KOHSHO NAMIKI japanese, (1923-?) SHELLS AND LEAVE

Late Meiji period (1890s to 1912) Japanese turtle shell kushi (hair comb) with gold lacquer decoration of differently colored maple leaves, design continuing over the ridge onto the other side. Except

[JAPAN] Great Kanto earthquake photographs, 1923 Unidentified Photographer. PHOTO ALBUM. Japan, [after 1923]. 54 photographic images affixed across 24 leaves (both recto and verso); a combination of s

Late Meiji period (1890s 1912) Japanese turtle shell kushi (hair comb) with mother of pearl and silver inlays and lacquer decoration of numerous vines with leaves and blooming flowers, design continui

Fashioned in Rococo style. The large Japanese imari bowl adorned with a gold-wash rim formed of leaves and shells. Surmounted by superior gilt-bronze flower and foliate scrolled handles. Size: 8 3/4 x

'Woman wearing a Fukinagashi Collecting Shells.' Gouache with gold leaf on silk. Unmounted silk. 29 x 12 inches (irregular).

Japanese wood kai oke (shell game) container, converted to a side table/stand, with pierced work of maple leaves at the top and whirls in the middle, circular body on four supports, 18.5"h x 14.25"dia

Muromachi period, 15th century. Province: Satsuma. Wide blade. Fitting en suite (all matching), iron with gold inlay of the family mon of ivy leaves with vines. Abalone shell lacquersaya (the casing m

Japanese Woodblock Print, c1910 Pre-Earthquake, Daikoku-ya Publisher (Tokyo, 1818-1923), original print. SIZE IN INCHES: 7.25 x 13.5 COMMENTS: Soft "bokashi" shading to cherry blossoms, leaves, backgr

Japanese inro with a flying phoenix (firebird) and floral decor, made of papier mache with gold leaf in relief with a red amber as closure and a porcelain shell with a representation of three women at

Vintage Japanese lacquer on wood obidome (sash ornament) of hexagonal shape with decoration of lacquer leaves and fine inlays with 2 types (green and pink) of abalone shell. Obidome is worn on an obi

John Newman, mixed media sculpture, John Newman (American, b. 1952), "Spoonfuls", straw, shell, cast acrylic, plexiglass, wood, papier mache, Japanese paper, aqua resin, gold leaf, acrylic paint, appr

Tadashi Asoma (Japanese, 1923-2017) "Studio", 1987 oil on canvas signed and dated lower right, verso with a label inscribed with artist name, title and date of work. Framed. 50" x 50", framed 51-1/2"

Masayuki Nagare (Japanese,1923-2018) Bachi, 1977 bronze, granite signed on granite base H 25 x W 5 x D 5 inches. Property From the Estate of Lucia Woods Lindley

Tomio Kinoshita (Japanese, 1923-2004) Two Heads, 1969, woodblock print in colors, pencil signed lower right, dated lower center, edition 13/50, image: 32.5"h x 22"w, overall (with frame): 42"h x 31"w

CAT FISH POND, 1979, oil painting on canvas, signed and dated lower right, signed and dated and titled on verso, 36 x 40”, framed, hairline scratch near left edge, otherwise in good studio condition

Japanese 2-Panel Folding Screen With Birds And Maple Leaves, Edo Period. Black ink mineral pigments and gold leaf on paper, brocade borders: koberi faded. Each panel size: 65.75'' x 35.75'' (167 x 91

TADASHI ASOMA (JAPANESE/AMERICAN 1923-), OIL ON CANVAS, "AFTERNOON MAGIC", SIGNED 1985. 60 X 70"; FRAMED 61 1/2 X 71 1/2" PROVENANCE: DAVID FINDLAY GALLERIES, LABEL VERSO

YUTAKA OHASHI (Japanese/American, 1923-1989) Bridge #1 1964, mixed media: oil and paper collage on canvas signed Ohashi, l.c..; inscribed verso Yutaka Ohashi / 1964 / "Bridge #1" 35 1/2 x 46 1/2 in.,

Tadashi Asoma Japanese/American, 1923-2017 Two Figures Signed Asoma (ll) Oil on canvas 20 7/8 x 30 inches (53 x 76.2 cm) C

DESCRIPTION: "Resting". Tadashi Asoma (Japanese American, 1923-2017). Oil on canvas. Signed "Asoma '81" to lower right. Framed. Created 1981. Born in Japan, Asoma won a scholarship in school that allo

Yamada Hikaru (Japanese, 1923-2001) Plate, 1991 Silver-glazed clay 13-1/4 x 18-3/4 inches (33.8 x 47.5 cm) Artist's mark to right lower corner LIT

Rockwell Kent (1882-1971) Deep Water (Burne-Jones 87), 1931 Wood engraving on wove paper with flower-like leaf 'Japan' watermark, signed in pencil, from the total edition of 170, with full margins. 5

English George II Giltwood And Gesso Mirror, C. 1730, H 55" W 28 | The Mirror Offers A Cartouche And Shield Pediment With Acanthus Leaf And Flower Forms. The Frieze Depicting Shells, Acanthus Leaf, An

Monumental Rococo style mirror, the carved gilt wood frame having a pierced design of shells, acanthus leaves, and C-scrolls; mirror 70"h x 104"w; overall size 93"h x 127"w.