PABLO PICASSO Le Viol. Etching, 1931. 223x310 mm; 8¾x12¼ inches, full margins. Edition of

PABLO PICASSO Deux Femmes nues dans un Arbre. Etching, 1931. 375x297 mm; 14¾x11¾ inches, full margins. Signed and numbered 2/100 in ink, lower margin. A very good impression of this large, e

PABLO PICASSO Figures. Etching, 1927. 194x277 mm; 7 5/8x11 inches, full margins. Artist's proof, aside from the edition of 50. Printed by Frélaut, Paris. Published by Louise Leiris, Paris. A very

JOHN SLOAN Robert Henri, Painter. Etching, 1931. 355x279 mm; 14x11 inches, full margins. Eighth state (of 8). Edition of 60 (from an intended edition of 100). Signed and inscribed "100 proofs" in penc

JOHN TAYLOR ARMS Venetian Filigree. Etching, 1931. 274x278 mm; 10¾x11 inches, full margins. Second state (of 2). Edition of 139. Signed, dated and dedicated in pencil, lower margin. A brilliant,

PABLO PICASSO Salomé. Drypoint, 1905. 405x350 mm; 16x13¾ inches, full margins. Edition of 250. Van Gelder watermark. Printed by Louis Fort, Paris. Published by Vollard, Paris. From La Suite

PABLO PICASSO Morte au Soleil, IV. Drypoint and lavis on cream laid paper, 1933. 200x280 mm; 8x11 inches, full margins. Edition of 260. Signed in pencil, lower right. Picasso watermark. Printed by Lac

PABLO PICASSO Séries 156:122 (Barbu fantasmant, femmes, homme, et homme Grec au corps de femme). Etching, 1971. 365x490 mm; 14x19¼ inches, full margins. With the artist's signature ink stamp

According to Swann's Auction when this sold March 10th, 2005: PABLO PICASSO 'Tête.' Drypoint, 1949. 330 x 255 mm; 13 x 101/8 inches (sheet), full margins. Edition of 320. Bearing a signature in pen

PABLO PICASSO (after)Intériour Rouge avec un Transatlantique Bleu.Color aquatint, 2 impressions, and 2 original copper etching plates, circa 1960. 405x325 mm; 16x12¾ inches, full margins. On

PABLO PICASSO Les Saltimbanques. Drypoint, 1905. 286x330 mm; 11¼x13 inches, full margins. Edition of 250. Printed by Louis Fort, Paris. Published by Vollard, Paris. From La Suite des Saltimbanque

A PABLO PICASSO Le Vieux Roi original lithograph. 1959 published lithograph. Measurement: 655x503 mm; 25 3/4x19 7/8 inches, wide margins. Edition of 1000. With the artist's red ink stamp signature, lo

Pablo Picasso (Spanish 1881-1973) ''Trois Nus Debout'' etching, 1927, signed in pencil, edition of 340, published by Vollard, Paris, from 'Le Chef-d'Ouvre Inconnu', full margins. 7 3/4 x 11'' Provena

HOWARD COOK New York Night. Lithograph, 1931. 253x305 mm; 9x12 inches, full margins. Edition of 35 (from an intended edition of 75). Signed, dated and dedicated "To George Miller, in deep appreciation

ROCKWELL KENT Home Port. Wood engraving, 1931. 165x188 mm; 6½x7 inches, full margins. Edition of 150. Signed in pencil, lower right. A very good, evenly-printed and dark impression. Burne-Jones 6

EDWARD HOPPER Night Shadows. Etching, 1921. 175x210 mm; 7x8¼ inches, full margins. Edition of approximately 500. Signed in pencil, lower right. Published by The New Republic, New York. A brillian

MARTIN LEWIS Under the Street Lamp. Etching, 1928. 380x240 mm; 14x9 inches, full margins. Edition of approximately 83. Signed in pencil, lower right. A superb, richly-inked impression.Lewis (1881-1962

JOHN MARIN Brooklyn Bridge, No. 6 (Swaying). Etching, 1913. 272x222 mm; 11x9 inches, full margins. Edition of approximately only 12. Signed in pencil, lower right. Published by Alfred Stieglitz, 291 F

RUFINO TAMAYO Hombre Contemplando la Luna. Aquatint and etching, 1947. 200x147 mm; 8x5 inches, full margins. Edition of 80. Signed in pencil, lower right. Published by The Quadrangle Press, New York.

JOHN SLOAN Turning Out the Light. Etching, 1905. 127x178 mm; 5x7 inches, full margins. Edition of 110 (from an intended edition of 100). Signed, titled and inscribed "100 proofs" in pencil, lower marg

HOWARD COOK Queensboro Bridge. Etching and aquatint, 1930. 277x184 mm; 10x7¼ inches, full margins. Edition of 40 (from an intended edition of 50). Signed, dated, numbered 21/50 and inscribed "imp

LE CORBUSIER New York. Etching, 1946. 90x140 mm; 3½x5½ inches, full margins. Signed, inscribed "ep. 1" and numbered 16/20 in pencil, lower margin. Dedicated "pour Helena" and initialed in pe

JOHN SLOAN Night Windows. Etching, 1910. 136x179 mm; 5¼x7 inches, full margins. Fifth state (of 5). Edition of 110 (from an intended edition of 100). Signed in pencil, lower right. A superb, dark

JOHN SLOAN Snowstorm in the Village. Etching, 1925. 177x128 mm; 7x5 inches, full margins. Third state (of 3). Edition of 100. Signed, titled and inscribed "100 proofs" and signed by the printer, Ernes

PAUL CADMUS (1904-1999) Two Boys on a Beach, No. 2. Etching on greenish gray laid paper. 162x230 mm; 6x9 inches, full margins. Edition of 151. Signed in pencil, lower right. Published by the Albany Pr