N. PIGEAT OIL ON BOARD

Geometric shapes on dark background. Initialed and possibly dated on center left. 19.5" X 15.5" (23" X 19")

CLARENCE KERR CHATTERTON (AMERICAN, 1880-1973)Main Street- Beacon, N.Y.Oil on board, signed lower left. Heavy impasto cityscape with throngs of shoppers, a horse-drawn carriage in the street. Gilt fra

WALTER FARNDONNew York, 1876-1964Double-sided work, depicting a harbor scene on obverse and a house on the water on reverse. Both signed lower right "Walter Farndon N.A.".Oil on board, 14&qu

Dorothy Lake Gregory (1893-1975) Abstracted Still Life, n.d. Oil on board Unsigned 100% of proceeds from this sale go to PAAM

"Alone in the Crowd"; n.d.; Oil on Board; 23.5" x 28.5"; Signed Lower Right; Framed; Note: "Edward S. Frisch, LTD" label on verso.

"Sunday School"; n.d.; Oil on Board; 19.75" x 23.25"; Signed Lower Right ("Kelly"?); Framed; Note: paint surface touch up lower right.

Storm clearing outer Blue Rocks, N.S. , oil on board, 16 x 20 inches, signed lower left, titled and signed verso.

Hugo Breul (American, 1854-1910). "Rocky Coastline", n.d. Oil on board. Signed lower left. Dimensions: 11" x 14 3/4". Condition: Fair. Minor paint loss upper right corner. Situated along Narragansett

Smith (American, 19th c.), n.d. Oil on board depicting an elderly woman with eyeglasses perched at the end of her nose. Signed and dated "Smith 1890" lower left. Image appears to be in relatively good

"Farmer"; n.d.; Oil on Board; 19.75" x 14.25"; Unsigned; Framed.

"Still Life"; n.d.; Oil on Board; 12.5" x 14.75"; Signed Lower Right; Framed.

Veronica Nemethy, Listed American, Oil Still Life. Early work by this artist signed with initals "V N"; oil on board painting. Provenance : acquired directly from the Nemethy family. Size: 20 x 10 Lis

Veronica Nemethy, Listed American, Oil Still Life. Early work by this artist signed with initals "V N"; oil on board painting. Provenance : acquired directly from the Nemethy family. Size: 18.5 x 12,

Lawton White (American, 20th century), "Night Beat, N.Y." oil on board, signed and titled verso, overall (framed): 26"h x 34.75"w

WEASEL ARROW (American 1892-1948) "Toas n Mex" Oil on board. 6 1/8 x 9 1/4 inches; Frame: 10 3/4 x 13 3/4 inches. Signed and titled l/r.

Signed "N. Adler". Oil on board. Sight: 10 3/4" x 14 1/4". Frame: 15 1/2" x 19". Oil on board painting of a horse in a stable. Signed lower right, appears to read "N. Adler".

N. BERTIN, OIL ON BOARD, H 9 1/4", W 7 1/2":Depicting a canal scene and bridge. Framed and signed in the lower right corner, overall H.16" by 13 1/2". For a high resolution photo

Venetian canal scene oil on board. Signed lower left N. Bertin. 11 1/2" x 15 1/2" (with frame 19" x 23").

Signed and also numbered 0758 with Copyright. Pensive Chess Playing Skeleton. 24 x 36

Landscape with mountains and houses on a hill. Signed lower right. 17.25" X 22" (21" X 26")

Guy Wiggins N.A., attributed, Oil on Board Painting " St. Patrick's Winter Snow" . Signed on front, and signed and titled on back. Framed. size: 16 x 12, 23.5 x 19.5 outside frame. ASKart: Guy Carleto

Mark D. Boyle (American, b. 1960) Catch-n-Release oil on board signed Mark Boyle (lower left) 12 x 16 inches The Laumeister Collection from The Bennington Center for the Arts, Bennington, Vermont

"Queensboro Bridge" (Lee's Lumberyard, N.Y. , 1929) Oil on board. Provenance: acquired at Marbella Gallery in NYC. Robert Hallowell was active in New York and Colorado, and is known for paintings of c

Maurice Haycock (1900-1988 Canadian) ''Resolute Bay from Hill to N.E.'' 1974 Oil on Board 11''x14'' Image. Impressionist landscape signed and dated l.r. corner. Inscribed on verso. Total framed size 1