LIONEL PERCY SMYTHE, OIL ON CANVAS, 25" X 30",

Attributed to LIONEL PERCY SMYTHE (British, 1839-1918) A PAINTING, "Herding the Cows," oil on board, signed L/R, framed. 25 3/4" x 29 3/4"

Lionel Royer (British, 1852-1926), "The Ritual," oil on canvas, signed lower right, canvas: 23.25"h x 19.25"w, overall (with frame): 34"h x 30"w

VON NEUMANN, Robert Franz, (American/German, 1888-1976): Country Winter Landscape with Mill on an Icy River, Oil/Canvas, 25" x 30", signed lower left, framed, 30.5" x 35.5".

EMILE ALBERT GRUPPEMassachusetts, 1896-1978"Drying the Sails". Signed lower right “Emile A. Gruppe”. Titled verso.Oil on canvas, 25" x 30". Framed 33” x 38”

SCHOOL OF GEORGE BENJAMIN LUKSNew York, 1867-1933The art dealer. Unsigned.Oil on canvas, 25" x 30". Framed 33" x 38".

ROBERT CHARLES GRUPPEMassachusetts, b. 1944North Shore harbor scene. Signed lower right "R. Gruppe".Oil on canvas, 25" x 30". Framed 31" x 36".

JOHN CUTHBERT HAREMassachusetts/Florida, 1908-1978Boats at dock. Signed lower right "John Hare".Oil on canvas, 25" x 30". Framed 30" x 35".

CORNELIA COWLES VETTERConnecticut, 1881-1959Connecticut hills. Signed on the vertical lower right "C. Vetter". Housed in Newcomb-Macklin frame.Oil on canvas, 25" x 30". Framed 30.5

JOSEPHINE MOOREAmerica, Early 20th Century"In Apple Blossom Time". Signed lower left "Josephine Moore". Titled on label verso.Oil on canvas, 25" x 30". Framed 29.5" x 34.5".

19th Century Sea Captain Painting, oil on canvas, 25 x 30 inches, framed size 34 x 30 inches

Texas Bluebonnet Landscape, c. 1950, oil on canvas, 25 x 30, signed lower right: Robert Wood, Exhibited: Restless Heart: Early and Contemporary Texas Regionalism January 25-April 7, 2013, San Angelo M

Frederick Judd Waugh (1861-1940) Headlands oil on canvas, 25 x 30 in., signed l.r. (professionally relined)

'Start of Spring' (Apple Blossoms), oil on canvas, 25 x 30 in., signed lower right, titled on stretcher and inscribed 'Connecticuit' (?)

Frederick Judd Waugh (1861-1940), Gray Weather, oil on canvas, 25 x 30, signed lower right: Waugh, Provenance: The Edwin A. Aldrich Collection, Hyde Park, NY (label verso); From a Private Collection

John Clymer (1907 - 1989), Caribou, oil on canvas, 25 x 30 signed lower right: J Clymer . Provenance: The Estate of Thomas C. M. Logan

W. Lester Stevens (1888-1969) Ipswich River oil on canvas, 25 x 30 in., signed l.r.

(19th century) Captain John Smith Captured by American Indians, unsigned, oil on canvas, 25 x 30 in.; gilt wood and composition frame,. Condition: lined with wax and linen, abrasions, crackle;. Notes:

Antonio Cirino (1888-1983) Water-Front oil on canvas, 25 x 30 in., signed l.r.

(Massachusetts/California, 1888-1954) Gossips, Rockport, signed lower right "A. Thieme", titled verso, oil on canvas, 25 x 30 in.; modern wood and composition frame, 35 x 40 in.

The Ash Hopper, 1926, oil on canvas, 25 x 30, signed lower right: Olin Travis

Winter Brook oil on canvas 25 x 30 inches. signed. presented in a custom gilt Paul Goodnow frame. 34 x 39 inches (overall) Condition: Good

(Massachusetts, 1896-1978) Bass Rocks, signed lower left "Emile A. Gruppe", oil on canvas, 25 X 30 in.; original carved and silver gilt wood frame by the artist, original stretcher and tacking edge, l

John E. Ferneley, Junior English, 1815-1862 A Black Horse in a Landscape Signed John Ferneley Jr. and dated 1849 (ll) Oil on canvas 25 x 30 inches (63.5 x 76.2 cm) Provenance: Pawsey & Payne, Ltd., Lo

(Florida/Vermont/Massachusetts, 1896-1978) Morning Light, signed lower right "Emil A. Gruppe", oil on canvas, 25 x 30 in.; fine carved gilt wood frame, 38 x 43-1/2 in.