KATSUKAWA SHUNCHO (ACTIVE CIRCA 1780-1801) AND KIKUKAWA EIZAN (1787-1867) Ten oban yoko-e shunga...

CHARLES W. BARTLETT (1860-1940) Surf Riders, Honolulu, circa 1921 An ōban yoko-e print entitled Surf Riders, Honolulu, sealed CWB and signed in red pencil in the lower margin Charles W. Bartlett,

Katsushika Hokusai (1760-1849) Edo period (1615-1868), circa 1832 An oban yoko-e print of Izumizaki yagetsu (Night Moon at Izumizaki) from the series Ryukyu hakkei (Eight Views of the Ryukyu Islands),

UTAGAWA HIROSHIGE (1797-1858) Edo period (1615-1868), circa 1834-35 An ōban yoko-e print entitled Gokai, Yoshitsune Hiyodori-goe no kenshun nansho o yojinoboru (Part 5: Proceeding along a Shortcu

An Edo period (1603-1868) wood block print of a bird by noted Japanese woodblock artist Eizan Kikukawa. Piece measures 11"x 29" and is matted an framed. Eizan Kikukawa ( 1787-1867) was a designer of u

(1615-1868), CIRCA 1830-1831 An oban yoko-e print entitled The Coast of Noboto (Noboto ura), from the series Thirty-six Views of Mount Fuji (Fugaku sanjûrokkei), signed. In slightly worn conditio

UGATAWA YOSHITOMI (ACTIVE CIRCA 1850-60) Edo period (1615-1868), 1861 An ōban tate-e print entitled Gaikokujin fune, battira (Views of Foreign Ships: Battira), signed Ichigeisai Yoshitomi ga, pub

An antique French Empire period mantel clock dated circa 1780 - 1800. This Neoclassical style clock is made by Michel-François Piolaine, French, active from 1787. The case is made of red marble and

comprising three oban yoko-e prints; including two from the same series The Storehouse of Loyal Retainers, a Primer (Kanadehon Chushingura), one entitled Act V (Godanme), the other Act VI (Rokudanme);

ATTRIBUTED TO KITAO SHIGEMASA (1739-1820) AND KATSUKAWA SHUNSHŌ (1726-1792) A Set of 24 Prints Edo period (1615-1868), circa 1768/69 A complete set of 24 vertical koban tate-e prints of famous pl

CHIPPENDALE WING CHAIRPhiladelphia, Circa 1780In mahogany. Nicely arched back. Legs with beautiful foliate-carved knees and claw & ball feet. Stripped of upholstery. Back height 48”. Seat height

IMAIZUMI NARIYUKI (SEISHI, ACTIVE CIRCA 1910-1950) A Black Lacquer Four-Case Inrō Taisho (1912-1926) or Showa (1926-1989), 20th century Of lenticular profile with applied cord runners, decorated

A SET OF NINE GEORGE III MAHOGANY HALL CHAIRSCIRCA 1780Variously painted with crests, with saddle seats each 98cm high, 50cm wide, 49cm deep overall Provenance:Property of The Hon. Catherine Mary Wass

A George III Giltwood Confidante Sofa Attributed to John Linnell, Circa 1780 Height 44 x width 126 1/2 x depth 37 1/4 inches. Property from the Art Institute of Chicago Note: Tripartite sofas such as

English, circa 1780. Three-tiered with pierced domed foot, with figure of "Plenty" on finial, each tier forming radiating moulded bowls. All three tiers are with S-Scroll support around reeded baluste

CIRCA 1780's ADAM'S TASTE CARVED WHITE CARRARA MARBLE WITH SIENNA MARBLE INSETS FIREPLACE SURROUND. 52"H X 75"W X 10"D. INTERIOR DIMENSIONS=36"h X 44.5"w.

A Louis XVI suite of painted beech salon seat furniture comprising six fauteuils a la Reine and a pair of bergeres by Nicolas-Simon Courtois (b. 1724) and Pierre Bernard (c. 1730-1788) Circa 1780, eac

Portrait of a Young Bewigged English Gentleman in a Crimson Suit, oil on canvas, unsigned, circa 1780, with green gold trimmed vest and white stock, ruffled cuffs and stockings, jeweled buckles on his

Redware - three color slip bowl with decorative elements. Attributed to Maryland area, circa 1780-1830. Collection of David Good. H 2-1/2" D rim 8-3/4" D base 4-1/2". Condition: Excellent condition. R

CHIPPENDALE BONNET-TOP CHEST-ON-CHESTNewport, Rhode Island, Circa 1780In mahogany. Upper case with a broken arch pediment, three beautifully carved spiral twist finials on plinths, and three varied si

An early stick Windsor arm chair in elm wood with a nicely worn and shaped wide seat. Most likely from England, circa 1780. 28” H, 21” W (seat), 13” D (seat).

Apollonio Domenichini, alternatively identified as Master of the Langmatt Foundation Views (active Venice circa 1740-1760) Venice, a view of the Grand Canal looking south from the Palazzo Foscari and

A Chinese Export Porcelain Dinner Service Qianlong Period, Circa 1760-1780 comprising: 22 luncheon plates 13 soup plates 1 large round serving platter 1 medium round serving platter 2 small round serv

UTAGAWA SCHOOL ARTISTS AND OTHERS An Album of Woodblock Prints Edo period (1615-1868), 19th century A collection of 29 ōban tate-e print triptychs laid down in an accordion album, and an addition

A Rare Chippendale Cherry Chest on Chest, Attr. to Eliphalet Chapin Attributed to Eliphalet Chapin, circa 1750-1780. Carved fretwork and scroll top. Nice mellow patina. Literature: Fine Points of Furn