Mortimer Borne, Nova Scotia with Pine, Drypoint

Mortimer Borne, Nova Scotia, Color Drypoint , 1947. Mortimer Borne was born in Rypin, Poland in 1902 and emigrated to the US in 1916. He studied at the National Academy of Design, The Art Students Lea

MORTIMER BORNE Two drypoints. Rainy Night, 1939. 250x175 mm; 9x7 inches, wide margins. Edition of 25. Signed in pencil, lower right * Restless Night, 1940. 154x190 mm; 6x7½ inches, wide margins.

Lunenburg, Nova Scotia. Ash, pine. Round splint box from Lunenburg, Nova Scotia with nailed ash sides and pine lid and bottom. Wooden pins secure the base on the top. The round box is painted blue, bl

MORTIMER BORNE (NY 1902-1987), DRYPOINT ETCHING, MIDDLE EASTERN MARKET, BIO-VERSO. 6 1/2 X 4 1/2"; FRAMED AND GLAZED-21 1/2 X 17 1/2"

A 19th century small pine dresser in blue paint showing a curvilinear shaped top over a conforming frieze and 3 tiers of small drawers. Dimensions, 34.5" high x 45" wide x 19.75" deep. Nova Scotia, ci

A 19th century small pine dresser in blue paint, showing a curvilinear shaped top over a conforming frieze fitted with 3 short drawers, over a pair of panelled cupboard doors, all with turned pulls, r

"Small Pine Baddeck, Nova Scotia" watercolor on artist paper 26 x 20 1/2 inches, titled verso, unsigned, unframed. Estate stamped.

Lunenburg County, Nova Scotia. C. 1980. Polychromed wood, pine base. A smaller scale work by folk artist Collins Eisenhauer; one of many that very rarely come to market. Here is a carving of an owl, p

A dramatic pine side table with a boldly scalloped top and skirt and turned legs from the Mahone Bay area of Nova Scotia. In original red and black grained paint with faint yellow decorative striping.

A three-drawer jewelry chest in pine with a scalloped base, porcelain knobs and in a dark crackled varnish surface. Dovetailed drawers, nice construction. Nova Scotia, circa 1860. H: 10"; W/L: 10"; D/

American (New York), 20th Century. Drypoint etching. signed. Rainy night scene. Some toning. Framed, 20.75"h. 16.25"w.

William Glackens (American, 1870-1938) Nova Scotia, 1903 oil on panel inscribed WG/by EG [Edith Dimock Glackens] on the reverse, and dated and titled St. Pierre Michelin off coast of New Foundland on

Day, Forshaw (1837-1903) Indian Encampment, Nova Scotia Description: Oil on canvas, initialed on lower right FD, sticker of the gallery Walter Klinkhoff on the back Dimension (PO): 9" x 13" Dimension

A rare and significant circa 1840 Moses Barrett (Amherst, Nova Scotia) "triple decker" mantel clock with heraldic (carved empire lions) splat and carved columns. Retains correct 8-day Silas Hoadley Am

Goldeneye drake from Lunenburg, Nova Scotia. Similar, but simpler than work of Edwin Backman. 13.75" long. Provenance: Guyette collection. Old tag on underside indicates decoy was purchased at a Chris

Maurice Haycock (1900 - 1988) Oil / Canvas Signed measures 24x18 inches

JOHN NEVILLE (Contemporary Nova Scotia / Maine) - "First One Out, Last One In", oil on canvas, signed lower right and dated '99, in gold mitered frame with linen liner, OS: 27" x 39", SS: 23 1/2" x 35

Screenprint, signed and titled in pencil, published by Glasgow Print Studio(the sheet 54cm x 77cm (21.25in x 30.25in), unframed)

Ernest Lawson (1873 - 1939) Nova Scotia Oil on Canvas Measure 14"in H x 29 1/2"in W and 16 1/2"in H x 32"in W with frame Known for: Landscape, floral, genre and nocturne painting Biography: Ernest Law

LINDSEY LEVY MERGANSER HEN DECOYLittle Tancook Island, Nova Scotia, 1892-1980Original paint with gunning wear.Length 15.5”. Illustrated:Decoys: A North American Survey by Gene and Linda Kang

Canada. Accumulation of New Brunswick, New Foundland, Nova Scotia, Prince Edward Island, 1860's to 1940's. Generally circulated material from Victoria to George VI. A nice assortment of material great

Edward Hill (American, 1843-1923). Bay of Fundy, 1896. Oil on canvas, signed "Edward Hill/ 96" lower right," (16 x 24 inches). Frame: H: 21.125 in., W: 29.25 in., D: 2.625 in. Provenance: The Little G

Ralph Avery (American, 1906-1976) Nova Scotia. Oil on artist board. Signed 'Ralph Avery' (lower right). 16" x 20".

Fine group of four letters and documents pertaining to Capr. FRANCIS LEWIS of the Nova Scotia Fencibles, heavily engaged at the Battle of Sacket's Harbor on April 27, 1813. The grouping includes: FRAN