L'Art D'Aujourd'hui 1924 Segonzac original s/n etching

L'Art D'Aujourd'hui 1924 with an original etching signed and numbered in pencil by Andre Dunoyer de Segonzac. Peintures dessins Estampes Sculptures de notre temps. Autumn / Winter 1924. Utrillo, Laure

L'Art D'Aujourd'hui #5. DeLuxe Edition with an original eau-forte signed and numbered in pencil by Dufy. Peintures dessins Estampes Sculptures de notre temps. Spring 1925. Dufy, Orloff, Masereel, Alla

Henri Matisse. Femme en robe brune. pochoir. 1924. 7 x 5 inches. Albert Morance. Medium: pochoir (after the watercolor). Published in Paris in 1924 by Albert Morance for "L'Art d'Aujourd'hui", and now

Medium: pochoir (after the watercolor). Published in Paris in 1924 by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscription is printed beneath the image

Medium: pochoir (after the watercolor). Published in Paris in 1924 by Albert Morancé for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscription is printed beneath the

Medium: pochoir (after the watercolor). Published in Paris in 1924 by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscription is printed beneath the image

Editions "Art D'Aujourd'hui", Boulogne 1952. Small square 4to. 295+(2) pages. Extensively illustrated with photographs in b/w and 30 original litographs on plates, hereof the majority (29) in colour.

Medium: pochoir (after the watercolor). Published in Paris in 1929 by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscription is printed beneath the image

L'Art D'Aujourd'hui. Albert Morance, Paris, 1925. Loose with various illustrations. Portfolio cover.

"Laster der Menschheit" (Vice of Mankind) poster design by Jan Tschichold. Illustration plate 18 from the portfolio L’Art International d’Aujourd’hui published 1929 by Charles Moreau, Paris. Col

Illustration plate 46 from the portfolio L’Art International d’Aujourd’hui published 1929 by Charles Moreau, Paris. Collotype with ochoir (hand stencil) red lettering. Good condition with some s

Gazette des Beaux-Arts. Courrier Europeen de l 'Art et de la Curiosite. 49e Annee. 597e Livraison. 3e Periode. Tome 37. Paris, 1907. With an original etching by Pierre-Auguste renoir "Femme nue couche

Medium: original etching. Executed in 1908 and published in Paris by Revue de l'art ancien et moderne. Plate size: 7 x 5 1/2 inches (180 x 140 mm) on wove paper. Signed by Angele Delasalle in the plat

Medium: original etching. This impression on cream wove paper was printed in 1900 and published by the Revue de l'Art ancien et moderne. Plate size: 7 1/4 x 5 1/4 inches (182 x 133 mm). Not signed. Re

Medium: color pochoir. Printed in Paris for the Temoignages pour l'art abstrait project (Witnesses for Abstract Art), published in 1952 by Editions d'Art d'Aujourd'hui, in an edition of 1500. The imag

Medium: color pochoir. Printed in Paris for the Temoignages pour l'art abstrait project (Witnesses for Abstract Art), published in 1952 by Editions d'Art d'Aujourd'hui, in an edition of 1500. The shee

Medium: color pochoir. Printed in Paris for the Temoignages pour l'art abstrait project (Witnesses for Abstract Art), published in 1952 by Editions d'Art d'Aujourd'hui, in an edition of 1500. The imag

Medium: color pochoir. Printed in Paris for the Temoignages pour l'art abstrait project (Witnesses for Abstract Art), published in 1952 by Editions d'Art d'Aujourd'hui, in an edition of 1500. The shee

Medium: color pochoir. Printed in Paris for the Temoignages pour l'art abstrait project (Witnesses for Abstract Art), published in 1952 by Editions d'Art d'Aujourd'hui, in an edition of 1500. The shee

Medium: pochoir. Printed in Paris for the Temoignages pour l'art abstrait project (Witnesses for Abstract Art), published in 1952 by Editions d'Art d'Aujourd'hui, in an edition of 1500. The sheet size

Medium: original etching and drypoint. Printed in Paris and published in 1905 by the Revue de l'Art ancien et moderne. Plate size: 7 x 4 inches (175 x 100 mm). A nice impression on watermarked laid pa

Medium: original etching and drypoint. This impression on watermarked laid paper was printed in 1905 and published in Paris by the Revue de l'Art ancien et moderne. Plate size: 7 x 4 inches (178 x 100

Original etching and drypoint. The full French title is ''La Terrasse De La Villa Brancas", and the catalogue reference is Beraldi 215. Published by L'Art. Paris, 1876. Printed on watermarked laid pap

BOOKS: (10) Vols Ikebana w/color 1930s-60s, 10 volumes on Ikebana and Japanese flower arrangements: 1) Donald Richie. L'Art des Fleurs au Japon Hier et Aujourd'hui. Bibliotheque des Arts, Paris. 1967.