Mark King Tennis Signed & numbered 34 1/2 x 24 1/2

Mark King Tennis Signed & numbered 34 1/2 x 24 1/2

Mark Leithauser BIRCHES, 1980, stipple engraving with etching, signed and dated and numbered 106/125 in pencil, plate 11 ¾ x 15 ¾”, full margins, frame 20 ½ x 24 ½&rd

David Sharir (b. 1939) Italy/ Israel DAVID’S YOUTH, color lithograph, signed in pencil, numbered 345/400, sheet 34 ½ x 24 ¾”; A GATE FOR THE ANGELS, color screenprint, signe

UNTITLED, color lithograph, signed in pencil, numbered 47/150, image 30 x 22”, sheet 34 ½ x 24”, creases and soft handling creases, mild curling from being rolled, some extremely pale discolorati

PER ASPERA AD ASTRA (Through Difficulties to The Stars) (B.190), 1964, color lithograph, signed and numbered 3/22 in pencil, sheet 25 ½ x 19 ½”, frame 30 ½ x 24 ¾” with

ARISE AROSE (Restany 26), 1977, color mezzotint, signed and numbered 86/150 in pencil, sheet 33 ½ x 24 ¾”, frame 39 x 30” with Plexiglas.

UNTITLED, color lithograph, signed in pencil, numbered 80/125, sight 25 x 19”, frame 30 ¾ x 24 ½” with glass.

CASA DEL LABERINTO POMPEI, hand-colored digital Lambda print, signed and titled and numbered 1/5 in ink, image 12 ¼ x 15 ½”, full margins, frame 18 ½ x 24 ¾” with glass

Mark King (American, 1931-2014) Tigers. Color serigraph, pencil signed lower right and numbered AP26/35 24" x 34" Frame: 31.25" x 40.25"

SERIES 40, 1965, color lithograph, signed and titled and numbered 17/50 in pencil, image 15 ¾ x 15 ¾”, full margins, frame 24 ½ x 24 ½” with glass.

Christian Jaccard TROPHEE, color block print, signed and numbered 1/5 in pencil, sheet 21 ¾ x 14 ½”, frame 24 ¼ x 17” with glass; Together with Philippe Visson LE TRAP

Large Cast aluminum sculpture mounted on painted wood base. Signed underneath "Pinola". Numbered 62/100. 24" W x 12" D x 34" T

SHIP ON WAVE OF COLORS, color giclee print, signed and numbered 13/25 in pencil, registration marks in all four corners, sheet 25 ½ x 24”.

43.2 Weight 29lbs 24" long x 12" tall with COA & paperwork . Signed & numbered 54/250 Comes with turn table & tastefully crafted Oak display Pedestal. Mark Hopkins is considered one of the

SPHERE, color screenprint, signed and numbered 193/275 in pencil, image 24 x 24”, full margins, frame 34 ½ x 34” with glass.

RIMBAUD WOUNDED IN BRUSSELS, 1973, etching in blue, signed and dated in pencil, numbered 30/30, image 5 ¾ x 4”, sheet 29 ½ x 21 ½”, frame 32 ½ x 24 ½”.

UNTITLED HAND, color etching, signed in pencil, numbered 6/80, plate 25 ½ x 19 ¾”, full margins, frame 30 x 24 ½” with glass.

STATUE OF LIBERTY WITH MUSICAL INSTRUMENT OVERLAY, color screenprint, signed in pencil, numbered 34/99, image 34 x 24”, sheet 41 x 29 ½”, framed with glass, some soft handling creases in margins,

EYES, 1965, color etching, signed in pencil, from the numbered edition 50, image 17 ¾ x 23 ½”, sheet 19 ½ x 24 ½”, small crease in lower left corner, small shiny spot in upper left black area,

MYTH (R.31), 1978, color mezzotint, hand-inked colors may vary, signed and numbered 185/200 in pencil, image 20 ¾ x 14 ½”, full margins, frame 32 x 24 ½” with glass.

FIRST SUBJECT (I.15; SFE.281), 1981, aquatint with chin colle, signed in pencil and numbered AP 2/8, aside from the numbered edition of 20, image 29 ¾ x 24”, sheet 41 ½ x 35 ¾”, printed and pub

Lot 133 Stewart Hitch American (b. 1940) Slum Goddess (1985) lithograph signed lower right, numbered 12/35 sheet: 24 x 34 inches frame:36 3/4 x 37 inches Provenance: The Milbank Collection nicely fr

PLANTING THE WORLD (yellow), color screenprint, signed in pencil, numbered 19/56, published by Hanson Gallery with their stamp on verso, sheet 39 ½ x 29 ¾”.

LUNA Y SOL, 1990, color Mixografia gravure on handmade paper, signed and numbered 24/100 in white crayon, image 34 ½ x 37”, sheet 37 ½ x 39”, framed.