KENZAN (ACTIVE EARLY 20TH CENTURY) A Satsuma DishTaisho (1912-1926) or Showa (1926-1989) era, ea...

KENZAN (ACTIVE EARLY 20TH CENTURY) A Satsuma Dish Taisho (1912-1926) or Showa (1926-1989) era, early 20th century Painted in polychrome enamels, silver, and gilt on a clear, crackled glaze with a stag

KOKOSAI (ACTIVE MID-20TH CENTURY) Flower basket of the Sozen type Taisho (1912-1926) or Showa (1926-1989), early/mid 20th century Chiefly plaited from whole (unsplit) bamboo culms in the ara-ami frees

A CLOISONNÉ-ENAMEL VASE Taisho (1912-1926) or Showa (1926-1989) era, 20th century The compressed ovoid body with a tall cylindrical neck set on a low, splayed foot worked in polychrome enamels an

TAKAI TAIREI (1880-1971) A Group of Five Small Japanese Covered Wood Boxes Taisho (1912-1926) or Showa (1926-1989) era, mid-20th century All five made of wood with varying degrees of lacquer decoratio

A COLOR WOODBLOCK PRINT OF A BUTTERFLY AND FLOWERS Japan, early 20th century, late Meiji (1868-1912) to early Showa period (1926-1989)Artist signature and sealThe shikishiban woodblock print depicting

JUNRAKUSAI (ACTIVE 20TH CENTURY) A Bamboo Flower Basket Showa era (1926-1989), 20th century Of susudake (smoked bamboo) worked in free-style plaiting, wrapped and knotted at the rim forming two small

PAUL JACOULET (1902-1960) Showa era (1926-1989), early to mid-20th century Five dai-oban tate-e prints: the first and second the right and left sheet from a diptych Les Deux Adversaires, Corée (T

KOMA KYŪHAKU (ACTIVE 19TH CENTURY) An Inlaid-Lacquer Writing Box Meiji (1868-1912) or Taisho (1912-1926) era, early 20th century With kabusebuta (overhanging lid) and sumikiri (cut-off corners) w

IMAIZUMI NARIYUKI (SEISHI, ACTIVE CIRCA 1910-1950) A Black Lacquer Four-Case Inrō Taisho (1912-1926) or Showa (1926-1989), 20th century Of lenticular profile with applied cord runners, decorated

SHINODA TOKO (1913-2021) Showa (1926-1989) or Heisei (1989-2019) era, 20th/21st century Ink on paper, signed in pencil at the bottom right Toko Shinoda, framed and glazed 19 3/4 x 13 7/8in (61.3 x 35.

SHINODA TOKO (1913-2021) Showa (1926-1989) or Heisei (1989-2019) era, 20th/21st century Ink on paper, signed in pencil at the bottom right Shinoda Toko, framed and glazed 19 3/8 x 13 3/4in (49.2 x 34.

RAKU SEINYŪ (KICHIZAEMON XII, 1887-1944) A Black Raku Ware Tea Bowl Taisho (1912-1926) or Showa (1926-1989) era, after 1919 A glazed earthenware chawan with lustrous black glaze featuring a short

YOSHIDA HIROSHI (1876-1950) Taisho (1912-1926) or Showa (1926-1989) era, 1926 A large woodblock print entitled Hansen, yoru (Sailboats: Night), from the series Seto Naikai shū (Inland Sea), signe

KAWASE HASUI (1883-1957) Taisho (1912-1926) or Showa (1926-1989) era, 1923-1931 Comprising an aiban tate-e and two oban tate-e prints (each framed); the first entitled Uchiyamashita, Okayama, from the

A PAIR OF BRONZE FOXES Meiji (1868-1912) or Taisho (1912-1926) era, early 20th century Of cast bronze, each modeled in typical pose, seated alert on its haunches, its chest thrust forward and its body

A MAGNIFICENT GOLD-LACQUER SET OF WRITING TABLE, DOCUMENT BOX, AND WRITING BOX Meiji (1868-1912) or Taisho (1912-1926) era, late 19th/ early 20th century Comprising a bundai of standard form with a ka

KOSEI A Bronze Okimono (Table Ornament) of Three Turtles Meiji (1868-1912) or Taisho (1912-1926) era, late 19th/early 20th century Naturalistically cast, showing two smaller turtles attempting to clim

THE KIBUNDŌ COMPANY An Iron Tetsubin (Tea Kettle) Meiji (1868-1912) or Taisho (1912-1926) era, late 19th/early 20th century The body of the kettle with surface texture like that of tangerine skin

DOZAN OF KYOTO A Satsuma-Ware Baluster Vase Meiji era (1868-1912), late 19th/early 20th century Decorated in enamels and gilt, the body with two large lobed panels, one enclosing a probable Chinese le

TSUCHIYA KŌITSU (1870-1949) Showa era (1926-1989), 1932 A dai ōban yoko-e print entitled Yoru no Asakusa (Asakusa at Night), signed Kōitsu, published by Doi Sadakazu 19 7/8 x 14 1/2in (

KAWASE HASUI (1883-1957) Showa era (1926-1989), 1922 An aiban yoko-e print entitled Nagato-kyō Kayagafuchi (The Kayagafuchi Rapids in Nagato Gorge), from the series Nihon fūkei senshū

Two gold ojime One by Katsuhira and one by Kiyotoshi, Meiji era (1868-1912), late 19th/early 20th century The first Daikoku, standing, brandishing his mallet, signed Katsuhira, 1.7cm (11/16in) high; t

A gold ojime of a Karako (Chinese boy) By Masatoshi, Meiji era (1868-1912), late 19th/early 20th century The karako standing with a serene expression, holding a minogame (bushy-tailed turtle); signed

Two gold ojime One by Katsuo and one by Shuraku, Meiji era (1868-1912), late 19th/early 20th century The first Daikoku, standing, brandishing his mallet, signed Katsuo, 2.2cm (7/8in) high; the second