O/C "The Kosciusko Monument," E.C. Coates, 1854

FRAMED O/C LANDSCAPE SGND E.C. COATES 1860 36" X 28 1/2"

Mason, Max W. (American), oil on canvas, 20th century, depicting Monument Valley, artist signed and dated Mason '95 at lower left, 58"h x 44"l, overall size including frame, 64"h x 49.75"w x 1.5"d.

Edmund C. Coates, "Untitled (Landscape with view of harbor)" oil on canvas mounted on Masonite, 1867. Signed and dated lower right, "EC Coates 1867". Board: 31"H x 46.125"W; Frame: 40"H x 55"W. Edmund

English/American, 1816-1871 Figures on a Country Road, 1864 Signed EC Coates and dated 1864 (ll) Oil on canvas 24 x 36 inches Framed; 33 1/2 x 45 3/4 inches

Helen La France (Kentucky, 1919-2020) oil on canvas painting depicting the Wooldridge Monuments in Maplewood Cemetery in Mayfield, Kentucky. The National Historical Register site features marble and l

JAMES HENRY MOSERMassachusetts, 1854-1913“Autumn - Monument Mtn. Berkshires”. Signed lower left “JH Moser”. Titled verso.Oil on canvas, 6” x 8”. Framed 10” x 12”.

Archway, Casa del Gobernador Uxmal Plate 10. Frederick Catherwood (1799-1854). From Views of Ancient Monuments in Central America, Chiapas and Yucatan. Hand-colored lithograph. London, 1844. 15 x 11 1

Walter Launt Palmer (1854-1932). A vertical format scene of Venice. Signed and dated (1881) LR. Also written or signed and titled on stretcher wood verso. Giltwood frame with linen liner.sight 23.25"

Lovell Birge Harrison, American, 1854-1929, Flowering Tree at Dusk, oil on canvas [RHOS8100] (MM) Dimensions: 15 x 20, framed 20 x 25

J. M. Schenker, Swiss, 1854-1927, Medieval City on Stormy Coast, oil on canvas, signed and inscribed Dresden. Provenance: Skinner, May 20, 2005, lot 66, hammer price $3000 (HGIB6003) {TC}(HGIB) Dimens

George A Hays (RI/MA, 1854-1945 18x26 , O/C , signed lower left , "Cows in the Pasture" , Inscribed: titled, dated 1911 en verso, Condition: some crazing in sky, yellowed varnish, would benefit from c

RHODE ISLAND/GERMANY, 1854-1910 An oil on canvas portrait study painting of a lioness by Hugo Bruel. The work depicts a female lion with mouth open and exposed incisors executed in an Impressionist st

George Paice. English, 1854-1925, "Birthright", portrait of a thoroughbred stallion, oil on canvas, signed and titled lower right. NOTE: the artist a prominent equine painter in Great Britain(TPOL7000

Hirschberg, Carl (Germany/United States, 1854-1923). Late 19th/early 20th century. Oil on canvas. landscape scene of a garden with a house in the background. Signed l.r.

JOSEPH NASH (BRITISH 1809-1878) PETER SCHEEMAKER’S MONUMENT, ST MARY’S BEAMINSTER Signed and dated ‘Joseph Nash 1854,' pencil and watercolour (52.1cm x 36.8cm (20.5in x 14.5in))

Frederick Catherwood (1799-1854) "Well at Bolonchen" from the "Views of Ancient Monuments in Central America Chipas and Yucatan." Hand colored tinted Lithograph, trimmed to the image an mounted on car

Artist: KAWS Title: Untitled IX (Urge) Year: 2020 Dimensions: 17 1/2in. by 12in. Edition: From the Rare Limited Edition of 250 Suite: Urge Medium:

Artist: Georges Braque Title: Choucas Filet Noir Year: 1962 Dimensions: 18 5/8in. by 14 1/4in. Edition: From the Rare Limited Edition of 70 Publisher: Louis Br

Monumental late 18th or early 19th century oil on canvas, titled "Diana and Endymion" depicting the awakening of Endymion by Diana, unsigned, possibly a follower or student of Franz Christoph Janneck,

Monument of Legaspi and Urdaneta signed and dated 1923 (lower right) oil on panel 9 1/2" x 12 1/2" (24 cm x 31 cm) Accompanied by a certificate issued by Mrs. Sylvia Amorsolo-Lazoconfirming the authen

18th century oil on canvas, depicting a shepherd resting with his flock, attributed to Philipp Peter Roos, (German-Italian, 1655/57-1706), 60"h x 87"w, overall size including frame 65"h x 93"w x 6"d.

Robert Beauchamp (American / New York 1923-1995) "Number Thirty Seven", 1982/83, oil on canvas, signed and dated en verso, framed. Provenance: Private Collection, Atlanta, GA; acquired from Fay Gold G

19TH C. OIL ON CANVAS PORTRAIT OF GEORGE WASHINGTON AFTER FAMOUS PORTRAIT BY GILBERT STUART (AMERICAN 1755-1822), FRAMED AND UNDER GLASS; PROVENANCE: EX-CHRISTIES MARCH 1983, TO CURRENT OWNER BY DESCE

PAIR OF 18TH C. DUTCH/FLEMISH OIL ON CANVAS GRAND PARLOR PAINTINGS HAVING CENTER VIGNETTES OF WELL COSTUMED FIGURES IN COURTING SCENES ENCOMPASSED WITHIN A FLORAL AND BAROQUE PAINTED FRAMED SILHOUETTE