Max Bill, 1908-1991, color screenprint, Bauhaus

ARTIST: Max Bill (1908-1994) MEDIUM: Screenprint DATE: 1969 DIMENSIONS: 23.75 x 19.25 in. (image); 24.5 x 20 in. (framed) SIGNATURE: Signed in pencil lower left 341/500, lower right bill 1969 CONDITIO

ARTIST: Max Bill (1908-1994) MEDIUM: Screenprint DATE: 1972 DIMENSIONS: 25.375 x 19.5 in. (sheet); 25.875 x 19.875 in. (framed) SIGNATURE: Signed in pencil lower left 48/100, lower right Bill 72 CONDI

Max Bill (Swiss, 1908-1994). A color serigraph titled "Yellow Nucleus". Signed in pencil lower right and dated '64. Numbered 3/67. Framed under glass. Frame opening: 26 in x 18-1/4 in. Provenance: Fro

ARTIST: Max Bill (1908-1994) MEDIUM: Lithograph in Colors DATE: 1971 DIMENSIONS: 18 x 25  (image); 24.25 x 31.5 in. (framed) SIGNATURE: Signed in pencil lower left XVII/XXV, lower right Bill 1971

Max BillSwitzerland / Germany, (1908-1994)Untitled, 1978color lithograph, edition h.c.signed and notated in pencil lower margin, framed.14 1/2 x 11 inches

Max Bill, Swiss (1908 - 1994) "Abstract Composition, 1976" Color Lithograph on Paper, Signed and Numbered 36/56. Gratik Werkstatt Hamburg Meibner edition blind stamp lower left. Sight measures 19-3/8"

Max Bill (1908-1994), "Three Rows in 8 Colors", dated 1981, serigraph, framed sight: 26 x 19.5", frame: 31.5 x 26" Provenance: The Estate of San Antonio Oil & Gas Entrepreneur George His (1927-

SANDU DARIE (1908-1991) Untitled Screenprint in colors 14.5 x 18.5 inches

Max Bill (Swiss 1908-1994) ''I''- silkscreen in colors, 1970, signed, dated and numbered 90/100 in pencil. 13 1/2 x 13 1/2'' Provenance: Estate of Agnes Doth, Lexington, KY Mrs. Doth operated a contem

SANDU DARIE (1908-1991) Untitled Screenprint in colors 14 1/2" x 18 1/2"

MAX BILL (Swiss 1908-1994) "Field from Six Penetrating Colors," 1966, "Nucleus from Double Colors," 1968 and "Galleria Lorenzelli 1972" silkscreen, sheet: 25.75 x 19 inches; overall with frame: 25.75

Max Bill (Swiss 1908-1994) ''Plate II''- silkscreen in colors, 1970, signed, dated and numbered 38/100 in pencil. 13 1/2 x 13 1/2'' Provenance: Estate of Agnes Doth, Lexington, KY Mrs. Doth operated a

Lot 30 Max Bill Swiss (1908-1994) Untitled (4 white squares) (1971) screenprint pencil signed lower right 25 1/2 x 19 1/2 inches Provenance: From the estate of Bruce Teleky

Max Bill (Swiss 1908-1994) ''Radiations of a Square''- silkscreen in colors, 1970, signed, dated and numbered 124/200 in pencil. 15 3/4 x 15 3/4" Provenance: Estate of Agnes Doth, Lexington, KY Mrs. D

Peter Max (b. 1937 German/American) US FLAG - Original Mix Media, extensive acrylic painting over color screenprint, images size 10-3/4 x 10-3/4 inches

Peter Max (German/American b. 1937 - ) GRAMMY, color screen-print, signed in white pencil, from the numbered edition 300, sheet 40 x 32 inches, overall framed size 49 x 57 inches

1970, lithograph, signed and dated lower right, editioned 24/100 lower left Condition: in Plexiglas box frame 27 1/2 x 19 1/2 inches

Circa 61 cm x 51,5 cm. Unsigniert. Dazu eine weitere Graphik. Rechts unten undeutlich signiert. Links unten nummeriert: "154 / 300". English Title: Max BILL (1908 - 1994) attributed. Geometric compos

HOMAGE TO ALI (K.III.1), 1991, color screenprint, signed in pencil, numbered 62/270, image 28 x 38 ¼”, full margins, framed, in apparently good condition.

Sol LeWitt (American, 1928-2007) Forms Derived From a Cube (Colors Superimposed), Plate #08, 1991 color screenprint on Somerset Textured White 300 signed and numbered in pencil lower right margin edit

Sol LeWitt (American, 1928-2007) Forms Derived From a Cube (Colors Superimposed), Plate #12, 1991 color screenprint on Somerset Textured White 300 signed and numbered in pencil lower right margin edit

TAVERN ON THE GREEN (K.III.6), 1991, color screenprint, signed in pencil, numbered 228/500, image 28 ¾ x 36 ¼”, full margins, framed, in apparently good condition.

MAX BILL (1908 - 1994) ZANOTTA Pair of Sgabillo stools, Italy, 2000s Birch plywood Branded 17 3/4" x 15 3/4" x 11 1/2"

SUNSET OVER SUNSET, 1991, color screenprint, signed and numbered XXII/CLXV (22/165) in pencil, with Martin Lawrence Limited Editions blind stamp, MLE label on back, image 40 x 32”, full margins,