Marianne Grumwald Scoggin "Abstraction"

Marianne Grumwald Scoggin (1913'-2002') Original Oil on Canvas Signed (Label on back) "Abstraction" Listed Wisc. Artist Measures 37.75" x 35.75"

Sam Gilliamb. 1933untitled, Hard-edge Abstractionc. 1963-1965acrylic on thick, gessoed paper18 1/2 x 18 inchessignedProvenance: Andre "Mickey" Ferrell , studio assistant to the a

Halaby, Samia (Palestinian, born 1936) , Untitled, 1969 (#238), oil and mixed media on canvas, 37 x 37 inches, signed on canvas reverse, Provenance: Phyllis Kind Gallery, Chicago, Il.

Marianne Richter Fasad flatweave carpet Marta Maas-Fjetterstrom AB Sweden, 1963 hand-woven wool 94 w x 135 l inches Woven signature to edge: [AB MMF MR]. Literature: Marta Maas-Fjetterstrom: Marta fly

Abstraction (A song for the rama family), H.R. Ocampo philiippine art 1975 oil on canvas on board bears a signature H.R. Ocampo 75 titeled and labeled verso 57 x 52 cm with frame 68,5 x 63,5 cm differ

Jacob Lawrence (1917-2000 American) ''Untitled'' (Abstraction) Mixed Media on Arches 10''x13.5'' Sight. A scarce non-figurative work (one of few known) that includes graphite, watercolor, and gouache

Francis Bruguière (American, 1879-1945), Cut Paper Abstractionwarm-toned gelatin silver print (mounted), negative circa 1927, likely printed circa 1940s, framed. This print is accompanied by a sig

Marianne Richter Blaklint flatweave carpet Marta Maas-Fjetterstrom ABSweden, 1944hand-woven wool65 w x 91 l in (165 x 231 cm) Woven signature to edge: [AB MMF MR].

DE KOONING "ABSTRACTION" OIL ON PAPER. (ALSO SIGNED ON THE REVERSE OF THE PAINTING.) Height: 18 & 9 1/2 in. by Width: 21 & 12 1/2 in.

Gulam Rasool Santosh (1929-1997 India) ''Untitled'' (Abstraction) 1968 Oil on Canvas 29''x20'' Image. An early and colorful abstraction. Signed l.l. with Chanakya Gallery, New Delhi label on verso. Or

Sander, Ludwig (American 1906 - 1975), Untitled (Lot # 5964-B), oil on canvas, signed and dated Sander 59 upper left, 33 x 46 inches, Purchased in an Estate Sale in California; A family member of the

Emily Mason American, 1932-2019 Untitled (Abstraction), 1977 Signed and dated Emily Mason '77 (lc) Oil on paper 11 1/2 x 14 1/2 inches (29.2 x 36.8 cm) C

Solomon Ethe Grid Abstraction 1962oil on canvas 50 h × 60 w in (127 × 152 cm) Signed and dated to verso 'Ethe 62'. This work will ship from Rago in Lambertville

Artist: Tsutaka, Waichi (Japanese, 1911 - 1995) Title: Untitled Abstraction Date: 1957 Medium: oil on canvas Dimensions: 35.75 x 46 inches Description: an expressive minimalist abstraction wi

Rosenberg, Samuel (American/Pittsburgh, 1896-1972), Regeneration, 1959, oil and mixed media on canvas, 60 x 41 inches, signed lower left, with the artist's strip frame, Provenance: Joseph Kalla, Pitts

Framed panel from the 1960's series "Abstraction Geometrique" by Sonia Delaunay featuring blocks of bright and muted color silk-screened on fabric, 900 printed. This is no. 90/900 with Sonia Delaunay

Alfred Lenica (1899-1977), Abstraction, 1960, oil on board, signed, dated and located "Genève" on verso, 46x38 cm; Provenance: Galerie Ferrero, Geneva 1960, huile sur carton, signée, datée et

Richard Gilkey (1925-1997 Washington) ''Untitled'' (Abstraction) 1960's Oil on Canvas 26''x26'' Image. Signed upper left. Original silver gilt framing 27''x27''. Excellent condition.

Frank Mechau(1904 - 1946)Abstraction Méchanique, 1929oil on canvas41 3/4 x 30 in. (106.05 x 76.20 cm.), Frame: 48 3/4 x 37 x 2 1/4 in. (123.83 x 93.98 x 5.72 cm.) A Private Family Foundation**All pro

James Suzuki (b.1933 American) Untitled Abstraction 1961 Oil on Canvas 29''x23'' Image. An early abstract expressionist composition by this Japanese American artist. Signed and dated l.r. Framed 30''x

1906 (1), 1907 (2), 1908 (4), 1910 (3), 1911 (2), 1912 (2) and 1913 (1), weight is 62.3 dwt

Carl Holty (German/American, 1900-1973) Figural Abstraction, 1937 watercolor on paper laid to board initialed and dated lower left; signed lower margin 12" x 18" Provenance: Meredith Long & Company, H

French Marble and Patinated Bronze Bust of Marianne fourth quarter 19th century, the allegorical personification of the French Republic presented in her more militaristic guise reminiscent of Minerva,

decorated in the Japanese Maki-E lacquer style with gold, silver, and copper metallics, the central panel featuring three cranes while the four exterior panels each feature flanking cranes, monogramme