Jean (John) Paul Selinger (AMERICAN / MASSACHUSETTS / NEW HAMPSHIRE / GERMANY, 1850-1909) 19th

JEAN PAUL SELINGERMassachusetts/New Hampshire, 1850-1909"Indian Rock, Rhode Island". Signed lower left "J.P. Selinger". Titled on contemporary label verso.Oil on board, 7" x 1

Style of J. & J. W. Meeks (American (New York), 1797-1869), circa 1850-60. A monumental rosewood and mahogany etagere in the Rococo Revival style comprising a trapezoidal mirrored backboard with tiere

(2) Paul Revere, Jr. (American, 1734-1818) Silver Teaspoons Boston, Massachusetts. 5 1/4 in. The Robb Family, East Aurora, New York. For new customers purchasing silver, gold, or jewelry, we require p

Fourth-quarter 19th Century, Fort Wingate, New Mexico Territory Woven red field of American flannel, with four columns of yellow, green and red crosses, side elements in cream and indigo blue with ot

Fine Pair of American Rococo Carved and Laminated Rosewood Side Chairs, c. 1850-1860, attr. John Henry Belter, New York, in the pattern known as "Cornucopia", tall high relief carved crest, acanthus c

American Rococo Carved and Laminated Rosewood Center Table, c. 1850-1860, attr. to John Henry Belter, New York, white marble turtle top, elaborately carved grape, floral and acanthus frieze, scrolled

Rare American Rococo Carved and Laminated Rosewood Armchair, c. 1850-1860, attr. to John Henry Belter, New York, elaborately carved urn and floral high crest with dolphin decoration, foliate and acorn

Very Fine American Rococo Carved and Laminated Rosewood Sofa, c. 1850-1860, attr. to John Henry Belter, New York, in the pattern commonly referred to as "Fountain Elms", arched back surmounted by fine

American Rococo Carved and Laminated Rosewood Parlor Suite , c. 1850-60, attr. to John Henry Belter, New York, in the pattern referred to as "Rosalie with Grapes", incl. settee, pair of side chairs an

Pair of American Rococo Carved and Laminated Rosewood Meridiennes, 19th c., attr. to John Henry Belter, New York, in the pattern commonly referred to as "Fountain Elms", floral crest, scrolled undulat

ROBERT SPEAR DUNNINGMassachusetts/New Hampshire, 1829-1905Still life of fruit. Signed and dated "R.S. Dunning 1885". Signed and dated verso "R.S. Dunning Painter. 1885".Oil on canv

BENJAMIN CHAMPNEYMassachusetts/New Hampshire, 1817-1907Glen Ellis Falls, New Hampshire. Signed lower left "B. Champney".Oil on panel, 11.5" x 7.5". Framed 16" x 12". Note

Donald John Trump (AMERICAN / NEW YORK, born 1946) original acrylic painting on canvas depicting a city skyline executed circa 2004. Signed in gold by the current sitting President of the United State

John Koch (American, 1909-1978) Untitled (Still Life with Fish and Lobster) signed 'Koch' (lower right) oil on canvas 20 x 24 in. 25 3/4 x 29 1/2 x 1 1/2 in. Footnotes: Provenance Dora Koch

John Koch, American, 1909 to 1978, oil painting on artist board, Portrait of a Susie, 1956. Signed and dated, lower left. Framed. Inscribed, Susie by John Koch, on the backside. John Koch was an Ameri

John B. Botto (American, Kentucky, 19th Century) Cherokee Park, Louisvilleoil on canvassigned J.B. Botto to lower right34 1/4 x 22 1/4 inches. This

Frederic Remington (American, Canton, New York 1861–1909 Ridgefield, Connecticut). “The Sergeant” bronze Makers marks and signatures include: "Frederic Remington", "Copyright @ Frederic Remingto

American, New York, third quarter 19th century. An Empire style pier table, having a square form with a white marble top, mounted with gilt metal acanthine rinceau molding and foliated ormolu, with fi

Frank Stella (1936 - ) American, New York - Massachusetts. Iconic Pop Art wood installation from the Metropolitan Museum of Art. Titled : M #11. Exclusively made for New York City's Metropolitan Museu

The novelty clock retailed by Camerden & Forseter, New York, American, 19th C. H. 43 cm (17 in.) Dimensions of base: W. 40.5 cm (15 7/8 in.) D. 19.5 cm (7 3/4 in.)

Pitcher 8.5 x 9 inches, stamped J. Bell (John Bell), and Food Mold 9.5 in diameter and 3.25 inches tall. Both glazed and decorated.

(American School, 19th Century) John Mason McCarty (1795-1852), not visibly signed, oil on canvas, 26 x 20 in.; gilt wood frame, 33-1/2 x 27-1/4 in. Provenance: Descended in the family of the consigno

Edward Hill (American, 1843-1923). White Mountain View, New Hampshire, 1879. Oil on canvas, signed "Edward Hill/ 1879" lower left," (14.125 x 24.125 inches); housed in a period giltwood frame. Frame:

Attributed to John Henry Belter (1804-1863), New York, ca. 1850-1860. Carved and Laminated. 46"h For a similar example, see Neal Auction Company, New Orleans, LA, September 12, 2015, Lots 123-124