MABEL JULI NATURAL OCHRE & PIGMENTS ON CANVAS

"Purnululu - Bungle Bungles" natural ochre and pigments on canvas by Phyllis Booljoonngali Thomas (Australia, c. 1940 - 2018), an artist of the Gila people. To verso: "Warmun Art Centre / 60 x 80 / Ph

DESCRIPTION: Rusty Peters (Australia, b. 1935-2020) Aboriginal, Natural ochre on Belgian linen painting featuring abstract grey, black, white and rust pigments, signed at verso: "R.P. 2008, Rusty Pete

DESCRIPTION: Sepik River shell fetish pendant or ornament depicting a horned standing figure and decorated with cowry shells, natural ochre pigments. PROVENANCE: From the Saul and Florence Putterman C

Natural ochre paint on canvas depicting a Crayfish, unsigned, to verso :"Johnny DJulipa July 1997 14/1387/DJU" and Elcho Island Art & Craft stamp, in as-found condition. Djulipa is an elder of the Liy

1995; Acrylic & natural ochres on canvas; triptych painting, each individually framed; Painted in Utopia region 1995 Hank Ebes, Aboriginal Gallery of Dreamings, Melbourne, cat. no. 5059, 5060, 5061; a

Natural earth pigments on canvas; Provenance: 1989; Lawsons, Aboriginal Art, Sydney, September 1994, Lot No. 107; acquired in 1994; Richard Kelton Collection, Santa Monica

Natural earth pigments on canvas; Provenance: 1997; Kimberley Australian Aboriginal Art, Melbourne, cat. no. KA BM 0033/97; acquired in 1998; The Kelton Foundation, Santa Monica

Natural earth pigments on canvas; Helen Loveridge, Outback Alive, Queensland; acquired in 1994; Richard Kelton Collection, Santa Monica; Exhibited at the Australian Consulate, Los Angeles, 1996 throug

Natural earth pigments on canvas by Billy Thomas (Australia, 1920 - 2012), with "Warringari(sic) Art / Billy Thomas / AP1118" to verso, in as-found condition. Thomas was a senior medicine man of the W

Natural earth pigments on canvas; Provenance: Munupi Arts & Crafts, Melville Island, NT, cat. no. 255-06; acquired in 2007; The Kelton Foundation, Santa Monica

Natural ochre paint on canvas board entitled "Wurrkadi" by John Mandjuwi (circa 1935 - 1999), completed May, 1997. Handwritten in ink to verso : John Mandjuwi May 1997 14/1162/Man. Stamped to verso: E

Natural earth pigments on canvas; Provenance: 2007; Warmun Art Center, cat. no. 650/07 WAC Alcaston Gallery, Melbourne, cat. no. AK14055; acquired in 2007; The Kelton Foundation, Santa Monica

Natural earth pigments on canvas; Provenance: 2007; Warmun Art, Warmun Alcaston Gallery, Melbourne, cat. no. AK14052 Acquired from the above in 2007 The Kelton Foundation, Santa Monica

A Papua New Guinea Middle Sepik River Mindimbit ancestral male figure sculpture carved wood, natural fiber, red ochres pigment, and cowrie shells depicting a male ancestral figure on a small round pli

Ca. 1970s-1980s, Original natural pigment dry calcium on canvas depicting the Virgin of Milisheva monastery. Very good condition. 20" x 16"

DANILO QUINTARELLI (Avellino, 1989) Untitled, 2021 Mixed media on canvas (layers of natural pigments and paper), 80 x 80 cm Signature on the back Excellent conditions, without frame

A Southeast Asian Papua New Guinea Iatmul Middle Sepik River Valley Orator's Stool constructed of carved wood with applied natural pigments including ochre, ash, kaolin, depicting an Iatmul tribal anc

Natural pigments in mixed texture on canvas. Signed to verso. From a Queens, NY collection. Dimensions: 35.5" h x 27.5" w. Frame: 36.75" h x 29" w.

Abelam Tribal Mask From Papua New Guinea C1960s. Twisted Braided Coil Weave. Coloured With Natural Pigments Yellowish Ochre, White And Reddish Brown. Abelam Tribal Masks Are Not Worn But Used In Yam P

An African DRC Congo Lega Bwami Idimu initiation mask, stained carved wood, natural pigment red ochres and kaolin depicting a man's face having smooth forehead, cheeks, simple mouth and concave eye su

[Indigenous Australian Art] Timms, Freddy (Indigenous Australian, born 1944/46), Dingo Dreaming, 1994, natural earth pigments with synthetic binder on linen canvas, 36 x 64 inches, inscribed in red on

Timms, Freddie (sometimes spelled Freddy) (Indigenous Australian, born 1944/46), Dingo Dreaming, 1994, natural earth pigments with synthetic binder on linen canvas, 36 x 64 inches, inscribed in red on

The composition of a romantic landscape with castle ruins is indistinctly signed and dated lower right in ochre pigment, the stretchers verso are labeled with a New York supplier's label. Canvas measu

Waldo Peirce (American, 1884-1970) The Concert Unsigned, inscribed "belongs to/Karen Peirce Long" on the reverse. Oil on canvas, 31 x 43 in. (78.7 x 109.3 cm), framed. Condition: Natural pigme