint and etching on Japon nacré, 1968. 175x143 mm; 6x5 inches, full margins. With the artist's signature ink stamp and blind stamp, lower right, and numbered

Daughter playing Soldier. Signed lower right. Old red wax seal verso. Jan Portielje (Belgian, 1829 - 1895/1908). From a Long Island, NY estate. Dimensions: 29.75" high x 23.75" wide. Condition: Unfram

James A.M. Whistler, etching, 1879, James Abbott McNeill Whistler (American, 1834-1903), "Upright Venice" from the Twenty-six Etchings of the Second Venice Set (Kennedy 16), on laid paper, likely four

Joan Miro "La Femme Des Sables" etching and aquatint print signed "Miro" in the lower right corner and marked "HC" in the lower left corner, exhibition print (HC) from edition of 75. Plate: 36" H x 23

CURRIER, Nathaniel (1813 - 1888) and IVES, James Merritt (1824 - 1895), after Parsons and Atwater.The City of Philadelphia.Lithograph with original hand color.New York: Currier & Ives, 1875.24" x 34"

CURRIER, Nathaniel (1813 - 1888) and IVES, James Merritt (1824 - 1895), after Parsons and Atwater.The City of St. Louis.Lithograph with original hand color.New York: Currier & Ives, 1874.28 1/4" x 39

Pablo Picasso (1881 - 1973) Les Pauvres from "La suite des Saltimbanques" etching, on Van Gelder paper, 1905, Baer's second (final) state, from the edition of 250 on this paper (there were also 27 or