William Keith Paintings

Painting, William Keith, The Clearing First Image

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Painting, William Keith, The Clearing First Image

Painting, William Keith, The Clearing

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Painting, William Keith (1 of 6)

Painting, William Keith William Keith (American, 1838-1911), Untitled (Cows in a Clearing), oil on canvas, signed lower right, canvas: 12"h x 16"w, overall (with frame): 16"h x 19.5"w. Note: Butterfield and Butterfield origi

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Painting, William Keith (1 of 3)

Painting, William Keith William Keith (American 1838-1911), View of Mount Shasta, oil on canvas, signed lower right, canvas: 16"h x 21"w, overall (with frame): 22"h x 27.25"w

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Painting, William Keith (1 of 4)

Painting, William Keith William Keith (American, 1838-1911), Untitled (Bucolic Landscape), oil on canvas, signed lower left, canvas: 16"h x 25"w, overall (with frame): 25"h x 34"w

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Painting, William Keith (1 of 5)

Painting, William Keith William Keith (American, 1838-1911), Evening Oaks, oil on canvas, signed lower left, canvas: 22"h x 28"w, overall (with frame): 34.5"h x 40"w

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Painting, William Keith (1 of 4)

Painting, William Keith William Keith (American, 1838-1911), Mountain Storm with Figures, oil on board, signed lower right, sight: 10.5"h x 13"w, overall (with frame): 15.25"h x 18"w

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Painting, William Keith (1 of 4)

Painting, William Keith William Keith (American, 1838-1911), Path Through the Oaks, oil on canvas, signed lower right, canvas: 20"h x 30"w, overall (with frame): 34"h x 4"w

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Painting, William Keith (1 of 4)

Painting, William Keith William Keith (American, 1838-1911), Late Afternoon (Berkeley, California), oil on canvas, signed lower left, sight: 18"h x 26"w, overall (with frame): 24.25"h x 32.25"w

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Painting, William Keith (1 of 6)

Painting, William Keith William Keith (American, 1838-1911), Untitled (Cows at a Watering Hole), oil on canvas, artist title placard affixed lower center, canvas: 20"h x 20"w, overall (with frame): 27.5"h x 27.5"w. Note: But

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Painting, William Keith (1 of 4)

Painting, William Keith William Keith (American, 1838-1911), Woods at Dusk, 1898, oil on board, signed and dated lower right, board: 21"h x 26"w, overall (with frame): 27"h x 31"w

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Painting, William Keith (1 of 4)

Painting, William Keith William Keith (American/Scottish, 1838-1911), Untitled (Landscape with Farmhouse), oil on canvas, signed lower left, canvas: 18"h x 25.25"w, overall (with frame): 24.5"h x 32.5"w

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Painting, William Keith (1 of 4)

Painting, William Keith William Keith (American/Scottish, 1838-1911), Forest Interior with Figures, oil on canvas, unsigned, canvas: 11.75"h x 9.25"w, overall (with frame): 16.25"h x 13.75"w

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Painting, William Keith (1 of 4)

Painting, William Keith William Keith (American, 1838-1911), Forest Interior, oil on canvas, signed lower right, sight: 19.25"h x 29"w, overall (with frame): 33"h x 43"w.

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Painting, William Keith (1 of 4)

Painting, William Keith William Keith (American, 1838-1911), Late Afternoon Figures Picnicking with Cows, oil on canvas, signed lower left, canvas: 10"h x 12"w, overall (with frame): 13.5"h x 15.5"w

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Painting, William Keith (1 of 4)

Painting, William Keith William Keith (Scottish/American, 1838-1911), Untitled (Landscape), oil on canvas, signed lower left, canvas: 7"h x 10"w, overall (with frame): 12.5"h x 15.5"w

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William Keith (1838-1911) Clearing with Mt. Tamalpais Beyond 24 x 36 in. framed 36 x 46 in. (1 of 2)

William Keith (1838-1911) Clearing with Mt. Tamalpais Beyond 24 x 36 in. framed 36 x 46 in.William Keith (1838-1911) Clearing with Mt. Tamalpais Beyond signed 'W. Keith / S.F.' (lower right) oil on canvas 24 x 36 in. framed 36 x 46 in. Footnotes: Provenance Rainone Galleries, Inc., Arlingto

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ANTIQUE PAINTING BY WILLIAM KEITH (1 of 2)

ANTIQUE PAINTING BY WILLIAM KEITH ANTIQUE PAINTING BY WILLIAM KEITHAntique oil painting on canvas laid on board by William Keith (American 1838-1911); depicting a dark landscape, with a lone figure standing near water's edge, the surf

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Painting, After William Keith (1 of 1)

Painting, After William Keith After William Keith (Scottish/American 1838-1911) Trees and brook, oil on canvas, bears signature lower right, overall (with frame): 16.5"h x 24"w

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The Californiacs by Inez Haynes Irwin 1919 (1 of 6)

The Californiacs by Inez Haynes Irwin 1919 The Californiacs by Inez Haynes Irwin. 1919. A. M. Robertson, San Francisco. 63 pp. with tipped-in frontispiece from the painting of William Keith. Brown paperboards with gray lettering and design. Ow

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Walking in the Woods, William Keith Painting. (1 of 5)

Walking in the Woods, William Keith Painting.William Keith (Scotland / America, 1838-1911). This antique oil painting on canvas is signed, "W. Keith", lower left. It depicts a woman and child gathering wood in a forest scene. Attached en verso i

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Painting, Manner of William Keith (1 of 1)

Painting, Manner of William Keith Manner of William Keith (Scottish/American, 1838-1911), Landscape with Animals, oil on canvas, bears signature lower right, overall (with frame): 25"h x 31"w

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Painting, Attributed to William Keith (1 of 6)

Painting, Attributed to William Keith Attributed to William Keith (American, 1838-1911), “Mission of the Conception,” oil on canvas, unsigned, titled verso, inscribed verso, canvas: 16.5"h x 24"w, overall (with frame): 22"h x 29.25"w.

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Painting, Attributed to William Keith (1 of 3)

Painting, Attributed to William Keith Attributed to William Keith (American, 1838-1911), Mount Shasta, oil on board, unsigned, board: 18"h x 24"w, overall (framed): 22.5"h x 28.25"w

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William Keith (CA,Scotland,1838-1911) oil painting antique (1 of 17)

William Keith (CA,Scotland,1838-1911) oil painting antique ARTIST: William Keith (California, Scottish, British, 1838 - 1911) NAME: Autumn Landscape MEDIUM: oil on canvas CONDITION: Repaired tear 2 1/2" long. One scratch 3 1/2" long. Some scattered inpainting

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William Keith Impressionist Landscape Painting (1 of 9)

William Keith Impressionist Landscape Painting William Keith Scotland, California,1838-1911 Plein air depiction of animals grazing on the other side of a sparkling body of water framed by trees bathed in dawn light. Keith's two main influences wer

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