Medieval 'The Lamentation' from the Workshop of Tilman Riemenschneider

20TH CENTURY GERMAN AREA SCULPTOR A carved and painted wood Lamentation, in the style of Tilman Riemenschneider. . Cm 56,50 x 48,70 x 6,00.

Continental carved stone figure, Saint Sebastian, in the style of Tilman Riemenschneider (Germany, 1460-1531), mid 19th c., depicting Saint Sebastian with his hand bound to a tree, arrow wounds, drape

Orvieto; MacDonald, Early Christian & Byzantine Architecture; National Gallery of Art, Tilman Riemenschneider: Master Sculptor of the Late Middle Ages; The Basilica of St. Francis of Assisi: Glory and

(American, 1922-2010) signed in pencil and dated 1985 64-1/2"h x 42-1/4"w Provenance: Garner Tullis Workshop, New York, Santa Barbara, Urbino, Italy; Property from the Collection of Stephen and Stepha

6 ft Long French Antique / Vintage Medieval Style Wool Tapestry, after the 15th century tapestry entitled "Les Vendanges" or The Grape Harvest, from the 'Workshop on the Banks of the Loire' (tapestry)

Ca. 1300 AD The great helm is composed of five riveted sheets of iron, four of which stand upright and are covered with an overlapping oval-shaped, flat top. The round top rivets are hand-forged, foll

A SOUTH GERMAN PATINATED BRONZE FIGURAL FOUNTAIN GROUP OF HERCULES AND CERBERUS From the workshop of Max Labenwolf and Hans Reisinger, 16th century The three heads of Cerberus piped to emit water. hei

15th/16th century painting (oil on wood) of The Lamentation. The painting is 5.8" x 4.4", in a frame 12" x 10.5"./////////////////Provenance:Krzystof Postawa Estate.Descended directly and kept in the

XVII 17th century old master oil on canvas depicting the Stoning of Saint Stephen. This work, like one of Rembrandt's, is inspired by the martyrdom of Saint Stephen, as recounted in Acts 7. It demonst

Certificate attached. Oil on canvas, framed measurements: 132 x 110, canvas measurements: 114 x 92 cm.

Workshop of JUAN PANTOJA DE LA CRUZ (Valladolid, ca. 1553 - Madrid, 1608). "Portrait of Philip III. Oil on canvas. It has a descriptive label with attribution to Sanchez Coello on the back. Measuremen

Rare recamier or Grecian taste sofa attributed to the workshop of Duncan Phyfe, New York City, ca. 1805, with brass-nailed black horsehair upholstery within mahogany reeded frame and scrolling reeded

Lamentation (from Martha Graham) is a Screenprint printed on Lenox Museum Board, in 1986. It is Signed and numbered in pencil and stamped on the reverse. Also, blindstamped on front, by printer Rupert

YŪI WORKSHOP (ACTIVE LATE 19TH CENTURY) A Large Inlaid-Bronze Vase Meiji era (1868-1912), late 19th century The tapering ovoid body worked in iro-e takazōgan and hirazōgan with a rooste

Workshop of Della Robbia (Italian, 1399/1400-1482): A glazed terracotta armorial roundel Florence, early 16th century the sculpted tondo centred by a coat of arms on a blue Tuscan shield, within a wre

Atelier of FRANÇOIS HYACINTHE RIGAUD (Perpignan, 1659-1743). "Portrait of Marie Casimira. Oil on canvas. Size: 130 x 104 cm. The psychological capture of deep character in the look, the point of v

Workshop of Francesco Solimena (Canale di Serino, 1657 - Barra, Naples, 1747) "The Descent of Christ" Oil on canvas. Relined. 128 x 75 cm. Prince Eugene of Savoy commissioned various paintings by Soli

ca. 500–700 AD. Merovingian. A stunning gold ring comprising a circular band with flared shoulder and applied oval bezel set with a cabochon garnet gem; fully wearable condition. The item has underg

Vatican Workshop micro mosaic plaque of "Raphael". Framed early 20th century. A letter accompanying this and the mosaic of Christ, lot 374 also in this sale, states the plaques came from the Vatican M

An Attic red-figure lekythos Attributed to the Workshop of Brygos, circa 490-470 B.C. Depicting a bearded man with a fillet in his hair and wearing a himation, he leans on a knobbly staff holding a

14th century A.D. A large carved limestone statue of standing Virgin Mary carrying infant Jesus on her raised left arm; wearing a high crown with flowers and a veil, beautifully carved oval-face with

WORKSHOP OF CLAUDE MONET OIL PAINTING ON CANVAS, LANDSCAPE, SIGNED LOWER LEFT, APPROX 16" X 19" FRAMED

WORKSHOP OF CLAUDE MONET OIL PAINTING ON CANVAS, LANDSCAPE, SIGNED LOWER LEFT, APPROX 16" X 19" FRAMED

Ca. 1400 ADComposed of three iron plates riveted together, this helm enclosed the wearer's head. The vision was provided by a ridged, horizontal sight between the eyes for better protection. The cross