Jun Hasegawa (b. 1969) Sunday Afternoon

MARGARET KEANE (American b. 1927) Sunday Afternoon Oil on canvas 24 1/8 x 18 inches / 61.2775 x 45.72 cm; Framed: 32 x 26 inches Signed lower right: Keane [CONDITION: In very good condition; there is

Bob Dylan (b.1941)Sunday Afternoon, from The Drawn Blank seriesGiclée in colours, 2018, signed in pencil, numbered from the edition of 295, printed by GTZ Fine Art Editions, New York, co-publishe

Hans Kanters (b. 1947) Sunday Afternoon Oil on canvas. Signed upper left "Kanters" Executed in 1985 11.5" x 15.5"; framed 13.5" x 17" Provenance: Christie's Amsterdam Sale 2442, Dece

Jack Terry (Texas, b. 1952), "Sunday Afternoon Bluebonnets", 1985, oil on canvas sight: 30 x 40 in., frame: 38 x 18 in. Shipping available for this lot through our partner 4CL; please reques

Isaac Maimon Israel (b.1951) Sunday Afternoon, 1988-89 serigraph in color on Arches paper numbered 6/125 lower left and signed lower right. 32"H x 45 1/2"W (image), 43"H x 54 1/2"W (frame)

Marco Casentini (Italian, b. 1961) Every Sunday Afternoon 660, Acrylic on canvas on board, Signed, titled, and dated on verso. H: 22 W: 20 in. The absence of a condition statement does not imply that

Tajuddin Ismail (Malaysian, b. 1949), "The Studio, Sunday Afternoon," 1996, mixed media on paper, signed and dated lower right, sight: 16"h x 15.25"w, overall: 25.25"h x 24.25"w

SUNDAY AFTERNOON (Football), 1990, painted iron kinetic sculpture with one rocking element, signed and dated and numbered 17/60 on base, 27” tall, published by Martin Lawrence Galleries with their

Framed painting titled "Sunday Afternoon at the Docks," signed lower left and to verso by Cindy Shaoul (American, b. 1987). [Art: 15" H x 20" W; Frame: 22" H x 25" W]. In good condition.Footnote: Arti

[2] Rock Concert Posters, both Billy Graham Presents in San Francisco: [1] Jimmy Hendrix experience Aug 10, 11, 12, 1962 & Creedence Clearwater Revival with Fleetwood Mac, Jun 16 thru 19, 1969. Both f

INVADER (B. 1969) Rubik Travis Bickle Mohican 2007 signed, titled and dated 007 on the reverse Rubik's cubes on Perspex panel 83.8 by 122.9 by 5.5 cm. 33 by 48 3/8 by 2 3/16 in. Footnotes:<

Kara Walker (American, b. 1969) The Emancipation Approximation (scene 18), 1999-2000 screenprint on Somerset 500G paper signed, dated, and numbered XII/XXV in pencil, verso 43 7/8 x 33 7/8 inches.

Michael Cacnio (b. 1969) Flower Vendor signed and dated 2005 brass 23" x 7 1/2" x 5 1/2" (58 cm x 19 cm x 14 cm) León Gallery wishes to thank the artist for confirmingthe authenticity of this lot.

Kara Walker (American, b.1969) 'Resurrection Story without Patrons' Etching with Aquatint 2017, signed lower right, X/XXX, etching with aquatint, sugar lift, spit bite and drypoint depicting a large f

&#948; Invader (b.1969)Alert (Red) (Control P Editions 52)Screenprint in black and red, 2020-2021, signed and dated '20' in pencil, numbered from the edition of 60, published by MGLC Ljubljana, Sloven

Lot 238 Keith Vaughan British (1912-1977) Recreation Room Sunday Afternoon (1942) ink and wash on paper inscribed in pencil and ink to verso (upper inscription signed John Lehman) signed lower right 8

Kara Walker (American, b.1969) 'I'll Be a Monkey's Uncle' Lithograph 1996, signed lower right, AP 3/10, depicting the figures of a girl and a monkey in black silhouette against a white background, mou

Jessica Fulford-Dobson (b. 1969) Skate Girl, Kabul, June 2014. Chromogenic print, flush-mounted. 160 x 45 cm (46 x 77.5 in.) Signed, titled, dated with ?AP? on an artist?s label. Exhibited National Po

Bronze. Includes exhibition catalog from Blue Rain Gallery, Santa Fe, New Mexico. Dimensions: H 38" x W 25" x D 15" Condition: No issues to note. Provenance: From a Greenwich, CT estate.

Arthello Beck, Jr. (1941 - 2004) Sunday Afternoon Commute, 2003 oil on canvas 24 x 36 inches 32 x 44 inches (frame) signed lower right: Arthello Beck Jr. 03 Arthello Beck, Jr. was an important Dallas

&#948; Invader (b.1969)Rubik Kubrick The Shining (Jack)Screenprint in colours, 2007, signed, dated and numbered from the edition of 150 in pencil, on wove paper, with full margins, sheet 700 x 500mm (

Kara Walker (American, b.1969) 'Scene of McPherson's Death' Offset Lithograph and Screenprint on Paper 2005, signed lower right, depicting a silhouetted figure superimposed over an illustration, TP 6/

Kara Walker (American, b.1969) 'An Army Train' Offset Lithograph and Screenprint on Paper 2005, signed lower right, 31/35, depicting silhouetted figures superimposed over a Civil War scene illustratio

Invader (French b.1969), 'Aladin Sane (Clyde)', 2014, embossed screen print in colours with foiled white eyes on 300gsm Somerset Satin white paper, signed, dated and numbered from an edition of 65 in