Kazuko Matthews (b. 1934) Japan California (seven)

DARK BROWN FIELD, glazed ceramic vessel, signed, 7” tall, 4” diameter; MULTI-COLOR VESSEL, glazed ceramic, signature not found, 4” tall, 5” diameter; BLUE GREEN JAR, glazed cer

GREEN TEAPOT, glazed ceramic lidded teapot with single handle, signed, 10 ½ x 9 x 3”; CHECKBOARD, glazed ceramic Rhombus shape vessel, signed, 3 x 12 ½ x 7”; GREEN VESSEL WIT

ABSTRACT IN VARIEGATED EARTH TONES, glazed ceramic, signed, 14 x 16 x 6 ½”.

UNTITLED, painted and textured ceramic plaque artist mounted to wood, signed on the verso, 14 ½ x 10 x 2”.

SNOW I from the Pond Series, 1982, painted Raku ceramic plaque artist mounted to wood, signed on verso, signed, 20 ½ x 23”.

UNTITLED, glazed Raku ceramic plaque artist mounted to wood, signed on the verso, 19 x 20”.

UNTITLED, glazed Raku ceramic plaque on two adjoining pieces artist mounted to wood, signed on verso, 20” diameter.

Set of eight ceramic plaques, each artist mounted to wood panel, each numbered on back for hanging order, the eighth signed on verso average 10 ½ x 10 each ½”. (8)

THE WIND from the Pond Series, 1982, painted Raku ceramic plaque artist mounted to wood, signed on the verso, 17 x 17”, Purchased from Dora De Larios, Irving Place Studio, Culver City.

PLATTER No. 71, glazed Raku ceramic plaque, signed on the verso, 14 ½ x 14”. Purchased from M. M. Shinno Gallery Los Angeles.

CHARGER glazed ceramic plaque in blues and greens, signed on the verso, 15” diameter.

UNTITLED, glazed Raku ceramic plaque on three adjoining pieces artist mounted to wood, signed on verso, 16 x 21 ½”.

CHARGER, glazed ceramic, signed on verso, 15 ½ x 15”.

Kazuko Matthews (American, born 1934). Collection of three Modern stoneware ceramic pieces. Two abstract two pot forms with handles and removable lids, and one pitcher ewer jug form with handle. Glaze

Kazuko Matthews (b. 1934) stoneware 'tea pot' sculptures, 14 1/2in(36.8cm) X 14in(35.5cm)

MICHAEL RAGO OCTOBER 10, 1997, watercolor on paper, signed lower right, titled upper right, 30 x 22”, frame 34 ½ x 26 ½” with glass.

NEAR BAKERSFIELD, oil painting on canvas, signed lower right, 24 x 32â€, in carved gilded wood frame, in good studio condition.

UNTITLED (Flowers in White Pot), 1989, oil painting on canvas, initialed and dated lower left, 20 x 25”, welded metal frame 21 ¾ x 26 ¾”.

VARIOUS WOMEN, 1986-88, seven color screenprints, each signed in pencil, three numbered and four artist’s proof, all published by Mirage Editions, six with blind stamps, sheets from 36 x 30&rdq

Oil on canvas, signed, dated 1983 and titled verso. Helen Bershad's work is devoted to exploring color, form, space, and line as they exist on the surface of the canvas. Considered an abstractionist,

BALANCING MEN, a pair of fabricated metal sculptures, both signed and dated 69 & 71 respectively on wood bases, 25 ¾” & 19” tall. Provenance: acquired directly from artist by presen

MAN WITH RAISED ARMS; WARRIOR, a pair of fabricated metal sculptures, Warrior signed and dated 72 on base, 14” & 15” tall. Provenance: acquired directly from artist by present owner. (2)

MAN WITH KITE; ABSTRACT FORM, a pair of fabricated metal sculptures, Kite signed on base, a signature not found on Abstract, 20 ¼ x 8 ½ x 5 ½”. Provenance: acquired directly

VENICE DRACULA, 1973, watercolor on paper, signed and inscribed Venice 1973 lower center in ink, 15 x 15 ”, framed with glass, in apparently good studio condition. Provenance: Texas Gallery, Houston