LOUIS ICART ETCHING, "LA BONNE HISTOIRE," 1926

Sight- 16" x 19" Overall- 24" x 27"

Original Dry Point Etching on paper with hand coloring "Open Cage (La Cage Ouverte)". Hand signed in pencil by Icart. Limited Edition of 250. Circa 1926. Overall framed 36" x 29 3/4".

Louis Icart (Worked in America and France, 1888-1950) oval colored drypoint etching showing a young woman reclining in a bed of pink roses. Pencil signed by the artist, lower right. Notation: "Copyrig

Sight- 14" x 18" Overall- 18"x 28"

Louis Icart Oval Drypoint Etching "La Dame Aux Camelias", in original frame. Signed in the margin lower right; copyright upper left. Oval frame measures: 21 1/2" x 25 1/2". Good condition.

Early 20th century color print titled 'La Lettre', in decorative period frame. Published by Morris & Bendien Inc. Overall measures approx. 28-1/2"H x 19-1/2"W, framed. Third party shipping required. L

Louis Icart, French, 1888 - 1950. Bavardage (Gossip) color etching circa 1926. Hand signed in graphite, lower right. Printed edition (?) in graphite lower left - 267/350. "L. I. Paris" embossed stamp

Copperplate etching by Louis Icart (French, 1888 - 1950). Entitled "By the Fireplace", it is taken from the series "L'Ingenue Libertine" (1926). Printed by Editions Excelsior, Paris. one of 551 impres

Louis Icart drypoint etching titled Sleeping Beauty (La Belle Au Bois Dormant) c.1927. Scene of a sleeping woman in the foreground, a glowing silhouette of a man on horseback in the background. Pencil

Mid to late 20th century colored lithograph, titled "Les Mouettes" (Seagulls) after the original 1926 etching by Louis Icart (French, 1888-1950), 21"h x 17"w, overall size including frame 32.5"h x 27.

Etching "La Victoire" by Louis Icart, pencil signed, 9.5"x7.6"

Louis Icart Woman with Grapes 1926etching and aquatint in colors sheet: 19.875 h × 26 w in (50 × 66 cm) image: 14.875 h × 20.375 w in (38 × 52 cm) Signed and numbere

Framed etching, dated 1886 lower left corner, copyright 1920 by F.H. Bresler, Milwaukee. Blind stamp not found. [Art: 18 x 14 inches; Frame: 25 1/2 x 22 inches]. Foxing; age toning.

Louis Icart (French, 1888-1950) Paravent, 1926 etching in colors signed Louis Icart in pencil (lower right) 20 3/8 x 26 1/4 inches.

Louis Icart (French 1888-1950) "Smoke, or Fumee, " 1926, etching with touches of hand coloring on paper, signed in pencil lower right, numbered 246 lower left, with windmill blindstamp, matted and fra

"Lettres D'Amour", c. 1926, pencil signed and with windmill blindstamp. Dimensions: Sight is 14 3/4" x 19", the frame 20 3/4" x 25 1/4". Provenance: From a New Jersey collection.

LOUIS ICART, ETCHING WITH HAND COLORING H 7" W 5" "DUO" FROM LE NUIT ET LA MOMENT :An encounter on a staircase. Pencil signed. Frame 14 1/2" x 12 1/2". Georges Gaillot, editor, Paris 1946.

Louis Icart (French 1888-1950) ''Le Lecon De Chant''- etching and aquatint, 1926, signed and numbered 312/350 in pencil, with windmill embossed seal and ''Copyright 1926 by L. Icart - Paris'', paper a

c.1926, in oval form, crayon signed, printing annotation upper left 'Copyright 1926 by les Graveurs Modernes, 194 rue de Rivoli, Paris', good condition (minor paper rubs, moderate toning), numbered #6

Louis Icart (1888-1950, French) original dry point etching with hand coloring titled "Smoke" E.126, pencil signed, with embossed windmill stamp, dated 1926. 22" x 29.5" oa

Louis Icart (French 1888-1950)- "Les fruits" (Catania 304)- etching in colors, 1926, signed in pencil, light paper toning, paper abrasion top margin; together with Vladimir Szabo (Hungarian 1905-1991)

c.1926, pencil signed, and with windmill blindstamp, numbered 62, printing annotation upper left by Graveurs Modernes, 194 Rue de Rivoli Paris, good condition (light toning), 12.5x11.75in., overall fr

c.1926, in oval form, crayon signed, and with Paris windmill blindstamp, printing annotation upper left 'Copyright 1926 by les Graveurs Modernes, 194 rue de Rivoli, Paris', good condition (very light

c.1926, crayon signed, unnumbered, printing annotation upper right by Graveurs Modernes, Paris, lacking windmill blindstamp, strong plate impression at top and bottom, good condition, small stain to l