JEAN DUFY Bois du Boulogne. Color lithograph, circa 1950. 480x630 mm; 18¾x24¾ inches, full

Jean Dufy (1888-1964) MONTMARTRE Color lithograph, on Arches paper, signed and numbered 181/250 in pencil, with full margins, unframed. Image 18 5/8 x 24 1/4 inches; 473 x 616 mm. Sheet 21 7/8 x 29 7/

MARC CHAGALL (AFTER) Romeo and Juliet. Color lithograph, 1964. 640x993 mm; 25¼x39 inches, full margins. The deluxe edition, before letters. Signed and numbered 50/200 in pencil, lower right. Prin

MARC CHAGALL Bateau-Mouche Au Bouquet. Color lithograph, 1960. 390x300 mm; 15x11¾ inches, full margins. Artist's proof, aside from the edition of 25. Signed and inscribed "epreuve d'artiste" in p

JOAN MIRÓ (after)Sur Quatre Murs.Color lithograph, 1951. 260x792 mm; 10¼x31¼ inches, full margins. Edition of 400. Signed and dated in pencil, lower right. Published by Maeght, Paris. A

RENÉ MAGRITTE (after)Le Fils de l'Homme.Color lithograph, 1973. 777x595 mm; 30x23½ inches, full margins. Signed, titled, annotated and numbered 110/150 by Georgette Magritte, the artist's wi

JOAN MIRÓ Montroig 4. Color lithograph, 1974. 760x570 mm; 29x22½ inches (sheet), full margins. Signed and numbered 27/30 in pencil, lower margin. Printed and published by Polígrafa, Bar

ALEXANDER CALDER Our Unfinished Revolution. Portfolio with complete text and 10 color lithographs, 1975-76. 555x760 mm; 21x30 inches (sheets), full margins, loose as issued.One of 250 copies, with the

ED CLARK (1926 - 2019) Untitled. Color lithograph on wove paper, 2000. 876x914 mm; 34½x36 inches, full margin. Signed and numbered 7/25 in pencil, lower margin.

KÄTHE KOLLWITZ Brustbild einer Arbeiterfrau mit blauem Tuch. Color lithograph on Japan paper, 1903. 350x245 mm; 13¾x9¾ inches, full margins. Third state (of 3). Edition of approximately

EDGAR DEGAS (AFTER) Avant la Course. Color lithograph on Chine volant, 1910. 500x590 mm; 19x23¼ inches (sheet), full margins. Printed by Auguste Clot, Paris. A very good impression. This color li

ELIZABETH CATLETT (1915 - 2012) For My People. Set of six color lithographs on Arches paper, 1992. Each 400x349 mm; 15¾x13¾ inches, full margins. Artist's proofs, aside from the edition of 9

RICHARD DIEBENKORN Serge. Color lithograph printed in blue and black on Arches 88 paper, 1984. 903x710 mm; 35¼x27 inches, full margins. Initialed, dated and numbered 25/26 in pencil, lower margin

ALEXANDER CALDER Marée Basse. Color lithograph on Chiffon de Mandeure paper, 1974. 760x1150 mm; 30x45 inches (sheet), full margins. Artist's proof, aside from the edition of 100. Signed and inscr

PABLO PICASSO (after)Intériour Rouge avec un Transatlantique Bleu.Color aquatint, 2 impressions, and 2 original copper etching plates, circa 1960. 405x325 mm; 16x12¾ inches, full margins. On

JEAN DUBUFFET Protestator (Green). Color screenprint on Hollandais paper, 1973. 500x335 mm; 19¾x13¾ inches, full margins. Initialed, dated and numbered 22/100 in pencil, lower margin. Publis

JEAN DUBUFFET Territoire et paysan. Color screenprint on Arches, 1974-75. 535x395 mm; 21¼x15½ inches (sheet), full margins. Initialed, dated and numbered 24/50 in pencil, lower right. Publis

Alexander Calder (1898-1976) COMPOSITION Color lithograph, on wove paper, signed and numbered 66/75 in pencil, the full sheet, framed. Sheet 29 1/2 x 43 inches; 749 x 1092 mm. C

CLEMENTINE HUNTER (1886 - 1988) Making Syrup. Oil on board, circa 1975. 457x610 mm; 18x24 inches. Initialed in oil, lower right.Provenance: acquired directly from the artist, private collection, Louis

GRANT WOOD February. Lithograph, 1941. 227x303 mm; 9x11¾ inches, full margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. A superb impressi

MARTIN LEWIS Veterans. Lithograph, 1935. 250x342 mm; 9¾x13½ inches, full margins. Edition of only 8. Signed in pencil, lower right. A very good impression of this extremely scarce, first-kno

GRANT WOOD March. Lithograph, 1939. 228x302 mm; 9x11⅞ inches, full margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. A superb impression

MARTIN LEWIS American Nocturne. Lithograph with scratchwork, 1937. 250x366 mm; 9x14 inches, full margins. Edition of approximately 17. Signed in pencil, lower right. A very good impression of this ext

KEITH HARING (1958-1990) Untitled (Wedding Invitation). Color screenprint on canvas. 161x165 mm; 6x6½ inches, full margins. Signed, dated, numbered 24/125 and with the artist's cipher in felt-tip

ROBERT LONGO Rick. Lithograph on Arches Cover paper, 1994. 1016x597 mm; 40x23½ inches, full margins. Signed, dated and numbered 125/170 in pencil, lower margin. Published by Greenpeace, New York.