Merritt Mauzey (Am. 1897-1973), Days End, Ed. 15,

pencil titled and signed ed. 42/100 Jan 1925 Dimensions: original arts and crafts period frame. needs minor cleaning, tiny dark spot in field Weight: approx 10 x 10" image 16 x 15" overall

Length:8 11/16 in.(22cm), Height:14 15/16 in.(38cm) Provenance: Fukkosai Hirota (1897-1973) Collection Yasuzaemon Matsunaga (1875-1971)Collection For more information on and additional videos for this

Jim Dine (American, b. 1935) 'Rimbaud, Alchemy on Japanese Paper' 1973 Etching ed. 42 of 45, 20.5 x 15 (in). Signed and dated Jim Dine 1973 in pencil, lower middle.

Large pond yacht with varnished hull of a double ended design. Heavy lead keel, wood cradle, and full suit of sails. Hatch cover reads "Kross-Suthin". Overall Dimensions: 84" L x 15" W x 88" H *This l

Pablo Picasso (Spanish, 1881 - 1973) 'Nature Morte (A.R. 219)' 1953; Ceramic ed. of 400; 12.625 x 15.25 x 1.75 (in); Inscribed EDITION PICASSO, verso. Madoura Plein Feu stamp, verso.

Serial 3620886. 1973. Cal.1556 . Movement DD520132.Shipping in USA $ 15 + Insurance

(Spanish, 1881-1973). Glazed ceramic plate, 1947, stamped, marked and numbered "Madoura Plein Feu/ Edition Picasso/ I108/ ed. 176/200" underneath, 12 5/8 x 15 1/4 in., with metal plate hangerPrivate c

Lee Friedlander- "8-10: New York City 1963". a/c ed.75 plus a/c. Negative date 1963, print date 1973. Silver Gelatin print, 6.625" x 10". Paper size 15.5" x 20" Signed lower right. Copy of purchase in

Norah McGuinness HRHA (1901 - 1980) Days End on Dublin Bay Oil on canvas, 91.5 x 122 (35¾ x 48) Signed Provenance: With The Dawson Gallery, Dublin, label verso Norah McGuinness was one of a num

Haystacks and Powerlines, oil on masonite, 12 x 16, signed lower left: Mauzey

Patrick Heron (British, 1920-1999), January 1973: 15screenprint in colors, 1973, pencil signed, dated, and marked as artist's proof lower margin, with full margins, unframed. Image size 23 1/8 x 32 in

Thomas deDecker (1951-), A Summer's Day End, Oil on panel, 40 x 30, signed lower left: Thomas dEdecker verso: signed, titled, dated, Provenance: The Artist

CLEMENT MEADMORE Up Ended. Patinated welded steel, 1969. 1385x380x410 mm; 54½x15x16 inches. Edition of 4. Fabricated by Lippincott, Inc., North Haven, Connecticut, with the foundry stamp on the u

Height:7 11/16 in.(19.5cm), Provenance: Fukkosai Hirota (1897-1973) Collection Yasuzaemon Matsunaga (1875-1971)Collection For more information on and additional videos for this lot,please contact chin

Pair of Philip & Kelvin Laverne six-sided Chan Bronze side tables, etched with pewter overlay on bronze and patinated brass, signed, with glides under either end. [15 1/2" H x 10 1/4" W x 17 3/4" D].

Pablo Picasso "Peintre et modele qui se cache le visage" etching, 1968. Signed lower right and numbered lower left. Ed. 15/50. Plate: 8.125"H x 10.5"W; Sheet: 12.875"H x 16.125"W; Frame: 18.25"H x 21.

ALBERT SOLON (1897-1973) AIR FRANCE / GOLDEN CLIPPER. 1933. 39½x24½ inches, 100¼x62¼ cm. France-Affiches, Paris. Condition A: minor creases in margins; slight darkening at top left

"The Days End, River Elaune, Normandie," 1919 Oil on canvas Signed and dated lower left: G. Ames Aldrich; signed again, titled and with the artist's monogram in blue and red verso 27.5" H x 31.25"

(American, 1950-2011). "It's So Hard to be a Saint When You're Living in the City," 3-D lithographic collage, ed. 15/25, signed "James Rizzi" ll, dated 1980 lr, image size: 12 3/4 x 19 1/4 in., framed

G. Harvey (Gerald Harvey Jones, Texas, 1993-2017), "Cowhands on the Avenue", signed and numbered artist's proof giclee print on canvas, ed. 15/50, includes certificate of authenticity sight: 30 x 40

Bracelet features approx. 1.15ctw of diamonds and approx. 0.50ctw of rubies. Bracelet measures 7.75" end to end, 15.4mm wide. Buckle is 22.5mm wide. Marked Tiffany & Co., tested 14K. Weight -

From a New Rochelle, NY estate. Dimensions: Console: 26" h x 60" w x 20" d. Ends: 15.5" h x 18" w x 18" d.

Qing Dynasty Copper Coin (E) version. The casting of machine-made copper circles in the Qing Dynasty began in 1900 (the twenty-sixth year of Guangxu in the Qing Dynasty) and ended in 1911 (the third y

Late 19th century, 214 x 166 cm, South West Caucasus The village population of Transcaucasia showed great persistence in adhering to their traditional rug designs. This continuity only ended with the