MASSIMO CAMPIGLI Donne Fiori. Color lithograph, 1957. 575x392 mm; 22¾x15½ inches, full

MARC CHAGALL (AFTER) Romeo and Juliet. Color lithograph, 1964. 640x993 mm; 25¼x39 inches, full margins. The deluxe edition, before letters. Signed and numbered 50/200 in pencil, lower right. Prin

MARC CHAGALL Bateau-Mouche Au Bouquet. Color lithograph, 1960. 390x300 mm; 15x11¾ inches, full margins. Artist's proof, aside from the edition of 25. Signed and inscribed "epreuve d'artiste" in p

JOAN MIRÓ (after)Sur Quatre Murs.Color lithograph, 1951. 260x792 mm; 10¼x31¼ inches, full margins. Edition of 400. Signed and dated in pencil, lower right. Published by Maeght, Paris. A

RENÉ MAGRITTE (after)Le Fils de l'Homme.Color lithograph, 1973. 777x595 mm; 30x23½ inches, full margins. Signed, titled, annotated and numbered 110/150 by Georgette Magritte, the artist's wi

PIERRE-AUGUSTE RENOIR Baigneuse, debout, en pied. Color lithograph, 1896. 415x355 mm; 16x14 inches, full margins. Edition of 100. With the justification text printed lower right. Printed by Auguste Cl

MARC CHAGALL Moïse et les Tables de la Loi. Color lithograph, 1962. 650x497 mm; 25x19 inches, full margins. Signed and numbered 16/50 in pencil, lower margin. Printed by Mourlot, Paris. Published

KEITH HARING (1958-1990) Keith Haring: Into 1984/Tony Shafrazi Gallery. Color offset lithograph. 880x580 mm; 34¾x22¾ inches, full margins. Signed and dated "86" in silver ink, lower center.

MAURICE DENIS Sur le Canapé d'argent pâle. Color lithograph, 1899. 425x290 mm; 16¾x11⅜ inches, full margins. Artist's proof, aside from the edition of 100. Signed in pencil, lower

ALEXANDER CALDER La Lune. Color lithograph, 1960. 495x422 mm; 19½x16¾ inches, full margins. Signed and numbered 71/90 in pencil, lower margin. Published by Maeght, Paris. A very good impress

JOAN MIRÓ Montroig 4. Color lithograph, 1974. 760x570 mm; 29x22½ inches (sheet), full margins. Signed and numbered 27/30 in pencil, lower margin. Printed and published by Polígrafa, Bar

SALVADOR DALÍ Crazy Horse. Color lithograph, 1966-68. 725x541 mm; 28½x21¼ inches, full margins. Signed and numbered 223/250 in pencil, lower margin. Printed by Desjobert, Paris. Publish

RUFINO TAMAYO Hombre en la Puerta. Color lithograph, 1964. 558x457 mm; 22x18 inches (sheet), full margins. Signed and numbered 20/24 in pencil, lower left. Printed and published by Tamarind, Los Angel

MAN RAY Personnage. Color lithograph, circa 1975. 590x472 mm; 23¼x18½ inches, full margins. Artist's proof, aside from the edition of 175. Initialed and inscribed "E.A." in pencil, lower mar

ALEXANDER CALDER Our Unfinished Revolution. Portfolio with complete text and 10 color lithographs, 1975-76. 555x760 mm; 21x30 inches (sheets), full margins, loose as issued.One of 250 copies, with the

ED CLARK (1926 - 2019) Untitled. Color lithograph on wove paper, 2000. 876x914 mm; 34½x36 inches, full margin. Signed and numbered 7/25 in pencil, lower margin.

KÄTHE KOLLWITZ Brustbild einer Arbeiterfrau mit blauem Tuch. Color lithograph on Japan paper, 1903. 350x245 mm; 13¾x9¾ inches, full margins. Third state (of 3). Edition of approximately

PAUL SIGNAC À Flessingue. Color lithograph on Chine volant, 1895. 237x402 mm; 9x15 inches, full margins. Second state (of 3), with the remarqué lower right. Edition of 20 in this state, from

ALEXANDER CALDER Flying Colors (Plate X). Color lithograph on Arches, 1973. 593x860 mm; 23x33 inches (sheet), full margins. The deluxe, pencil-signed edition, aside from the regular unsigned edition.

WILLIAM SCOTT Odeon Suite No. 1. Color lithograph on Rives BFK, 1966. 500x625 mm; 19¾x24¾ inches, full margins. Artist's proof, aside from the edition of 75, Signed, dated and inscribed "ap"

JEAN DUBUFFET Vacations. Color lithograph on Rives BFK, 1953. 175x250 mm; 7x10 inches, full margins. Signed, titled and numbered 9/20 in pencil, lower margin. Printed by Mourlot, Paris. From Assemblag

GIORGIO DE CHIRICO I Cavalli di Achille. Color lithograph on Japon nacré, 1971. 590x458 mm; 23x18 inches, full margins. Artist's proof, with additional colors from the published edition of 90. Si

SALVADOR DALÍ Abricot chevalier. Color lithograph with drypoint, 1969-70. 565x370 mm; 22¼x14½ inches, full margins. Signed and numbered 119/200 in pencil, lower margin. Printed by Ateli

FAIRFIELD PORTER Apple Blossoms II and III. Two color lithographs on Arches, 1974. Each 514x641 mm; 20¼x25 inches, full margins. Both signed, inscribed "II" or "III" and numbered 34/50 or 38/50 i

EDGAR DEGAS (AFTER) Avant la Course. Color lithograph on Chine volant, 1910. 500x590 mm; 19x23¼ inches (sheet), full margins. Printed by Auguste Clot, Paris. A very good impression. This color li